Creator Gender: male / Author ss: Thomas Rowlandson, 1756–1827, British

1. The Journalist, with a view of Auchinleck or the Land of Stones

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1786
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

2. The Return of the Fleet to Great Yarmouth in 1797

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 17 inches (27.3 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Harvesters Resting in a Corn Field

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor, pen and black ink, pen and red ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 11 3/4 inches (20.6 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Guards on the March for the Duke of York's Campaign in France

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and red ink, pen and gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 6 3/4 × 9 1/4 inches (17.1 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Set of eight (2): Cries of London

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching with aquatint, colored by hand
Dimensions:: Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Set of eight (4): Cries of London

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching with aquatint, colored by hand
Dimensions:: Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Set of eight (3): Cries of London

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching with aquatint, colored by hand
Dimensions:: Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Set of eight (6): Cries of London

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching with aquatint, colored by hand
Dimensions:: Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Set of Sixteen: Outlines of Figure and Landscapes

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790-1792
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Set of sixteen: Outlines of Figures and Landscapes

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790-1792
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Set of sixteen: Outlines of Figures and Landscapes

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790-1792
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Set of eight (5): Cries of London

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching with aquatint, colored by hand
Dimensions:: Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Set of eight (7): Cries of London

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching with aquatint, colored by hand
Dimensions:: Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Set of sixteen: Outlines of Figures and Landscapes

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790-1792
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Set of sixteen: Outlines of Figures and Landscapes

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790-1792
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Set of sixteen: Outlines of Figures and Landscapes

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790-1792
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Set of sixteen: Outlines of Figures and Landscapes

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790-1792
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Set of sixteen: Outlines of Figures and Landscapes

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790-1792
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. A Pier at Amsterdam

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Watercolor, pen and gray ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 11 1/2 inches (25.4 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Mrs. Abington

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 11 3/4 inches (19.7 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Cat Like Courtship

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, pen and red-brown ink, gray wash, and graphite on medium, slightly textured, beige wove paper mounted on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Set of eight (5): Cries of London

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching with aquatint, colored by hand
Dimensions:: Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Picnic

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite; verso: graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 x 16 7/16 inches (27.8 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Angry Scene in a Street

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor with pen and red-brown and gray-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Recruiting Officer

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Watercolor with pen and red-brown, gray and black ink; verso: watercolor stains. on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 x 6 inches (10.2 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Three Sportsmen Sleeping at the Table in Their Chairs

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray-brown ink, and graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 x 6 15/16 inches (10.2 x 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Rowlandson and Wigstead on Tour

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/16 x 11 7/16 inches (18.6 x 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Bucks of the First Head

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Watercolor, with pen and black, and gray-brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 8 11/16 inches (18.1 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Dr. Syntax Painting a Portrait

Creator:: Thomas Rowlandson, 1756–1827
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 4 9/16 x 7 9/16in. (11.6 x 19.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A Pier at Amsterdam (Version A)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Watercolor with pen and red-brown and brown ink over graphite on medium, slightly textured, wove paper
Dimensions:: Sheet: 8 7/16 x 11 1/8 inches (21.4 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Actresses Dressing Room at Drury Lane

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1800 and 1810
Materials & Techniques:: Watercolor with pen and red-brown and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 6 inches (18.7 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Undergraduate's Room

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and brown-gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 7 9/16 inches (12.1 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Interior of a Stable

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 15/16 x 9 1/4 inches (15.1 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. View on Exmoor

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 9 1/8 inches (14.3 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Soldiers on a March: "To pack up her tatters and follow the Drum"

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1811
Materials & Techniques:: Hand-colored etching
Dimensions:: Sheet: 8 3/4 x 9 1/4in. (22.2 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Loading Sacks into a Cart

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and red, red-brown and dark gray ink with brown wash over graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/4 inches (16.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Sketched at the Cockpit, Nottingham

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Pen and brown ink with gray wash on laid paper
Dimensions:: Sheet: 4 3/8 x 6 7/8in. (11.1 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Melville and Naomi Stone

38. Dr. Syntax Made Free of the Cellar

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown and gray ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 8 3/8 inches (13.3 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Set of eight (1): Cries of London

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching with aquatint, colored by hand
Dimensions:: Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Picking Mulberries

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 7 1/4 x 10 5/16 inches (18.4 x 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Drunken Nurse

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 11/16 x 7 9/16 inches (14.4 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. An Album of Sketches compiled by the Artist, including many figure and landscape studies at Blackheath, Deptford and Greenwich, Dover and elsewhere, drawings for "The English Dance of Death", Gambado's "Academy for Grown Horsemen"

An Album of Sketches compiled by the Artist, including many figure and landscape studies at Blackheath, Deptford and Greenwich, Dover and elsewhere, drawings for "The English Dance of Death", Gambado's "Academy for Grown Horsemen"

Creator:: Thomas Rowlandson, 1756–1827
Materials & Techniques:: 150 sketches on ninety-one leaves variously executed in graphite, pen and ink, many with brown or gray wash
Dimensions:: Sheet: 9 x 6 3/4in. (22.9 x 17.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Modern Egbert, or the King of Kings

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 13 1/8in. (21 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. A Touch of the Times

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1788
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 13 7/8in. (24.1 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Brothers of the Whip

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1781
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 x 9 1/4in. (17.8 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Reconciliation, or the Return from Scotland

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1793
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 12 7/8in. (22.9 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Times

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1783
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 7/8 x 16 3/8in. (27.6 x 41.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. King's Place, or a View of (Monsieur Reynard's) Best Friends

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13 1/16in. (22.2 x 33.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1786
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 5/8 x 14 1/2in. (24.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. A Lying-In Visit, or a Short-Sighted Mistake

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13in. (22.2 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1786
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 14 1/2in. (24.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. An Essay on the Sublime and Beautiful, The Maiden Speech

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Etching, hand colored
Dimensions:: Sheet: 8 1/16 x 12 3/4in. (20.5 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Nap in the Country - Nap in Town

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Etching
Dimensions:: Sheet: 13 x 8 7/8in. (33 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Sir Cecil's Budget for Paying the National Debt

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Departure

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/8 x 11 3/4in. (20.6 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Minister's Ass - Vide Gazetteer - November 11

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 13 3/16in. (21.9 x 33.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Bardolph Badger'd Or the Portland Hunt

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 16 1/4in. (25.4 x 41.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. (The) This Irish Ambassadors Extraordinary a Gallante(e) Show

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/4 x 14 1/8in. (23.5 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Uncle George and Black Dick at Their New Game of Naval Shuttlecock

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 13/16 x 13 1/8in. (22.4 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Reformation - or - The Wonderful Effects of a Proclamation!!!

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 14 5/8in. (24.1 x 37.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 12 3/4in. (24.4 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. An Irish Howl

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 11 3/4in. (22.5 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 3/8 x 16 3/4in. (26.4 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Toper's Mistake

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/8 x 8 1/4in. (25.1 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Reform Advised - Reform Begun - Reform Compleat (Complete)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1793
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 16 x 9 3/4in. (40.6 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Flying Breakfast, or the Contents of a Night Coach

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 11/16 x 12 9/16in. (19.5 x 31.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 16 1/8in. (24.8 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. A Peep into the Retreat at Tinnehinch

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 1/4 x 9 15/16in. (18.4 x 25.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Pigs at a Trough

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 9/16 x 6 1/4 inches (9 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Ages of the Horse: The Foal, The Colt, The Racer, The Hunter, The Post-Horse, Food for the Hounds

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite on six sheets of paper mounted on blue wove paper
Dimensions:: Sheet: 2 13/16 x 3 7/8 inches (7.1 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. A Dutch Packet in a Rising Breeze

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 10 13/16 inches (19.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Gardening

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 7 1/16 inches (12.1 x 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Military Adventures of Johnny Newcome

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 7 3/8 × 10 5/16 inches (18.7 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Breakfast before the Hunt

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Pen and black and gray ink with brown and blue wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 x 8 inches (12.7 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. 'How to Twist Your Neck'

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red ink; verso: watercolor blotches on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 13/16 x 5 13/16 inches (9.7 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. An English Postilion

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Mount: 6 3/8 × 9 3/16 inches (16.2 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Evading the Toll

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 x 9 1/8 inches (16.2 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. A Crowded Race Meeting

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 9 1/2 inches (14.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Annual Sculling Race for Doggett's Coat and Badge

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 × 9 3/16 inches (14.4 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Debating Society, Piccadilly

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Advantage of Shifting the Leg

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Heads: Philosophorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Box Lobby Loungers

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1786
Materials & Techniques:: Etching and stipple
Dimensions:: Sheet: 13 3/8 x 22 5/8in. (34 x 57.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. A Race on the Knavesmire at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and gray ink on thick, slightly textured, brown wove paper
Dimensions:: Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. A Horse Sale in Hopkins's Repository, Barbican

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1798 and 1800
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 1/8 x 17 15/16 inches (33.3 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. How to Vault in the Saddle

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1813
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 x 10 3/4 inches (33 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The Canterbury-Dover Coach Passing Vanbrugh Castle

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1800
Materials & Techniques:: Watercolor, in pen with brown ink and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 17 15/16 inches (29.2 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Travelling in France

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1789
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 17 1/2 inches (28.7 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Return from the Hunt

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Watercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 8 1/16 x 11 7/8 inches (20.5 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Stable of an Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen and black ink, graphite, gouache and brown wash on medium, moderately textured, beige laid paper
Dimensions:: Mount: 10 1/4 × 17 13/16 inches (26 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Runaway Coach

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1791
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 9 3/4 inches (20 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. A Horse Sale at Hopkins's Repository (An outline)

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/16 x 15 11/16 inches (23.7 x 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Four O'Clock in the Country

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1788 and 1790
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 7/8 x 15 3/4 inches (32.7 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. A Saddled Cavalry Horse

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and gray ink, black ink, graphite, and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 8 7/8 inches (18.1 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Consequence of not Shifting the Leg

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Heads: Battleorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Fox-hunting [set of four]: 1.Going Out in the Morning. / Scene near Windsor Forest

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Aquatint, hand-colored including borders
Dimensions:: Sheet: 14 3/4 x 19 5/8in. (37.5 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Fox-hunting [a pair]: 1. Four O'Clock in the Country

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1788
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 x 11 3/4in. (22.9 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Fox-hunting: How to Twist your Neck [from 'Advice to Sportsmen']

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1809
Materials & Techniques:: Etching
Dimensions:: Sheet: 3 1/8 x 5 1/2in. (7.9 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Creator Gender male

Author ss Thomas Rowlandson, 1756–1827, British

Search Results

1. The Journalist, with a view of Auchinleck or the Land of Stones

2. The Return of the Fleet to Great Yarmouth in 1797

3. Harvesters Resting in a Corn Field

4. The Guards on the March for the Duke of York's Campaign in France

5. Set of eight (2): Cries of London

6. Set of eight (4): Cries of London

7. Set of eight (3): Cries of London

8. Set of eight (6): Cries of London

9. Set of Sixteen: Outlines of Figure and Landscapes

10. Set of sixteen: Outlines of Figures and Landscapes

11. Set of sixteen: Outlines of Figures and Landscapes

12. Set of eight (5): Cries of London

13. Set of eight (7): Cries of London

14. Set of sixteen: Outlines of Figures and Landscapes

15. Set of sixteen: Outlines of Figures and Landscapes

16. Set of sixteen: Outlines of Figures and Landscapes

17. Set of sixteen: Outlines of Figures and Landscapes

18. Set of sixteen: Outlines of Figures and Landscapes

19. A Pier at Amsterdam

20. Mrs. Abington

21. Cat Like Courtship

22. Set of eight (5): Cries of London

23. The Picnic

24. Angry Scene in a Street

25. The Recruiting Officer

26. Three Sportsmen Sleeping at the Table in Their Chairs

27. Rowlandson and Wigstead on Tour

28. Bucks of the First Head

29. Dr. Syntax Painting a Portrait

30. A Pier at Amsterdam (Version A)

31. The Actresses Dressing Room at Drury Lane

32. The Undergraduate's Room

33. Interior of a Stable

34. View on Exmoor

35. Soldiers on a March: "To pack up her tatters and follow the Drum"

36. Loading Sacks into a Cart

37. Sketched at the Cockpit, Nottingham

38. Dr. Syntax Made Free of the Cellar

39. Set of eight (1): Cries of London

40. Picking Mulberries

41. The Drunken Nurse

42. An Album of Sketches compiled by the Artist, including many figure and landscape studies at Blackheath, Deptford and Greenwich, Dover and elsewhere, drawings for "The English Dance of Death", Gambado's "Academy for Grown Horsemen"

43. The Modern Egbert, or the King of Kings

44. A Touch of the Times

45. Brothers of the Whip

46. The Reconciliation, or the Return from Scotland

47. The Times

48. King's Place, or a View of (Monsieur Reynard's) Best Friends

49. Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia

50. A Lying-In Visit, or a Short-Sighted Mistake

51. Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---

52. An Essay on the Sublime and Beautiful, The Maiden Speech

53. Nap in the Country - Nap in Town

54. Sir Cecil's Budget for Paying the National Debt

55. The Departure

56. Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance

57. The Minister's Ass - Vide Gazetteer - November 11

58. Bardolph Badger'd Or the Portland Hunt

59. (The) This Irish Ambassadors Extraordinary a Gallante(e) Show

60. Uncle George and Black Dick at Their New Game of Naval Shuttlecock

61. Reformation - or - The Wonderful Effects of a Proclamation!!!

62. Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4)

63. An Irish Howl

64. A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends

65. The Toper's Mistake

66. Reform Advised - Reform Begun - Reform Compleat (Complete)

67. Flying Breakfast, or the Contents of a Night Coach

68. The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola

69. A Peep into the Retreat at Tinnehinch

70. Pigs at a Trough

71. Ages of the Horse: The Foal, The Colt, The Racer, The Hunter, The Post-Horse, Food for the Hounds

72. A Dutch Packet in a Rising Breeze

73. Gardening

74. The Military Adventures of Johnny Newcome