Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
5
Edward Lear, 1812–1888
Entrance to the Port of Marseille
undated
6
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
7
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
8
Edward Lear, 1812–1888
English Country Town
undated
9
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
10
Edward Lear, 1812–1888
Venice, the Doge's Palace
undated
11
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
12
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
13
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
14
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
15
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
16
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
17
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
18
Joseph Nash, 1808–1878
Sketches of Towns People
1827
19
James Duffield Harding, 1798–1863
Fishermen's Houses at Sculcoats near Hull, Yorkshire
1827
20
John Frederick Lewis, 1804–1876
St. Goarhausen on the Rhine between Koblenz and Mainz
1827
21
John Frederick Lewis, 1804–1876
The Via Mala
1827
22
John Frederick Lewis, 1804–1876
The Valley of Lutscheuen
1827
23
John Frederick Lewis, 1804–1876
Tyrolese Hunters
between 1827 and 1828
24
Joseph Nash, 1808–1878
Fashionable Men and Women Promenading
1827
25
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1827-1838
26
Print made by Robert Brandard, 1805–1862
Dunstanborough Castle, Northumberland
1827-1838
27
Print made by William Miller, 1796–1882
Great Yarmouth, Norfolk
1827-1838
28
Print made by James T. Willmore, 1800–1863
Alnwick Castle, Northumberland
1827-1838
29
Print made by William Miller, 1796–1882
Stamford, Lincolnshire
1827-1838
30
Print made by James Baylis Allen, 1803–1876
Stonyhurst, Lancashire
1827-1838
31
Print made by William Tombleson, ca.1795–1835
Holy Island, Northumberland
1827-1838
32
Print made by James Baylis Allen, 1803–1876
Stonyhurst, Lancashire
1827-1838
33
Print made by William Tombleson, ca.1795–1835
Holy Island, Northumberland
1827-1838
34
Print made by James Baylis Allen, 1803–1876
Stonyhurst, Lancashire
1827-1838
35
Print made by Robert Wallis, 1794–1878
Trematon Castle, Cornwall
1827-1838
36
Print made by Robert Wallis, 1794–1878
Trematon Castle, Cornwall
1827-1838
37
Print made by James H. Kernot, active early 19th century
St. Mawes, Cornwall
1827-1838
38
Print made by Josiah Henshall, 1806–1869
Winchelsea, Sussex
1827-1838
39
Print made by James H. Kernot, active early 19th century
St. Mawes, Cornwall
1827-1838
40
Print made by J. C. Varrall, active 1815–1827
Walton Bridge on Thames, Surrey
1827-1838
41
Print made by J. C. Varrall, active 1815–1827
Walton Bridge on Thames, Surrey
1827-1838
42
Print made by James H. Kernot, active early 19th century
St. Mawes, Cornwall
1827-1838
43
Print made by J. C. Varrall, active 1815–1827
Walton Bridge on Thames, Surrey
1827-1838
44
Print made by Robert Wallis, 1794–1878
Ludlow Castle, Shropshire
1827-1838
45
Print made by Robert Wallis, 1794–1878
Ludlow Castle, Shropshire
1827-1838
46
Print made by Robert Wallis, 1794–1878
Ludlow Castle, Shropshire
1827-1838
47
Print made by Robert Wallis, 1794–1878
Ludlow Castle, Shropshire
1827-1838
48
Alfred Diston, active 1818–1829
Square in the Village of Los Silos, Tenerife
1827
49
Print made by Edward Goodall, 1795–1870
Florence
1827
50
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
51
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
52
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
53
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
54
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827-1838
55
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
56
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827-1838
57
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827-1838
58
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827-1838
59
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827-1838
60
Print made by Edward Goodall, 1795–1870
Fall of the Tees
1827-1838
61
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827-1838
62
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827-1838
63
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827-1838
64
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827-1838
65
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827-1838
66
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827-1838
67
Print made by Robert Wallis, 1794–1878
Bolton Abbey, Yorkshire
1827-1838
68
Print made by Robert Wallis, 1794–1878
Bolton Abbey, Yorkshire
1827-1838
69
Print made by W. R. Smith, active 1819–1851
Dartmouth Cove
1827-1838
70
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
71
Print made by Robert Wallis, 1794–1878
Lancaster from the Aqueduct Bridge
1827-1838
72
Print made by Robert Wallis, 1794–1878
Lancaster from the Aqueduct Bridge
1827-1838
73
Print made by Robert Wallis, 1794–1878
Lancaster from the Aqueduct Bridge
1827-1838
74
George Fennell Robson, 1788–1833
St. Paul's from Southwark by Sunset
ca. 1832
75
Print made by Robert Wallis, 1794–1878
St. Maurice (vignette)
1827
76
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827-1838
77
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827-1838
78
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827-1838
79
Print made by William Miller, 1796–1882
Straits of Dover
1827-1838
80
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827-1838
81
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827-1838
82
Print made by William Miller, 1796–1882
Straits of Dover
1827-1838
83
Print made by Robert Wallis, 1794–1878
Buckfastleigh Abbey, Devonshire
1827-1838
84
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1827-1838
85
Print made by Thomas Jeavons, ca. 1800–1867
Knaresborough, Yorkshire
1827-1838
86
Print made by Robert Brandard, 1805–1862
Dunstanborough Castle, Northumberland
1827-1838
87
Print made by W. R. Smith, active 1819–1851
Entrance to Fowey Harbour, Cornwall
1827-1838
88
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
89
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
90
Print made by Thomas Jeavons, ca. 1800–1867
Devonport and Dockyard, Devonshire
1827-1838
91
Print made by Edward Goodall, 1795–1870
Florence
1827
92
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827-1838
93
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827-1838
94
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Kneeler
undated
95
Augustus Welby Northmore Pugin, 1812–1852
Design for a Wreath of Oak and Acorn, possibly related to Designs for the Speaker's Chair
undated
96
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Wall Lamp
undated
97
Samuel Prout, 1783–1852
Figures on a Beach
after 1827
98
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Table
undated
99
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Chair and Box
undated
100
Print made by Augustus Welby Northmore Pugin, 1812–1852
St. Giles' Catholic Church: Elevation of the Steeple