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Author ss after Robert Smirke, 1752–1845, British

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1. As You Like It: Act II, Scene VII: The Seven Ages of Man (First Age)

As You Like It: Act II, Scene VII: The Seven Ages of Man (First Age)
Creator:
Peltro W. Tomkins, 1760–1840
Date:
1801
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. As You Like It: Act II, Scene VII: The Seven Ages Man (second age)

As You Like It: Act II, Scene VII: The Seven Ages Man (second age)
Creator:
John Ogborne the Elder, 1755–1795
Date:
1801-1803
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. As You Like It: Act II, Scene VII: The Seven Ages Man (fifth age)

As You Like It: Act II, Scene VII: The Seven Ages Man (fifth age)
Creator:
Peter Simon, 1750–1810
Date:
1801
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
Creator:
Robert Thew, 1758–1802
Date:
1803
Materials & Techniques:
Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/4 x 26 3/4 inches (51.4 x 67.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. His Majesty Reviewing the Volunteer Corps Assembled in Hyde Park

His Majesty Reviewing the Volunteer Corps Assembled in Hyde Park
Creator:
Richard Earlom, 1743–1822
Date:
1801
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. As You Like It: Act II, Scene VII: The Seven Ages Man (seventh age)

As You Like It: Act II, Scene VII: The Seven Ages Man (seventh age)
Creator:
Peter Simon, 1750–1810
Date:
1801
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."

Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
Creator:
Samuel Middiman, ca. 1750–1831
Date:
1797
Materials & Techniques:
Engraving and etching
Dimensions:
Plate: 20 x 25 1/8in. (50.8 x 63.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. As You Like It: Act II, Scene VII: The Seven Ages Man (sixth age)

As You Like It: Act II, Scene VII: The Seven Ages Man (sixth age)
Creator:
William S. Leney, 1769–1831
Date:
1801
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. This Print Representing His Majesty Reviewing the Volunteer Corps assembled in Hyde Park, in honor of his Birthday, June 4 1799

This Print Representing His Majesty Reviewing the Volunteer Corps assembled in Hyde Park, in honor of his Birthday, June 4 1799
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1801
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Commemoration of the Victory of June 1st, 1794

Commemoration of the Victory of June 1st, 1794
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engravng and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Ticket to Westminster Abbey

Ticket to Westminster Abbey
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
before 1791
Materials & Techniques:
Etching and line engraving on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 7 3/8 inches (22.3 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. As You Like It: Act II, Scene VII: The Seven Ages Man (fourth age)

As You Like It: Act II, Scene VII: The Seven Ages Man (fourth age)
Creator:
John Ogborne the Elder, 1755–1795
Date:
1801
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."

Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
Creator:
Samuel Middiman, ca. 1750–1831
Date:
1803
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 5/8 x 24 7/8in. (49.8 x 63.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."

Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
Creator:
Samuel Middiman, ca. 1750–1831
Date:
1803
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 5/16 x 23 7/16in. (44 x 59.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."

Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
Creator:
Samuel Middiman, ca. 1750–1831
Date:
1803
Materials & Techniques:
Engraving and etching
Dimensions:
Plate: 20 x 25 1/8in. (50.8 x 63.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Henry IV, Part I, Act II, Scene IV: " The Boar's Head"

Henry IV, Part I, Act II, Scene IV: " The Boar's Head"
Creator:
Robert Thew, 1758–1802
Date:
1803
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 3/16 x 23 3/8in. (43.7 x 59.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Ticket to Westminster Abbey

Ticket to Westminster Abbey
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
before 1791
Materials & Techniques:
Line engraving and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 5 11/16 inches (22.2 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Vortigern & Rowena

Vortigern & Rowena
Creator:
Print made by Anker Smith, 1759–1819
Date:
1816
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

19. The Duke of Gloucester Accusing Jane Shore of Witchcraft

The Duke of Gloucester Accusing Jane Shore of Witchcraft
Creator:
Print made by William Bromley, 1769–1842
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

20. Attempt to Assassinate Prince Edward in Palestine

Attempt to Assassinate Prince Edward in Palestine
Creator:
Print made by Anker Smith, 1759–1819
Date:
1816
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

21. Gil Blas. Vol I: Gil Blas in the Cavern

Gil Blas. Vol I: Gil Blas in the Cavern
Creator:
Print made by James Neagle, 1760–1822
Date:
1809
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

22. Cranmer Urging Edward VI to Consent to the Execution of Joan of Kent

Cranmer Urging Edward VI to Consent to the Execution of Joan of Kent
Creator:
Print made by William Bromley, 1769–1842
Date:
1796
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

23. Magna Charta Presented to King John

Magna Charta Presented to King John
Creator:
Print made by Anker Smith, 1759–1819
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

24. The Prince of Wales Brought before Edward IV, after the Battle of Tewkesbury

The Prince of Wales Brought before Edward IV, after the Battle of Tewkesbury
Creator:
Print made by Anker Smith, 1759–1819
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

25. Alfred in the Danish Camp

Alfred in the Danish Camp
Creator:
Print made by Anker Smith, 1759–1819
Date:
1816
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

26. The Burning of Archbishop Cranmer

The Burning of Archbishop Cranmer
Creator:
Print made by Anker Smith, 1759–1819
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

27. Edward V. and The Duke of York, Smothered in the Tower

Edward V. and The Duke of York, Smothered in the Tower
Creator:
Print made by Anker Smith, 1759–1819
Date:
1810
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

28. Cardinal Wolsey Receiving a Letter Sent by Henry VIII

Cardinal Wolsey Receiving a Letter Sent by Henry VIII
Creator:
Print made by William Bromley, 1769–1842
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

29. Queen Margaret Resigning the Duke of York

Queen Margaret Resigning the Duke of York
Creator:
Print made by Thomas Milton, 1742/1743–1827
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

30. Lady Elizabeth Grey's Interview with Edward IV

Lady Elizabeth Grey's Interview with Edward IV
Creator:
Print made by Anker Smith, 1759–1819
Date:
1816
Materials & Techniques:
Line engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

31. The Death of Wat Tyler

The Death of Wat Tyler
Creator:
Print made by Thomas Milton, 1742/1743–1827
Date:
1810
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

32. Elizabeth Barton, Commonly called The Holy Maid of Kent, Practicing her Impositions

Elizabeth Barton, Commonly called The Holy Maid of Kent, Practicing her Impositions
Creator:
Print made by James Neagle, 1760–1822
Date:
1810
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

33. Death of Henry V

Death of Henry V
Creator:
Print made by William Bromley, 1769–1842
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

34. Becket Assassinated

Becket Assassinated
Creator:
Print made by Anker Smith, 1759–1819
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

35. Queen Margaret Protected by a Robber

Queen Margaret Protected by a Robber
Creator:
Print made by Anker Smith, 1759–1819
Date:
1810
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

36. Death of Henry IV

Death of Henry IV
Creator:
Print made by William Bromley, 1769–1842
Date:
1816
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

37. Canute Reproving the Flattery of his Courtiers

Canute Reproving the Flattery of his Courtiers
Creator:
Print made by Thomas Milton, 1742/1743–1827
Date:
1810
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

38. The Death of Cardinal Wolsey

The Death of Cardinal Wolsey
Creator:
Print made by Philip Audinet, 1766–1837
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

39. The Young Earl of Richmond before Henry VI

The Young Earl of Richmond before Henry VI
Creator:
Print made by Anker Smith, 1759–1819
Date:
1810
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

40. Queen Mary of Scots Landing in England

Queen Mary of Scots Landing in England
Creator:
Print made by James Neagle, 1760–1822
Date:
1810
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

41. Eighteenth Century Fireman

No cover image available
Creator:
unknown artist
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. MacBeth, Act I, Scene III: "A Heath"

No cover image available
Creator:
Thomas Ryder, 1746–1810
Date:
1803
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. As You Like it, Act II, Scene VII: The Seven Ages: The Second Age

No cover image available
Creator:
John Ogborne the Elder, 1755–1795
Date:
1803
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Merchant of Venice, Act II, Scene V: "Shylock's House"

No cover image available
Creator:
Peter Simon, 1750–1810
Date:
1803
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Taming of the Shrew: Introduction, Scene II: A Room in the Lord's House

No cover image available
Creator:
Robert Thew, 1758–1802
Date:
1803
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. As You Like it, Act II, Scene VII: The Seven Ages: The First Age

No cover image available
Creator:
Peltro W. Tomkins, 1760–1840
Date:
1803
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. As You Like it, Act II, Scene VII: The Seven Ages: The Fourth Age

No cover image available
Creator:
John Ogborne the Elder, 1755–1795
Date:
1803
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. As You Like it, Act II, Scene VII: The Seven Ages: The Sixth Age

No cover image available
Creator:
William S. Leney, 1769–1831
Date:
1803
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. As You Like it, Act II, Scene VII: The Seven Ages: The Seventh Age

No cover image available
Creator:
Peter Simon, 1750–1810
Date:
1803
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. As You Like it, Act II, Scene VII: The Seven Ages: The Fifth Age

No cover image available
Creator:
Peter Simon, 1750–1810
Date:
1803
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection