Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
2
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
3
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
4
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
5
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 14, "So Cried He...."
1793
6
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
1793
7
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
8
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
9
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 4, "Silent as despairing love...."
1793
10
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 18, "Over the Hills...."
1793
11
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
12
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
13
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 7, "Albions Angel stood...."
1793
14
Print made by William Blake, 1757–1827
The Book of Thel, Plate 1, "Thel's Motto . . . ."
1789
15
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
16
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
17
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
18
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)
1794
19
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)
1794
20
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 14 (Bentley 14)
1794
21
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
22
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
1794
23
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 22 (Bentley 24)
1794
24
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
1794
25
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 24 (Bentley 26)
1794
26
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)
1794
27
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
28
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
29
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
30
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
1794
31
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 5 (Bentley 12)
1794
32
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)
1794
33
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 8 (Bentley 9)
1794
34
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)
1794
35
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
1794
36
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
37
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 12 (Bentley 22)
1794
38
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
1794
39
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)
1794
40
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 16 (Bentley 17)
1794
41
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
1794
42
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)
1794
43
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
44
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
45
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
46
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
47
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
48
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 17, "On Albions Angels...."
1793
49
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
1793
50
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
51
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 15 (Bentley 14)
1794
52
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 10, "12: Los Howld in a Dismal Stupor...." (Bentley 7)
1794
53
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 2, Title Page
1794
54
Print made by William Blake, 1757–1827
What is Man!, Frontispiece; Plate 1
1793
55
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
1789
56
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
1794
57
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 21 (Bentley 27)
1794
58
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
1794
59
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
1789
60
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 21 (Bentley 16)
1794
61
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 25 (Bentley 26)
1794
62
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
63
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
64
William Blake, 1757–1827
The Complaint and the Consolation; or Night Thoughts (and title page)
1797
65
Print made by William Blake, 1757–1827
The Book of Thel, Plate 1, "Thel's Motto . . . ."
1789
66
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 2, Title Page (Bentley 3)
1789
67
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
68
William Blake, 1757–1827
The [First] Book of Urizen
1794
69
William Blake, 1757–1827
The Book of Thel
1789
70
William Blake, 1757–1827
Europe. A Prophecy, 1793 (printed 1795)
1793, printed 1795
71
William Blake, 1757–1827
The Complaint and The Consolation: or Night Thoughts
ca. 1797
72
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
73
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
74
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
75
William Blake, 1757–1827
The Complaint and the Consolation; or Night Thoughts
1797
76
William Blake, 1757–1827
"Visions of the Daughters of Albion", London, by William Blake
1793
77
William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
78
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
79
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
80
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
81
William Blake, 1757–1827
Beggar's Opera, Act III
c.1790
82
Print made by William Blake, 1757–1827
Pity
ca. 1795
83
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
84
Attributed to Sir Joseph Ayloffe, 1709–1781
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
85
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
86
Engraved by James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
87
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
88
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
89
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
90
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
91
William Blake, 1757–1827
"A Select Collection of English Songs," London, 1783
1783
92
William Blake, 1757–1827
The Book of Thel
1789
93
William Blake, 1757–1827
A Select Collection of English Songs
1783
94
Christian Gotthilf Salzmann, 1744–1811
Gymnastics for Youth
1800
95
George Cumberland, 1754–1848
Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes..
1796
96
Attributed to George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
97
George Cumberland, 1754–1848
Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes..
1796
98
Christian Gotthilf Salzmann, 1744–1811
Gymnastics for Youth
1800
99
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists