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Materials & Techniques etching (printing process)

Remove constraint Materials & Techniques: etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Fund

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Work Type intaglio print

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Subject Terms women

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Search Results

John Bell Diavoli Pescatori
Print made by John Bell, 1811–1895
Diavoli Pescatori
between 1838 and 1850
Cornelis Apostool Here Nature List'ning Stood
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
Daniel Berger Die Maussalle.... - "Hamlet," Act III, Scene II
Print made by Daniel Berger, 1744–1824
Die Maussalle.... - "Hamlet," Act III, Scene II
between 1778 and 1780
Augustus Fox The Dreams of the Youthful Shakespeare
Print made by Augustus Fox, 1800–1876
The Dreams of the Youthful Shakespeare
1827
George Cruikshank London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
Print made by George Cruikshank, 1792–1878
London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
after 1857
Pieter van den Berge Girls Singing
Print made by Pieter van den Berge, active 1689–1737
Girls Singing
undated
John Bell Charon's Boat
Print made by John Bell, 1811–1895
Charon's Boat
between 1838 and 1850
Lydia Bates A Choral Band
Print made by Lydia Bates, active 1784
A Choral Band
ca. 1777
Lydia Bates Little Missenden Church from the Southeast
Print made by Lydia Bates, active 1784
Little Missenden Church from the Southeast
1784
Edward Radclyffe Calais Pier
Print made by Edward Radclyffe, 1809–1863
Calais Pier
after 1832
Frederik Christiaan Bierweiler De Begraving
Print made by Frederik Christiaan Bierweiler, active 1800–1831
De Begraving
ca. 1820
George Arnald Dinant, No. 1: Southwest View
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
George Arnald Choquer
Print made by George Arnald, 1763–1841
Choquer
1821
George Arnald Meuse and Sambre, from the Gate of the Sambre
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
George Arnald Dinant, No. 1: Southwest View
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
George Arnald Choquer
Print made by George Arnald, 1763–1841
Choquer
1821
George Arnald Meuse and Sambre, from the Gate of the Sambre
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
Frederik Christiaan Bierweiler De Kruisiging
Print made by Frederik Christiaan Bierweiler, active 1800–1831
De Kruisiging
ca. 1820
James Heath "Then go, bid the huntsmen wake them with their horns"
James Heath, 1757–1834
"Then go, bid the huntsmen wake them with their horns"
1802
James Heath "Mark your divorce young sir, whom son I dare not call"
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"
1804
Georg Goldberg "Antony and Cleopatra," Act III, Scene XI
Georg Goldberg, 1830–1894
"Antony and Cleopatra," Act III, Scene XI
undated
William Greatbach Falstaff and his Friends
William Greatbach, Born 1802
Falstaff and his Friends
ca. 1868
James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
Peltro W. Tomkins The Three Witches
Peltro W. Tomkins, 1760–1840
The Three Witches
1786
Edward Radclyffe Peat-Gatherers
Print made by Edward Radclyffe, 1809–1863
Peat-Gatherers
undated
Johann Jacobus Haid Vie debauche de l'Enfant Prodigue
Print made by Johann Jacobus Haid, 1704–1767
Vie debauche de l'Enfant Prodigue
undated
Lydia Bates Deucalion and Pyrrha after the Flood
Print made by Lydia Bates, active 1784
Deucalion and Pyrrha after the Flood
1784
John Alexander Lot and His Family
Print made by John Alexander, 1686–before 1768
Lot and His Family
ca. 1718
John Copley Morning on a Hillside
Print made by John Copley, 1875–1950
Morning on a Hillside
1936