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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsGenre literary theme
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1
- Design for the Dust Jacket of 'Between the Acts' by Virginia Woolf
- ca. 1941
2
- Oberon and Titania
- 1837
3
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
4
- Night the Second. On Time, Death and Friendship; Title Page
- ca. 1797
5
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
6
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
7
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
8
- Night the Third. Narcissa; Title Page
- ca. 1797
9
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
10
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
11
- Songs of Experience, Frontispiece (Plate 32)
- 1794
12
- Title Page, Visions of the Daughters of Albion (Plate 2)
- 1793
13
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
14
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
15
- The Little Black Boy (Plate 30)
- 1789
16
- "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
- 1804 to 1820
17
- The Serpent who Girds the Earth (Design 77)
- between 1797 and 1798
18
- "Fear to stop, and shame to fly..." (Design 91)
- between 1797 and 1798
19
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
20
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
21
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
22
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
23
- The Ecchoing Green (Plate 10)
- 1789
24
- The Divine Image (Plate 12)
- 1789
25
- On Anothers Sorrow (Plate 24)
- 1789
26
- Spring (Plate 26)
- 1789
27
- "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
- between 1797 and 1798
28
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
29
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
30
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
31
- A Welch Bard (Design 53)
- between 1797 and 1798
32
- "Midst the tide, Two angel forms were seen to glide..." (Design 7)
- between 1797 and 1798
33
- "Hurry, hurry, to the field!" Design 75)
- between 1797 and 1798
34
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
35
- Fame (Design 93)
- between 1797 and 1798
36
- Night (Plate 16)
- 1789
37
- Nurse's Song (Plate 22)
- 1789
38
- "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
- between 1797 and 1798
39
- "Up stairs in a whirlwind rattle..." (Design 29)
- between 1797 and 1798
40
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
41
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
42
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
43
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
44
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
45
- "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
- between 1797 and 1798
46
- "We the reins to slaughter give..." (Design 73)
- between 1797 and 1798
47
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
48
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
49
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
50
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
51
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
52
- A Circular Dance (Design 23)
- between 1797 and 1798
53
- "A brace of warriors... rustling in their silks and tissues..."(Design 27)
- between 1797 and 1798
54
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
55
- "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
- between 1797 and 1798
56
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
57
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
58
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
59
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
60
- A Standard Bearer Fainting in the Routed Battle (Design 87)
- between 1797 and 1798
61
- The Bard Singing Owen's Praise (Design 89)
- between 1797 and 1798
62
- The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
- between 1797 and 1798
63
- The Little Girl Found (Plate 6)
- 1789
64
- Laughing Song (Plate 28)
- 1789
65
- "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
- 1804 to 1820
66
- "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
- 1804 to 1820
67
- "From every-one of the Four Regions..." (Plate 18)
- 1804 to 1820
68
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
69
- "But when they saw Albion fall'n..." (Plate 20)
- 1804 to 1820
70
- "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
- 1804 to 1820
71
- "To the Jews..." (Plate 27)
- 1804 to 1820
72
- "Then the Divine Vision like a silent Sun..." (Plate 29)
- 1804 to 1820
73
- "What have I said? What have I done?..." (Plate 24)
- 1804 to 1820
74
- "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
- 1804 to 1820
75
- "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
- 1804 to 1820
76
- "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
- 1804 to 1820
77
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
78
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
79
- "And that toward Eden, four..." (Plate 13)
- 1804 to 1820
80
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
81
- "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
- 1804 to 1820
82
- "Why wilt thou give to her a Body..." (Plate 12)
- 1804 to 1820
83
- "Albion thy fear has made me tremble..." (Plate 22)
- 1804 to 1820
84
- "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
- 1804 to 1820
85
- "His Children exil'd from his breast..." (Plate 19)
- 1804 to 1820
86
- America. A Prophecy, Plate 7, "Albions Angel stood...."
- 1793
87
- Thel's Motto (Plate 1)
- 1789
88
- Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
- 1789
89
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
90
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
91
- "Now comes the night of Enitharmons joy!..." (Plate 7)
- 1794
92
- Title Page, The First Book of Urizen (Plate 1)
- 1794
93
- Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
- 1794
94
- Title Page, The Book of Thel (Plate 2)
- 1789
95
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
96
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
97
- Fettered Urizen Weeping (Plate 3)
- 1794
98
- II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
- 1789
99
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
100
- The First Book of Urizen, Plate 4 (Bentley 24)
- 1794