Materials & Techniques: line engraving / Genre: literary theme / Image Available: Available

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

Print made by William Blake, 1757–1827

Introduction to the Fables, The Shepherd and the Philosopher

1793

Print made by William Blake, 1757–1827

Fable VI. The Miser and Plutus

1793

Print made by William Blake, 1757–1827

Fable XIII. The Tame Stag

1793

Print made by William Blake, 1757–1827

Fable XXIV. The Butterfly and the Snail

1793

Print made by William Blake, 1757–1827

Fable XXII. The Goat Without a Beard

1793

Print made by William Blake, 1757–1827

Fable XXVIII. The Persian, the Sun, and the Cloud

1793

Print made by William Blake, 1757–1827

Fable XXX. The Setting-dog and the Partridge

1793

Print made by William Blake, 1757–1827

Fable XLI. The Owl and the Farmer

1793

Print made by William Blake, 1757–1827

Fable I. The Dog and the Fox

1793

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

Print made by William Blake, 1757–1827

Fable XII. Pan and Fortune

1793

Print made by William Blake, 1757–1827

Fable XVI. The Ravens, the Sexton, and the Earth-Worm

1793

Print made by William Blake, 1757–1827

Fable XVI. The Pin and the Needle

1793

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by William Finden, 1787–1852

Jorasse

1830

Print made by Edward Goodall, 1795–1870

Johnnie Armstrong's Tower

1834

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by Robert Brandard, 1805–1862

Jedburgh Abbey

1834

Print made by Edward Goodall, 1795–1870

Caerlaverock Castle

1834

Print made by Robert Wallis, 1794–1878

Kelso

1834

Print made by John Horsburgh, 1791–1869

Bermerside

1834

Print made by William Miller, 1796–1882

Dryburgh

1834

Print made by William Bernard Cooke, 1778–1855

Newark Castle

1834

Print made by William Miller, 1796–1882

Melrose

1834

Print made by William Miller, 1796–1882

Edinburgh from Blackford Hill

1834

Print made by William Miller, 1796–1882

Loch Katrine

1834

Print made by James T. Willmore, 1800–1863

Lochmaben Castle

1834

Print made by Robert Wallis, 1794–1878

Hermitage Castle

1834

Print made by John Horsburgh, 1791–1869

Ashestiel

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by William Miller, 1796–1882

Loch Achray

1834

Print made by Edward Webb, active 1805–1854

Bowes Tower

1834

Print made by Edward Goodall, 1795–1870

Fingal's Cave, Staffa

1834

Print made by Edward Goodall, 1795–1870

The Expulsion from Paradise

1835

Print made by Edward Goodall, 1795–1870

The Fall of the Rebel Angels

1835

Print made by Robert Brandard, 1805–1862

Mustering of the Warrior Angels

1835

Print made by Frederick Bacon, 1803–1887

The Temptation on the Pinnacle

1835

Print made by Edward Goodall, 1795–1870

Frontispiece for 'Pilgrim's Progress'

1836

Print made by John Cousen, 1804–1880

The Temptation on the Mountain

1835

Print made by Edward Goodall, 1795–1870

Ludlow Castle - Rising of the Water - Nymphs

1835

Print made by John Cousen, 1804–1880

The Temptation on the Mountain

1835

Print made by William Miller, 1796–1882

St. Michael's Mount - Shipwreck of Lycidas

1835

Print made by Edward Goodall, 1795–1870

Summer Eve - The Rainbow

1837

Print made by Edward Goodall, 1795–1870

Prague - Kosciusko

1837

Print made by Robert Wallis, 1794–1878

Sinai's Thunder

1837

Print made by Edward Goodall, 1795–1870

O'Connor's Child

1837

Print made by Edward Goodall, 1795–1870

A Swiss Valley

1837

Print made by Edward Goodall, 1795–1870

The Andes Coast

1837

Print made by Edward Goodall, 1795–1870

Lochiel's Warning

1837

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by Robert Wallis, 1794–1878

Lord Ullin's Daughter

1837

Print made by Henry Le Keux, 1787–1868

Abbotsford, Vignette Title

1834

Print made by Edward Goodall, 1795–1870

Smailholm Tower

1834

Print made by Edward Goodall, 1795–1870

Battle of the Baltic

1837

Print made by Edward Goodall, 1795–1870

Johnnie Armstrong's Tower

1834

Print made by Robert Wallis, 1794–1878

Hermitage Castle

1834

Print made by Robert Wallis, 1794–1878

Kelso

1834

Print made by Edward Goodall, 1795–1870

Caerlaverock Castle

1834

Print made by William Miller, 1796–1882

Melrose

1834

Print made by John Horsburgh, 1791–1869

Bemerside Tower

1834

Print made by Edward Goodall, 1795–1870

Gertrude of Wyoming - the Waterfall

1837

Print made by Edward Goodall, 1795–1870

The Soldier's Dream (vignette)

1837

Print made by William Miller, 1796–1882

Loch Katrine

1834

Print made by John Horsburgh, 1791–1869

Ashestiel

1834

Print made by Edward Goodall, 1795–1870

The Boy of Egremond

1834

Print made by Edward Goodall, 1795–1870

A Village – Evening

1834

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Print made by Edward Goodall, 1795–1870

A Village Fair

1834

Print made by Edward Goodall, 1795–1870

Traitor's Gate - Tower of London

1834

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. I

1834

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. I

1834

Print made by Edward Goodall, 1795–1870

A Hurricane in the Desert

1834

Print made by William Miller, 1796–1882

Venice, The Rialto - Moonlight

1834

Print made by Edward Goodall, 1795–1870

Valombre

1834

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834

Print made by Edward Goodall, 1795–1870

Captivity

1834

Print made by Edward Goodall, 1795–1870

An Old Oak

1834

Print made by Edward Goodall, 1795–1870

Shipbuilding (An Old Oak Dead)

1834

Print made by Edward Goodall, 1795–1870

The Boy of Egremond

1834

Print made by William Miller, 1796–1882

Loch Lomond

1834

Print made by Edward Goodall, 1795–1870

The Alps at Daybreak

1834

Print made by Edward Goodall, 1795–1870

Columbus and his Son

1834

Print made by Edward Goodall, 1795–1870

Columbus Setting Sail

1834

Print made by Edward Goodall, 1795–1870

The Vision of Columbus

1834

Print made by Edward Goodall, 1795–1870

Land Discovered by Columbus

1834

Print made by Edward Goodall, 1795–1870

The Landing of Columbus

1834

Print made by Edward Goodall, 1795–1870

Cortes and Pizarro

1834

Print made by Edward Goodall, 1795–1870

Datur Hora Quieti

1834

Print made by William Miller, 1796–1882

A Garden

1834

Print made by Edward Goodall, 1795–1870

A Village – Evening

1834

Print made by Edward Goodall, 1795–1870

The Gipsy

1834

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Materials & Techniques line engraving

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