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Materials & Techniques brown ink

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Collection Prints and Drawings

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John Constable A Recollection of the New R.A.
John Constable, 1776–1837
A Recollection of the New R.A
1837
Joseph Mallord William Turner The Straw Yard
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
Joseph Mallord William Turner High Street, Edinburgh
Joseph Mallord William Turner, 1775–1851
High Street, Edinburgh
ca. 1818
Edward Lear Salahiyeh
Edward Lear, 1812–1888
Salahiyeh
1867
Edward Lear Opposite Beni Hassan
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
George Romney Seated Woman
George Romney, 1734–1802
Seated Woman
undated
Richard Earlom A Landscape
Print made by Richard Earlom, 1743–1822
A Landscape
1817
John Thomas Smith Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
John Thomas Smith Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
John Thomas Smith Hogarth at Old Slaughter's Hobbing with Highmore the Painter
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
Sir James Thornhill A Scene at Windsor
Sir James Thornhill, 1675–1734
A Scene at Windsor
undated
Thomas Rowlandson Loading Sacks into a Cart
Thomas Rowlandson, 1756–1827
Loading Sacks into a Cart
undated
Sir David Wilkie Sketch for "Reading the Will"
Sir David Wilkie, 1785–1841
Sketch for "Reading the Will"
before 1820
Gangaram Chintaman Tambat Two Jeyties Fighting
Gangaram Chintaman Tambat, active 1790s
Two Jeyties Fighting
ca. 1792
Thomas Rowlandson Cat Like Courtship
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
Robert Dighton Bachelor's Hall
Robert Dighton, 1752–1814
Bachelor's Hall
undated
John Thomas Smith Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
John Thomas Smith Hogarth Engraving His Master's Shop-bill the Sign of the Angel
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
John Thomas Smith The Smock Exposed
John Thomas Smith, 1766–1833
The Smock Exposed
1817
John Thomas Smith Hogarth Drawing Sarah Malcolm
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
John Thomas Smith The Reconcilation
John Thomas Smith, 1766–1833
The Reconcilation
1817
John Thomas Smith Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
John Thomas Smith Hogarth Sitting to Roubiliac for His Bust
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
George Arnald Choquer
Print made by George Arnald, 1763–1841
Choquer
1821
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
Thomas Rowlandson Man with Barrow and Dog
after Thomas Rowlandson, 1756–1827
Man with Barrow and Dog
undated
Thomas Rowlandson A Village Scene outside a Church
Thomas Rowlandson, 1756–1827
A Village Scene outside a Church
undated
Thomas Rowlandson Parisian Street Figures
Thomas Rowlandson, 1756–1827
Parisian Street Figures
1786
Thomas Rowlandson A View at Blackwall
Thomas Rowlandson, 1756–1827
A View at Blackwall
undated
Thomas Rowlandson A Book Auction
Thomas Rowlandson, 1756–1827
A Book Auction
between 1810 and 1815
Thomas Rowlandson Henry Angelo and Madame Cain Fencing
Thomas Rowlandson, 1756–1827
Henry Angelo and Madame Cain Fencing
undated
James Seymour Sketches of a Hare, Horse, Stag, Man and Woman
James Seymour, 1702–1752
Sketches of a Hare, Horse, Stag, Man and Woman
undated
Thomas Rowlandson Nymphs at a Roman Bath
Thomas Rowlandson, 1756–1827
Nymphs at a Roman Bath
undated
Herbert A. Freeth Morenta
Print made by Herbert A. Freeth, 1912–1986
Morenta
1939