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Creator Thomas Rowlandson, 1756–1827, British

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1. A Pier at Amsterdam

A Pier at Amsterdam
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1792
Medium:
Watercolor, pen and gray ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Journalist, with a view of Auchinleck or the Land of Stones

The Journalist, with a view of Auchinleck or the Land of Stones
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1786
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

3. Mrs. Abington

Mrs. Abington
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor, pen and gray ink, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Cat Like Courtship

Cat Like Courtship
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor, pen and gray ink, pen and red-brown ink, gray wash, and graphite on medium, slightly textured, beige wove paper mounted on thick, moderately textured, beige wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Bucks of the First Head

Bucks of the First Head
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1785
Medium:
Watercolor, with pen and black, and gray-brown ink, over graphite on medium, moderately textured, blued white, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Dr. Syntax Painting a Portrait

Dr. Syntax Painting a Portrait
Creator:
Thomas Rowlandson, 1756–1827, British
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. A Pier at Amsterdam (Version A)

A Pier at Amsterdam (Version A)
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1792
Medium:
Watercolor with pen and red-brown and brown ink over graphite on medium, slightly textured, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Undergraduate's Room

The Undergraduate's Room
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red-brown and brown-gray ink on medium, slightly textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Actresses Dressing Room at Drury Lane

The Actresses Dressing Room at Drury Lane
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1800 and 1810
Medium:
Watercolor with pen and red-brown and gray ink, over graphite on medium, moderately textured, blued white, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Recruiting Officer

The Recruiting Officer
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1797
Medium:
Watercolor with pen and red-brown, gray and black ink; verso: watercolor stains. on medium, moderately textured, blued white, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Three Sportsmen Sleeping at the Table in Their Chairs

Three Sportsmen Sleeping at the Table in Their Chairs
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and gray-brown ink, and graphite; verso: graphite on medium, slightly textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. View on Exmoor

View on Exmoor
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red-brown ink, and graphite on moderately thick, moderately textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Interior of a Stable

Interior of a Stable
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Angry Scene in a Street

Angry Scene in a Street
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1805 and 1810
Medium:
Watercolor with pen and red-brown and gray-brown ink, over graphite on medium, wove paper, mounted on, moderately thick, cream, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Rowlandson and Wigstead on Tour

Rowlandson and Wigstead on Tour
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and black and gray ink on medium, moderately textured, cream, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Loading Sacks into a Cart

Loading Sacks into a Cart
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Pen and red, red-brown and dark gray ink with brown wash over graphite on medium, moderately textured, beige, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Return of the Fleet to Great Yarmouth in 1797

The Return of the Fleet to Great Yarmouth in 1797
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1797
Medium:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Harvesters Resting in a Corn Field

Harvesters Resting in a Corn Field
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1805 and 1810
Medium:
Watercolor, pen and black ink, pen and red ink, and graphite on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Guards on the March for the Duke of York's Campaign in France

The Guards on the March for the Duke of York's Campaign in France
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor, pen and brown ink, pen and red ink, pen and gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Set of eight (3): Cries of London

Set of eight (3): Cries of London
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1799
Medium:
Etching with aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Set of eight (5): Cries of London

Set of eight (5): Cries of London
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1799
Medium:
Etching with aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Set of eight (2): Cries of London

Set of eight (2): Cries of London
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1799
Medium:
Etching with aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Set of eight (5): Cries of London

Set of eight (5): Cries of London
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1799
Medium:
Etching with aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Set of eight (7): Cries of London

Set of eight (7): Cries of London
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1799
Medium:
Etching with aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Set of Sixteen: Outlines of Figure and Landscapes

Set of Sixteen: Outlines of Figure and Landscapes
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1790-1792
Medium:
Etching, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Set of eight (4): Cries of London

Set of eight (4): Cries of London
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1799
Medium:
Etching with aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Set of eight (6): Cries of London

Set of eight (6): Cries of London
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1799
Medium:
Etching with aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1790-1792
Medium:
Etching, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1790-1792
Medium:
Etching, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1790-1792
Medium:
Etching, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1790-1792
Medium:
Etching, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1790-1792
Medium:
Etching, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1790-1792
Medium:
Etching, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1790-1792
Medium:
Etching, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Blue and Buf Loyalty

Blue and Buf Loyalty
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1788
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Brothers of the Whip

Brothers of the Whip
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1781
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Bardolph Badger'd Or the Portland Hunt

Bardolph Badger'd Or the Portland Hunt
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1791
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4)

Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4)
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1801
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Britania's Protection, or, Loyalty Triumphant

Britania's Protection, or, Loyalty Triumphant
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1800
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Toper's Mistake

The Toper's Mistake
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1801
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends

A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1799
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. An Irish Howl

An Irish Howl
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1799
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Gig-Hauling, or Gentlemanly Amusement for the Nineteenth Century

Gig-Hauling, or Gentlemanly Amusement for the Nineteenth Century
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1801
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen

Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1798
Medium:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The Modern Egbert, or the King of Kings

The Modern Egbert, or the King of Kings
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1789
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The Word Eater

The Word Eater
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1786
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman

Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1785
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. The Minister Casting Up His Accounts

The Minister Casting Up His Accounts
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1789
Medium:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. The Reconciliation, or the Return from Scotland

The Reconciliation, or the Return from Scotland
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1793
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. The Times

The Times
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
c. 1783
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. The Minister's Ass - Vide Gazetteer - November 11

The Minister's Ass - Vide Gazetteer - November 11
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1784
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Sir Cecil's Budget for Paying the National Debt

Sir Cecil's Budget for Paying the National Debt
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1784
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance

Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1799
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. High Fun for John Bull or the Republicans put to their Last Shift

High Fun for John Bull or the Republicans put to their Last Shift
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1798
Medium:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Reform Advised - Reform Begun - Reform Compleat (Complete)

Reform Advised - Reform Begun - Reform Compleat (Complete)
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1793
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola

The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1791
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. A Peep into the Retreat at Tinnehinch

A Peep into the Retreat at Tinnehinch
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1799
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. The Parody, - or Mother Cole and Leader

The Parody, - or Mother Cole and Leader
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1784
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Suitable Restrictions

Suitable Restrictions
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1789
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics

Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1789
Medium:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics

Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1789
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. A New Speaker - The Wedding Night

A New Speaker - The Wedding Night
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1789
Medium:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. A Touch of the Times

A Touch of the Times
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1788
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Box-Lobby Hero, The Branded Bully, or the Ass Stripp'd of the Lion's Skin

Box-Lobby Hero, The Branded Bully, or the Ass Stripp'd of the Lion's Skin
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
c. 1786
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---

Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
c. 1786
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia

Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
c. 1786
Medium:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. An Essay on the Sublime and Beautiful, The Maiden Speech

An Essay on the Sublime and Beautiful, The Maiden Speech
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1792
Medium:
Etching, hand colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. A Lying-In Visit, or a Short-Sighted Mistake

A Lying-In Visit, or a Short-Sighted Mistake
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1792
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. King's Place, or a View of (Monsieur Reynard's) Best Friends

King's Place, or a View of (Monsieur Reynard's) Best Friends
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1784
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Nap in the Country - Nap in Town

Nap in the Country - Nap in Town
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
c. 1785
Medium:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. The Departure

The Departure
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1784
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Procession to the Hustings after a Successful Canvass

Procession to the Hustings after a Successful Canvass
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1784
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. (The) This Irish Ambassadors Extraordinary a Gallante(e) Show

(The) This Irish Ambassadors Extraordinary a Gallante(e) Show
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1789
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Reformation - or - The Wonderful Effects of a Proclamation!!!

Reformation - or - The Wonderful Effects of a Proclamation!!!
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1787
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Uncle George and Black Dick at Their New Game of Naval Shuttlecock

Uncle George and Black Dick at Their New Game of Naval Shuttlecock
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1787
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Flying Breakfast, or the Contents of a Night Coach

Flying Breakfast, or the Contents of a Night Coach
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1792
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Soldiers on a March: "To pack up her tatters and follow the Drum"

Soldiers on a March: "To pack up her tatters and follow the Drum"
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1811
Medium:
Hand-colored etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Dr. Syntax Made Free of the Cellar

Dr. Syntax Made Free of the Cellar
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and brown and gray ink on medium, moderately textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. The Hall, Blue Coat School

The Hall, Blue Coat School
Creator:
J. Hill, active 19th century
Date:
1808
Medium:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. St. Paul's Cathedral

St. Paul's Cathedral
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1809
Medium:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Greenwich Hospital, the Painted Hall

Greenwich Hospital, the Painted Hall
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1810
Medium:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. The Post Office

The Post Office
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1809
Medium:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. The Hall of the Auction Mart

The Hall of the Auction Mart
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1811
Medium:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. House of Lords

House of Lords
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1809
Medium:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Debating Society, Piccadilly

Debating Society, Piccadilly
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1808
Medium:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. A Picture of Misery

A Picture of Misery
Creator:
Thomas Rowlandson, 1756–1827, British
Medium:
Etching, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Fry Print Collection

87. Freemasons Hill, Great Queen Street

Freemasons Hill, Great Queen Street
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1808
Medium:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Water Engine, Cold-Bath-Field's Prison

Water Engine, Cold-Bath-Field's Prison
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1808
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Witches in a Hayloft

Witches in a Hayloft
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1813?
Medium:
Etching, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Fry Print Collection

90. The Cobbler's Cure for a Scolding Wife

The Cobbler's Cure for a Scolding Wife
Creator:
Thomas Rowlandson, 1756–1827, British
Medium:
Etching on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Fry Print Collection

91. Doctor Syntax, Rural Sports, from The Tour of Doctor Syntax in Search of the Picturesque

Doctor Syntax, Rural Sports, from The Tour of Doctor Syntax in Search of the Picturesque
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1813
Medium:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Leatrice and Mervyn Schacht

92. The Prize Fight

The Prize Fight
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1787
Medium:
Watercolor with pen and black and gray ink over graphite on moderately thick, moderately textured, beige, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Stag at Bay - Scene near Taplow, Berks.

Stag at Bay - Scene near Taplow, Berks.
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1795 and 1801
Medium:
Watercolor with pen and red, black, gray and brown ink on thick, moderately textured, beige, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. The Picnic

The Picnic
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and gray and brown ink over graphite; verso: graphite on medium, slightly textured, blued white, wove paper, mounted on moderately thick, sligtly textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Sketched at the Cockpit, Nottingham

Sketched at the Cockpit, Nottingham
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1801
Medium:
Pen and brown ink with gray wash on laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Melville and Naomi Stone

96. The Light House Volunteers of London and Westminster

The Light House Volunteers of London and Westminster
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1798
Medium:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Bartholomew Fair

Bartholomew Fair
Creator:
John Bluck, active 1791–1831, British
Date:
1808
Medium:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Quakers Meeting

Quakers Meeting
Creator:
Joseph Constantine Stadler, active 1780–1812, British
Date:
1809
Medium:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Heads: Philosophorum

Heads: Philosophorum
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1800
Medium:
Etching, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Undertakers Regaling

Undertakers Regaling
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1801
Medium:
Aquatint on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection