After Pinnelli - Group of Peasants Outside a Church
1817
10
Isaac Weld, 1774–1856
Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side
1817
11
Isaac Weld, 1774–1856
Grisons/ Looking to Glarnisch (Switzerland) Mountains
1817
12
Isaac Weld, 1774–1856
1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
1817
13
Isaac Weld, 1774–1856
"After Pinnelli" (Group of Peasants Outside a House)
1817
14
Joseph Cartwright, c.1789–1829
Lord Craven's Yacht, July 23, 1817
1817
15
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
16
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
17
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
18
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
19
John Thomas Smith, 1766–1833
The Smock Exposed
1817
20
John Frederick Tayler, 1802–1889
Stable Boy with Cart Horses
undated
21
Richard Parkes Bonington, 1802–1828
A Seascape
undated
22
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
23
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
24
Thomas Shotter Boys, 1803–1874
A Christening
undated
25
John Thomas Smith, 1766–1833
The Reconcilation
1817
26
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
27
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
28
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
29
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
30
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
31
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
32
Samuel Howitt, 1756–1822
North American Lynx
ca. 1817
33
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
34
William Henry Hunt, 1790–1864
Interior of the Belfry, Bushey Church
ca. 1822
35
John Chessell Buckler, 1793–1894
South East View of the Church and Palace at Croydon, Surrey
1817
36
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
37
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
38
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
39
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
40
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
41
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
42
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
43
John Frederick Tayler, 1802–1889
A Fruit Stall in a Market
undated
44
Alexander Monro, 1802–1844
Lewes Bridge, Sussex
undated
45
Alexander Monro, 1802–1844
Landscape at Boxhill, Surrey
undated
46
Alexander Monro, 1802–1844
Boxhill from West Humble Lane
undated
47
Alexander Monro, 1802–1844
Classical Landscape
undated
48
Thomas Lound, 1802–1861
The Keep and Gate, Ludlow Castle, Shropshire
undated
49
Thomas Shotter Boys, 1803–1874
The Footbridge
undated
50
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
51
William Heath, 1795–1840
An Episode at the Battle of Waterloo
1817
52
Samuel Howitt, 1756–1822
Honey-Badger
1817
53
Samuel Howitt, 1756–1822
Polecat
ca. 1817
54
Alexander Monro, 1802–1844
Porchester Castle
undated
55
Thomas Rowlandson, 1756–1827
A Tub Thumper
between 1817 and 1820
56
Thomas Rowlandson, 1756–1827
Plymouth Dock
1817
57
Richard Parkes Bonington, 1802–1828
Road Workers, near Lillebonne
undated
58
Attributed to John Frederick Tayler, 1802–1889
Four Hooded Falcons
undated
59
Thomas Rowlandson, 1756–1827
The Vicar of Wakefield: Frontispiece
1817
60
Thomas Rowlandson, 1756–1827
The Family Picture
1817
61
Thomas Rowlandson, 1756–1827
Jealousy, Rage, Disappointment..
1817
62
Thomas Rowlandson, 1756–1827
Mr. Michell's Picture Gallery, Grove House, Enfield 1817
1817
63
Sir Edwin Henry Landseer, 1802–1873
An Irish Wolfhound
undated
64
John Buckler FSA, 1770–1851
The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham
1817
65
John Frederick Tayler, 1802–1889
A Ploughboy Riding One of a Pair of Draught-horses Up a Hill
undated
66
Richard Parkes Bonington, 1802–1828
Abbey St-Amand, Rouen
undated
67
Francis Oliver Finch, 1802–1862
Classical Scene
undated
68
Richard Parkes Bonington, 1802–1828
Ile de la Cite
undated
69
Thomas Shotter Boys, 1803–1874
Landscape with Windmills
undated
70
Thomas Shotter Boys, 1803–1874
Courtyard of an Inn on the Thames
undated
71
Francis Oliver Finch, 1802–1862
Landscape with a Temple and Figures by a River
undated
72
Francis Oliver Finch, 1802–1862
Valley of Rocks, Lynton, North Devon
undated
73
Henry Edridge, 1769–1821
Terrace at St. Germain-en-Laye
between 1817 and 1819
74
Francis Oliver Finch, 1802–1862
Landscape with Castle, Waterfall and Stream in Foreground