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Materials & Techniques wove paper
Remove constraint Materials & Techniques: wove paperOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomPeriod 18th century
Remove constraint Period: 18th centurySearch Results
1
- Study for the Self-portrait in Enamel
- ca. 1781
2
- A Prancing Horse, Facing Right
- ca. 1790
3
- A Sleeping Leopard
- 1791
4
- A Tiger and a Sleeping Leopard
- 1788
5
- Grotesque Female Head
- undated
6
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
7
- The Second Stage of Cruelty: Coachman Beating a Fallen Horse
- 1751, printed 1790
8
- The Bruiser
- 1763
9
- Satire on False Perspective
- 1799
10
- Satire on False Perspective
- 1799
11
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
12
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
13
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
14
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
15
- Concert Ticket, Mary's Chappel
- 1799
16
- Concert Ticket, Mary's Chappel
- 1799
17
- Concert Ticket, Mary's Chappel
- 1799
18
- Concert Ticket, Mary's Chappel
- 1799
19
- Industry and Idleness, Plate XI, The Idle 'Prentice Executed at Tyburn
- 1768
20
- The First Stage of Cruelty: Children Torturing Animals
- 1751, printed 1790
21
- The Fourth Stage of Cruelty: The Reward of Cruelty
- 1751, printed 1790
22
- Auction of Pictures, &c
- 1799
23
- The Invasion, Plate I, France
- 1768
24
- Auction of Pictures, &c
- 1799
25
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
26
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
27
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
28
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
29
- Concert Ticket, Mary's Chappel
- 1799
30
- Concert Ticket, Mary's Chappel
- 1799
31
- Concert Ticket, Mary's Chappel
- 1799
32
- Christ Church Gate, Canterbury
- 1793 to 1794
33
- Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
- 1793
34
- North East View of Grantham Church, Lincolnshire
- ca. 1797
35
- Landscape with Trees and Figures
- ca. 1796
36
- Dent de Lion, Margate
- ca. 1791
37
- South Porch and Tower of an Unidentified Church
- between 1790 and 1795
38
- Fisherman's Cottage, Dover
- ca. 1790s
39
- Newark - upon - Trent
- ca. 1796
40
- The Hurries, Coal Boats Loading, North Shields
- ca. 1795
41
- Santa Lucia, A Convent near Caserta
- ca. 1795
42
- The Angler
- 1794
43
- Windsor
- ca. 1798
44
- A Great Tree
- ca. 1796
45
- Evening Landscape with Castle and Bridge in Yorkshire
- between 1798 and 1799
46
- In the Valley Near Vietri
- ca. 1794
47
- Villa Salviati on the Arno
- between 1796 and 1797
48
- Sir William Hamilton's Villa
- ca. 1795
49
- Near Grindelwald
- ca. 1796
50
- Landscape with Barn
- ca. 1795
51
- View of Ely Cathedral
- ca. 1796
52
- Man with Horse and Cart Entering a Quarry
- ca. 1797
53
- Autumn Sowing of the Grain
- ca. 1794
54
- St. Augustine's Gate, Canterbury
- between 1792 and 1793
55
- Interior of St. John's Palace, Eltham
- ca. 1793
56
- Saint Augustine's Gate, Canterbury
- ca. 1793
57
- A Three Storied Georgian House in a Park
- ca. 1795
58
- From the Isola Borromena, Lago Maggiore
- ca. 1795
59
- Landscape with Waterfall
- ca. 1796
60
- Villa d'Este
- ca. 1796
61
- Figure Study 3
- undated
62
- Figure Composition Study 32
- undated
63
- Figure Composition Study 33
- undated
64
- Study of a Male Figure
- undated
65
- Figure Composition Study 41
- undated
66
- Figure Composition Study 43
- undated
67
- Figure Composition Study 44
- undated
68
- Figure Composition Study 45
- undated
69
- Figure Composition Study 48
- 1793
70
- Figure Composition Study 26
- undated
71
- Figure Composition Study 31
- undated
72
- Figure Composition Study 35
- undated
73
- Figure Composition Study 40
- undated
74
- Figure Composition Study 42
- undated
75
- Figure Composition Study 47
- undated
76
- Male Head 1
- undated
77
- Figure Composition Study 21 with a Face
- undated
78
- Figure Composition Study 22
- undated
79
- Figure Composition Study 24
- undated
80
- Figure Composition Study 20
- undated
81
- Figure Composition Study 23
- undated
82
- Figure Composition Study 11
- undated
83
- Figure Composition Study 12
- undated
84
- Figure Composition Study 5
- undated
85
- Figure Composition Study 6
- undated
86
- Figure Composition Study 7
- undated
87
- Figure Composition Study 18
- undated
88
- Figure Composition Study 28
- undated
89
- Figure Composition Study 29
- undated
90
- Figure Composition Study 46
- undated
91
- Figure Composition Study 1
- 1794
92
- Figure Composition Study 4
- 1793
93
- Figure Composition Study 3
- undated
94
- Mother and Children
- undated
95
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
96
- Sketchbook Drawing
- ca. 1793
97
- Sketchbook Drawing
- ca. 1793
98
- Sketchbook Drawing
- ca. 1793
99
- Sketchbook Drawing
- ca. 1793
100
- Sketchbook Drawing
- ca. 1793