etching begun before 1861; impression printed in 1926
10
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
11
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
12
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
13
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
14
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
15
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
16
Print made by Samuel Palmer, 1805–1881
The Willow
1850
17
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
18
Print made by Samuel Palmer, 1805–1881
Christmas
1850
19
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
1874
20
after William Hogarth, 1697–1764
Album Collection of Sixty-six Engravings after William Hogarth
21
after William Hogarth, 1697–1764
Simon, Lord Lovat
1746
22
Print made by William Hogarth, 1697–1764
Freemen Degraded and Sold into Slavery
1725
23
Print made by William Hogarth, 1697–1764
Taking Away the Military Belt or Girdle
1725
24
Print made by William Hogarth, 1697–1764
Crowns, Mitres, Maces, Etc
1754
25
Print made by William Hogarth, 1697–1764
The Invasion, Plate 1: France
1756
26
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 1
1732
27
Print made by William Hogarth, 1697–1764
The Invasion, Plate 2: England
1756
28
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 2
1732
29
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 3
1732
30
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 4
1732
31
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 5
1732
32
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 6
1732
33
Print made by William Hogarth, 1697–1764
Emerald Vessel
1723
34
Print made by William Hogarth, 1697–1764
Four Heads from the Raphael Cartoons at Hampton Court
1781
35
Print made by William Hogarth, 1697–1764
Paul Before Felix
1752
36
Print made by William Hogarth, 1697–1764
The Stage-Coach, or the Country Inn Yard
1747
37
Print made by William Hogarth, 1697–1764
A Midnight Modern Conversation
1733
38
Print made by William Hogarth, 1697–1764
Tail Piece, or the Bathos
1764
39
Print made by William Hogarth, 1697–1764
Before
1736
40
Print made by William Hogarth, 1697–1764
Frontispiece: A Seated Roman General on a Camp Stool
1725
41
Print made by William Hogarth, 1697–1764
Fustigatio
1725
42
Print made by William Hogarth, 1697–1764
Beheading
1725
43
Print made by William Hogarth, 1697–1764
Decimation
1725
44
Print made by William Hogarth, 1697–1764
Banishment
1725
45
Print made by William Hogarth, 1697–1764
Breaking the Legs
1725
46
Print made by William Hogarth, 1697–1764
Fustium Admonitio
1725
47
Print made by William Hogarth, 1697–1764
Cutting off the Nose
1725
48
Print made by William Hogarth, 1697–1764
Issued Barley Instead of Wheat
1725
49
Print made by William Hogarth, 1697–1764
Degrading Punishments
1725
50
Print made by William Hogarth, 1697–1764
Shameful Discharge
1725
51
Print made by William Hogarth, 1697–1764
Hanging by the Thumbs
1725
52
after William Hogarth, 1697–1764
False Perspective Exemplified
1799
53
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate 8
1735
54
Print made by William Hogarth, 1697–1764
Paul Before Felix Burlesqued
1751
55
Print made by William Hogarth, 1697–1764
After
1736
56
Print made by William Hogarth, 1697–1764
Crucifixion, etc
1725
57
Print made by William Hogarth, 1697–1764
Dismemberment, etc
1725
58
Print made by William Hogarth, 1697–1764
Issued Barley Instead of Wheat
1725
59
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
60
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
61
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
62
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
63
Etched by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
64
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
65
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
66
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
67
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
68
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
69
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
70
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
71
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 2 (page 1): [Job and his Family]
1826
72
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 3 (page 2): [Satan before the Throne of God]
1826
73
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 4 (page 3): [The Destruction of Job's Sons]
1826
74
William Blake, 1757–1827
Illustrations of the Book of Job, p. 5 (page 4): [The Messengers tell Job of the Misfortunes that have Befallen Him]
1826
75
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 7 (page 6): [Satan smiting Job with Boils]
1826
76
Print made by William Blake, 1757–1827
Illustrations of the Book of Job, pl. 8 (page 7): [Job's Comforters]
1826
77
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 9 (page 8): [Job's Despair]
1826
78
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 12 (page 11): [Job's Evil Dreams]
1826
79
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 14 (page 13): [The Lord answering Job out of the Whirlwind]
1826
80
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 15 (page 14): [The Creation]
1826
81
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 16 (page 15): [Behemoth and Leviathan]
1826
82
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 18 (page 17): [The Vision of God]
1826
83
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 19 (page 18): [Job's Sacrifice]
1826
84
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 1 (Title Page): 'Illustrations of/ the/ Book/ of/ Job'
1826
85
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 10 (page 9): [The Vision of Eliphaz]
1826
86
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 11 (page 10): [Job rebuked by his Friends]
1826
87
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 17 (page 16): [The Fall of Satan]
1826
88
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
89
William Blake, 1757–1827
Pl. 12: `Psyche Disobeys.'
1796
90
William Blake, 1757–1827
Pl. 23: `Anacreon Ode LII'
1796
91
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 6 (page 5): [Satan going forth from the Presence of the Lord]
1826
92
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 13 (page 12): [The Wrath of Elihu]
1826
93
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 20 (page 19): [Job Accepting Charity]
1826
94
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 21 (page 20): [Job and his Daughters]
1826
95
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
96
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
97
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
98
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
99
William Blake, 1757–1827
My sheep quite spent through travel and ill fare
1821, reprinted 1977
100
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'