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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1846

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1. Wilmot's Hill, Kent

Wilmot's Hill, Kent
Creator:
Samuel Palmer, 1805–1881
Date:
ca. 1851
Materials & Techniques:
Watercolor, gouache, and black chalk on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/4 × 14 7/8 inches (27.3 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. An Evening Party

An Evening Party
Creator:
Sir John Everett Millais, 1829–1896
Date:
1846
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 x 9 3/8 inches (15.9 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Rialto

The Rialto
Creator:
William Callow, 1812–1908
Date:
1846
Materials & Techniques:
Watercolor with pen in brown and black ink, with graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/16 x 10 1/2 inches (36.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Chapel, Dirleton Castle, Scotland

The Chapel, Dirleton Castle, Scotland
Creator:
Daniel Wilson, 1816–1892
Date:
1846
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 12 1/4 inches (21 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Guards and the Line

The Guards and the Line
Creator:
Alfred Henry Forrester, 1804–1872
Date:
ca. 1851
Materials & Techniques:
Pen and ink
Dimensions:
Sheet: 8 1/4 x 12 7/8in. (21 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Design for the Brass Eagle Lectern Base

Design for the Brass Eagle Lectern Base
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1846
Materials & Techniques:
Graphite and pen and black ink on moderately thick, smooth, beige paper
Dimensions:
Sheet: 32 1/2 x 27 7/8 inches (82.6 x 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Design for the Roof Truss, Rampisham Rectory

Design for the Roof Truss, Rampisham Rectory
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
between 1846 and 1848
Materials & Techniques:
Graphite and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/4 × 12 inches (45.1 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Designs for Gothic Standing Candlesticks and Incense Burners

Designs for Gothic Standing Candlesticks and Incense Burners
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
1846
Materials & Techniques:
Lithograph on thin, smooth, blue wove paper
Dimensions:
Sheet: 10 1/4 x 16 3/4 inches (26 x 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Designs for Altar and Processional Crosses

Designs for Altar and Processional Crosses
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1846
Materials & Techniques:
Lithograph on thin, smooth, blue wove paper
Dimensions:
Sheet: 10 3/8 × 8 3/8 inches (26.4 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Gray Mare and a Chestnut Foal

Gray Mare and a Chestnut Foal
Creator:
John Frederick Lewis, 1804–1876
Date:
1846
Materials & Techniques:
Watercolor, white gouache and graphite with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 16 1/4 inches (28.9 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. High Tor, Matlock

High Tor, Matlock
Creator:
Henry Moore, 1831–1895
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 15/16 x 20 3/8in. (35.4 x 51.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. A View of Hobart, Tasmania

A View of Hobart, Tasmania
Creator:
Lt. Gen. Charles Emilius Gold, 1803?–1871
Date:
1846
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 13 5/16in. (19.1 x 33.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Stable Boy on a Pony

Stable Boy on a Pony
Creator:
Arthur James Stark, 1831–1902
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 5 1/2 × 6 7/8 inches (14 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Drowning Slave

The Drowning Slave
Creator:
Robert Brandard, 1805–1862
Date:
1846
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Fore's Stable Scenes: The Hunting Stud

Fore's Stable Scenes: The Hunting Stud
Creator:
John Harris, 1811–1865
Date:
1846
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 1/4 x 26 1/2in. (43.8 x 67.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Fore's Stable Scenes: The Team

Fore's Stable Scenes: The Team
Creator:
John Harris, 1811–1865
Date:
1846
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 1/4 x 26 1/2in. (43.8 x 67.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Fore's Stable Scenes: Thorough Breds

Fore's Stable Scenes: Thorough Breds
Creator:
John Harris, 1811–1865
Date:
1846
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 1/4 x 26 1/2in. (43.8 x 67.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. John Gibson, Esqr. Sculptor, R. A., Member of the Academies of St. Luke at Rome, of Bologna, Ravenna, of the R. A. of Turin and that of New York

John Gibson, Esqr. Sculptor, R. A., Member of the Academies of St. Luke at Rome, of Bologna, Ravenna, of the R. A. of Turin and that of New York
Creator:
Charles E. Wagstaff, 1808–
Date:
1846
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. From under the Portico of the Temple of Edfu, Upper Egypt

From under the Portico of the Temple of Edfu, Upper Egypt
Creator:
David Roberts, 1796–1864
Date:
1846
Materials & Techniques:
Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 19 3/4 inches (34.6 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate III. "We were hunting the fox on a lowering day, / with the Squire spurring up on his high-flying grey; ..."

Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate III. "We were hunting the fox on a lowering day, / with the Squire spurring up on his high-flying grey; ..."
Creator:
Henry Papprill, 1816–d.after 1883
Date:
1846
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 x 20 7/8in. (38.1 x 53cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate II. "When the brush of Sly Reynard, the coveted prize, / was display'd at his table, joy danced in his eyes; ..."

Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate II. "When the brush of Sly Reynard, the coveted prize, / was display'd at his table, joy danced in his eyes; ..."
Creator:
Henry Papprill, 1816–d.after 1883
Date:
1846
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 x 20 7/8in. (38.1 x 53cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate IV. "The Squire, the Old Squire, is gone to his rest, / his heart was the bravest, his horse was the best, ..."

Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate IV. "The Squire, the Old Squire, is gone to his rest, / his heart was the bravest, his horse was the best, ..."
Creator:
Henry Papprill, 1816–d.after 1883
Date:
1846
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 x 20 7/8in. (38.1 x 53cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Beachley, 29 May 1846

Beachley, 29 May 1846
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1846
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 10 5/8 inches (19.7 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Beachley, 19 May 1846

Beachley, 19 May 1846
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1846
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 10 7/8 inches (19.4 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. At Beachley

At Beachley
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1846
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 10 1/4 inches (19.1 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Beachley near the Sea Shore, 29 May 1846

Beachley near the Sea Shore, 29 May 1846
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1846
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 10 1/2 inches (19.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Sunset, Beachley, 29 May 1846

Sunset, Beachley, 29 May 1846
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1846
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 10 3/8 inches (19.4 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Engraved Key Plate: The Caledonian Coursing Meeting near the Castle of Ardrossan, the Isle of Arran in the distance

Engraved Key Plate: The Caledonian Coursing Meeting near the Castle of Ardrossan, the Isle of Arran in the distance
Creator:
Identifying sitters in a painting by Richard Ansdell, 1815–1885
Date:
1846
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 1/2 x 15in. (19.1 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. A Shepherd with Flock Beneath a Large Tree

A Shepherd with Flock Beneath a Large Tree
Creator:
Arthur James Stark, 1831–1902
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on thick, slightly textured, cream wove paper, mounted on board
Dimensions:
Contemporary drawn border: 5 7/8 × 13 1/4 inches (14.9 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Mare and Foal

Mare and Foal
Creator:
Arthur James Stark, 1831–1902
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 8 inches (12.1 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Guards and the Line

The Guards and the Line
Creator:
Alfred Henry Forrester, 1804–1872
Date:
ca. 1851
Materials & Techniques:
Pen and ink
Dimensions:
Sheet: 8 1/4 x 12 7/8in. (21 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Guards and the Line

The Guards and the Line
Creator:
Alfred Henry Forrester, 1804–1872
Date:
ca. 1851
Materials & Techniques:
Pen and ink
Dimensions:
Sheet: 8 1/4 x 12 7/8in. (21 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The Guards and the Line

The Guards and the Line
Creator:
Alfred Henry Forrester, 1804–1872
Date:
ca. 1851
Materials & Techniques:
Pen and ink
Dimensions:
Sheet: 8 1/4 x 12 7/8in. (21 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Guards and the Line

The Guards and the Line
Creator:
Alfred Henry Forrester, 1804–1872
Date:
ca. 1851
Materials & Techniques:
Pen and ink
Dimensions:
Sheet: 8 1/4 x 12 7/8in. (21 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The Guards and the Line

The Guards and the Line
Creator:
Alfred Henry Forrester, 1804–1872
Date:
ca. 1851
Materials & Techniques:
Pen and ink
Dimensions:
Sheet: 8 1/4 x 12 7/8in. (21 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The Guards and the Line

The Guards and the Line
Creator:
Alfred Henry Forrester, 1804–1872
Date:
ca. 1851
Materials & Techniques:
Pen and ink
Dimensions:
Sheet: 8 1/4 x 12 7/8in. (21 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Martin Archer Shee

Martin Archer Shee
Creator:
Henry Griffiths, 1835–1849
Date:
1846
Materials & Techniques:
Stipple engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 11/16 × 5 inches (19.5 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume.

A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume.
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1846
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 17 9/16 x 24 5/16 inches (44.6 x 61.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. The Guards and the Line

The Guards and the Line
Creator:
Alfred Henry Forrester, 1804–1872
Date:
ca. 1851
Materials & Techniques:
Pen and ink
Dimensions:
Sheet: 8 1/4 x 12 7/8in. (21 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Guards and the Line

The Guards and the Line
Creator:
Alfred Henry Forrester, 1804–1872
Date:
ca. 1851
Materials & Techniques:
Pen and ink
Dimensions:
Sheet: 8 1/4 x 12 7/8in. (21 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The Guards and the Line

The Guards and the Line
Creator:
Alfred Henry Forrester, 1804–1872
Date:
ca. 1851
Materials & Techniques:
Pen and ink
Dimensions:
Sheet: 8 1/4 x 12 7/8in. (21 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Guards and the Line

The Guards and the Line
Creator:
Alfred Henry Forrester, 1804–1872
Date:
ca. 1851
Materials & Techniques:
Pen and ink
Dimensions:
Sheet: 8 1/4 x 12 7/8in. (21 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Van Dyck et Son Protecteur le Comte de Bristol

Van Dyck et Son Protecteur le Comte de Bristol
Creator:
Leopold Flameng, 1831–1911
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 13/16 × 11 1/4 inches (25 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Holland House, Middlesex

Holland House, Middlesex
Creator:
W. L. Walton, active 1834–1855
Date:
1846
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Giant's Causeway

Giant's Causeway
Creator:
Marcus Ward, active 1846
Date:
1846
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. White Rocks, Dunlace Antrim

White Rocks, Dunlace Antrim
Creator:
Marcus Ward, active 1846
Date:
1846
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. The Great Britain Iron Steam Ship

The Great Britain Iron Steam Ship
Creator:
Thomas Picken, active 1838–died 1870
Date:
1846
Materials & Techniques:
Lithograph on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 21 7/8 inches (39.7 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. The Guards and the Line

The Guards and the Line
Creator:
Alfred Henry Forrester, 1804–1872
Date:
ca. 1851
Materials & Techniques:
Pen and ink
Dimensions:
Sheet: 8 1/4 x 12 7/8in. (21 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. The Guards and the Line

The Guards and the Line
Creator:
Alfred Henry Forrester, 1804–1872
Date:
ca. 1851
Materials & Techniques:
Pen and ink
Dimensions:
Sheet: 8 1/4 x 12 7/8in. (21 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Sir Thomas Lawrence, late President of the Royal Academy

Sir Thomas Lawrence, late President of the Royal Academy
Creator:
James Thomson, 1789–1850
Date:
1846
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Protection, A Hen and Chickens of an Extraordinary Game Breed, Not to be Found in any work on Ornithology (from: Caricature, vol. 6)

Protection, A Hen and Chickens of an Extraordinary Game Breed, Not to be Found in any work on Ornithology (from: Caricature, vol. 6)
Creator:
John Doyle ('H.B.'), 1797–1868
Date:
1846
Materials & Techniques:
Lithograph, hand-colored
Dimensions:
Sheet: 9 x 11 3/4in. (22.9 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate I. "The Jolly Old Squire was as staunch as a hound, ..."

Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate I. "The Jolly Old Squire was as staunch as a hound, ..."
Creator:
Henry Papprill, 1816–d.after 1883
Date:
1846
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 x 20 7/8in. (38.1 x 53cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Brewers, Chasters, and Galley Quays

Brewers, Chasters, and Galley Quays
Creator:
Samuel Lunley
Date:
1846
Materials & Techniques:
Hand colored lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Stag at Bay: - Suggested by the Beautiful Picture of Edwin Landseer R.A., Esquire

Stag at Bay: - Suggested by the Beautiful Picture of Edwin Landseer R.A., Esquire
Creator:
John Doyle ('H.B.'), 1797–1868
Date:
1846
Materials & Techniques:
Lithograph, hand-colored
Dimensions:
Sheet: 9 3/8 x 14 1/8in. (23.8 x 35.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. French Fishing Boat off the Shears

French Fishing Boat off the Shears
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
1846
Materials & Techniques:
Etching on thick, slightly textured, cream card with cream chine collé
Dimensions:
Sheet: 5 9/16 x 6 3/8 inches (14.2 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Study of Trees on the Banks of the Yare

Study of Trees on the Banks of the Yare
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
1846
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 1/4 x 6 5/8 inches (13.3 x 16.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Her Majesty Queen Victoria & Family

Her Majesty Queen Victoria & Family
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
ca. 1851
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper
Dimensions:
Sheet: 4 13/16 × 7 5/16 inches (12.3 × 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Crickhowell Castle, 22 July 1846

Crickhowell Castle, 22 July 1846
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1846
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Llansteffan Castle, 28 July 1846

Llansteffan Castle, 28 July 1846
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1846
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. The Werns, 29 July 1846

The Werns, 29 July 1846
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1846
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Study of Rocks

Study of Rocks
Creator:
John Brett, 1831–1902
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and scraping out on medium, textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 3/4 inches (23.2 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. The Market Place

The Market Place
Creator:
Nicholas Condy, 1793–1857
Date:
1846
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, white wove paper
Dimensions:
Sheet: 6 3/8 × 9 inches (16.2 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. [Stag Hunting] The Late Georgiana Charlotte Theobald

No cover image available
Creator:
James R. Mackrell, c.1815–1846
Date:
1846
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 19 5/8 x 23 3/4in. (49.8 x 60.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. View of 12A Kensington Palace Gardens

No cover image available
Creator:
James Murray, 1831–1863
Date:
undated
Materials & Techniques:
Watercolor, gouache, pen and black ink, graphite, and gum arabic on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 29 1/4 × 40 3/4 inches (74.3 × 103.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. A Pair: (2) October

No cover image available
Creator:
Henry Pyall, 1795–1833
Date:
1846
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 18 3/4 x 23in. (47.6 x 58.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Goodwood/ The Race for the Goodwood Stakes

No cover image available
Creator:
John Harris, 1811–1865
Date:
1846
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 1/2 x 20 1/2in. (44.5 x 52.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. A Pair: (1) September

No cover image available
Creator:
Henry Pyall, 1795–1833
Date:
1846
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 18 3/4 x 23in. (47.6 x 58.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Rozel Harbour, Jersey

No cover image available
Creator:
unknown artist
Date:
1846
Materials & Techniques:
Engraving and aquatint
Dimensions:
Sheet: 5 1/16 x 7 1/8in. (12.8 x 18.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Bon Nuit, Jersey

No cover image available
Creator:
unknown artist
Date:
1846
Materials & Techniques:
Engraving
Dimensions:
Sheet: 3 9/16 x 4 9/16in. (9.1 x 11.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Heidelberg from the Opposite bank of the Neckar

No cover image available
Creator:
Print made by Thomas Abiel Prior, 1809–1886
Date:
1846
Materials & Techniques:
Etching and line engraving with graphite; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 21 7/8 × 27 1/8 inches (55.6 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Heidelberg from the Opposite Bank of the Neckar

No cover image available
Creator:
Print made by Thomas Abiel Prior, 1809–1886
Date:
1846
Materials & Techniques:
Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with beige chine-collé
Dimensions:
Sheet: 29 × 38 1/8 inches (73.7 × 96.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Loch Achray, The Trosacks Benvenue

No cover image available
Creator:
Print made by J. Gellatly
Date:
ca. 1851
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Val de Veaux, Jersey

No cover image available
Creator:
unknown artist
Date:
1846
Materials & Techniques:
Engraving
Dimensions:
Sheet: 3 5/16 x 4 1/2in. (8.4 x 11.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection