The Harlowe Family, from Samuel Richardson's "Clarissa"
between 1745 and 1747
Not on view
3
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
4
George Stubbs, 1724–1806
The Farmer's Wife and the Raven
1788
5
George Romney, 1734–1802
Paradise Lost Sketchbook
ca. 1793
6
Henry Courtney Selous, 1811–1890
Illustration to Pilgrim's Progress, 10. (The Pilgrim in the Armory)
undated
7
William Henry Pyne, 1769–1843
An Illustration to Rob Roy: Interior with a Party Drinking
undated
8
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
undated
9
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
undated
10
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'
undated
11
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"
undated
12
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
13
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page
undated
14
Print made by George Cruikshank, 1792–1878
Jack Sheppard Tricking Shotbolt, the Gaoler
1839
15
Print made by Robert Thew, 1758–1802
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
16
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
17
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
18
Print made by George Cruikshank, 1792–1878
Jack Sheppard Exhibits a Vindictive Character
1835
19
Print made by William Faithorne the Younger, ca. 1669–1703
Sylvio and Dorinda
between 1680 and 1703
20
Print made by Benjamin Fawcett, 1808–1893
Scene Illustration: Milton's 'L'Allegro'
between 1860 and 1885
21
Print made by William Faithorne the Younger, ca. 1669–1703
Sylvio and Dorinda
between 1752 and 1768
22
Francesco Bartolozzi, 1728–1815
Title page: L'Amico' de Fanciulli, Vol. III
1788
23
Francesco Bartolozzi, 1728–1815
August
1793
24
Print made by William Finden, 1787–1852
Travelling Musicians
1830
25
Print made by John Horsburgh, 1791–1869
Bermerside
1834
26
Print made by John Horsburgh, 1791–1869
Bemerside Tower
1834
27
Print made by William Miller, 1796–1882
The Dead Eagle - Oran
1837
28
Print made by William Finden, 1787–1852
Jorasse
1830
29
Print made by Daniel Allen, active 1830s
A Rural Entertainment
1830
30
Print made by John Henry Robinson, 1796–1871
Children on the Sea Shore
1830
31
Print made by John Henry Robinson, 1796–1871
The Tarentella
1830
32
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
33
Print made by Francesco Bartolozzi, 1728–1815
The Cottagers
1794
34
Edward Robert Hughes, 1851–1914
Portia
undated
35
Print made by Nathaniel Hone, 1718–1784
Monachum Non Facit Cucullus - The Cowl Does Not Make the Monk
1772
36
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
37
Print made by Henry Thomas Alken, 1785–1851
The Lover
1824
38
Print made by Henry Thomas Alken, 1785–1851
The Justice
1824
39
Print made by Henry Thomas Alken, 1785–1851
The Infant
1824
40
Print made by William Miller, 1796–1882
The Dead Eagle - Oran (Vignette)
1837
41
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
42
Francesco Bartolozzi, 1728–1815
October
1793
43
Francesco Bartolozzi, 1728–1815
June
1789
44
Francesco Bartolozzi, 1728–1815
July
1789
45
Francesco Bartolozzi, 1728–1815
September
1793
46
Francesco Bartolozzi, 1728–1815
Joseph Andrews
1781
47
Francesco Bartolozzi, 1728–1815
February
1793
48
Francesco Bartolozzi, 1728–1815
Poetry And History, Presenting Painting, With Subjects For Her Pencil
1794
49
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
50
Francesco Bartolozzi, 1728–1815
Ticket: For The Benefit Of Mad' Banti
1795
51
Print made by John Horsburgh, 1791–1869
Bemerside Tower
1834
52
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
53
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
1785
54
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
55
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
56
Print made by John Horsburgh, 1791–1869
Bermerside
1834
57
John Horsburgh, 1791–1869
Bermerside
1834
58
Francesco Bartolozzi, 1728–1815
Concert Ticket For The Benefit of Madame Banti
1795
59
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
60
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
61
John Horsburgh, 1791–1869
Bermerside
1834
62
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower