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Exhibition History William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
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1
- A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
- 1809
2
- Abraham and Isaac
- 1799 to 1800
3
- Aged Ignorance; Plate 13
- 1793
4
- Air; Plate 6
- 1793
5
- Alas!; Plate 9
- 1793
6
- Albion Compelling the Four Zoas to Their Proper Tasks
- 1804 to 1810
7
- America. A Prophecy, Plate 1, Frontispiece
- 1793
8
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
9
- America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
- 1793
10
- America. A Prophecy, Plate 2, Title Page
- 1793
11
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
12
- At Length for Hatching Ripe He Breaks the Shell; Plate 8
- 1793
13
- Chaucer's Canterbury Pilgrims
- 1810 to 1820
14
- Christ Appearing to the Apostles after the Resurrection
- 1795 to 1805
15
- Christ Giving Sight to Bartimaeus
- 1799 to 1800
16
- Death on a Pale Horse
- 1784
17
- Death's Door; Plate 17
- 1793
18
- Does Thy God O Priest Take such Vengeance as This?; Plate 14
- 1793
19
- Earth; Plate 5
- 1793
20
- Europe. A Prophecy, Plate 1, Frontispiece
- 1794
21
- Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
- 1794
22
- Fear & Hope Are -- Vision; Plate 15
- 1793
23
- Fire; Plate 7
- 1793
24
- For Children. The Gates of Paradise, Title Page; Plate 2
- 1793
25
- Get Thee Behind Me, Satan
- between 1783 and 1787
26
- Help! Help!; Plate 12
- 1793
27
- I Found Him Beneath a Tree; Plate 3
- 1793
28
- I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
- 1793
29
- I Want! I Want!; Plate 11
- 1793
30
- Jerusalem, Plate 1, Frontispiece
- 1804 to 1820
31
- Jerusalem, Plate 100
- 1804 to 1820
32
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
33
- Jerusalem, Plate 2, Title Page
- 1804 to 1820
34
- Jerusalem, Plate 25, "And there was heard...."
- 1804 to 1820
35
- Jerusalem, Plate 26, "Such Visions Have...."
- 1804 to 1820
36
- Jerusalem, Plate 27, "To the Jews...."
- 1804 to 1820
37
- Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
- 1804 to 1820
38
- Jerusalem, Plate 32, "Leaning against the pillars...."
- 1804 to 1820
39
- Jerusalem, Plate 35, "Then the Divine hand...."
- 1804 to 1820
40
- Jerusalem, Plate 51
- 1804 to 1820
41
- Jerusalem, Plate 53, "Jerusalem / Chap. 3"
- 1804 to 1820
42
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
43
- Jerusalem, Plate 70, "And this the form of mighty Hand...."
- 1804 to 1820
44
- Jerusalem, Plate 76
- 1804 to 1820
45
- Jerusalem, Plate 84, "Highgates heights & Hampstead...."
- 1804 to 1820
46
- Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
- 1804 to 1820
47
- Jerusalem, Plate 99, "All Human Forms identified...."
- 1804 to 1820
48
- Job Reproved by his Friends
- 1777
49
- Mary Magdalen at the Sepulchre
- ca. 1805
50
- My Son! My Son!; Plate 10
- 1793
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
51
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
52
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
53
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
54
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
55
- Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
- 1797
56
- Plate 12 (page 19): 'Emblem of that which shall awake the dead'
- 1797
57
- Plate 13 (page 23): 'We censure nature for a span too short'
- 1797
58
- Plate 15 (page 25): 'Behold him, when past by; what then is seen'
- 1797
59
- Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
- 1797
60
- Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
- 1797
61
- Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
- 1797
62
- Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
- 1797
63
- Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
- 1797
64
- Plate 21 (page 37): 'Love, and love only, is the loan for love'
- 1797
65
- Plate 22 (page 40): ' Angels should paint it, angels ever there'
- 1797
66
- Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
- 1797
67
- Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
- 1797
68
- Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
- 1797
69
- Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
- 1797
70
- Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
- 1797
71
- Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
- 1797
72
- Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
- 1797
73
- Plate 3 (page 4): 'What, though my soul fantastick measures trod'
- 1797
74
- Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
- 1797
![William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'](https://media.collections.yale.edu/thumbnail/ycba/5a919703-759e-494b-a892-d66a8288096b)
75
- Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
- 1797
76
- Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
- 1797
77
- Plate 33 (page 72): 'And vapid; sense and reason shew the door'
- 1797
78
- Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
- 1797
79
- Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
- 1797
80
- Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
- 1797
81
- Plate 37 (page 86): 'His hand the good man fastens on the skies'
- 1797
82
- Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
- 1797
83
- Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
- 1797
84
- Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
- 1797
85
- Plate 41 (page 92): 'When faith is virtue, reason makes it so'
- 1797
86
- Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
- 1797
87
- Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
- 1797
88
- Plate 6 (page 10): 'Disease invades the chastest temperence'
- 1797
89
- Plate 7 (page 12): 'Its favours here are trials, not rewards'
- 1797
90
- Plate 8 (page 13): 'The present moment terminates our sight'
- 1797
91
- Plate 9 (page 15):' The longest night though longer far, would fail'
- 1797
92
- Presages of the Millenium
- 1795
93
- Prison Scene
- undated
94
- Pylades and Orestes
- 1771
95
- Queen Katherine's Dream
- 1788
96
- Rev. John Caspar Lavater (1787-1801)
- 1800
97
- Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
- 1789
98
- Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
- 1789
99
- Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
- 1789
100
- Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
- 1789