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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomGenre religious and mythological subject
Remove constraint Genre: religious and mythological subjectSubject Terms men
Remove constraint Subject Terms: menSubject Terms trees
Remove constraint Subject Terms: treesSearch Results
1
- Christ and the Woman of Samaria
- 1819
2
- The Deluge
- between 1813 and 1823
3
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
4
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
5
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
6
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
7
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
8
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
9
- The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
- 1794
10
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
11
- America. A Prophecy, Plate 4, "Silent as despairing love...."
- 1793
12
- America. A Prophecy, Plate 14, "So Cried He...."
- 1793
13
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
14
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
15
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
16
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
17
- Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
- 1797
18
- Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
- 1797
19
- Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
- 1797
20
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
21
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
22
- For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
- 1826
23
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
24
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
25
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
26
- Jerusalem, Plate 76
- 1804 to 1820
27
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
28
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
29
- Jerusalem, Plate 49, "The secret coverts of Albion...."
- 1804 to 1820
30
- Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
- 1789
31
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
32
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
33
- For the Sexes: The Gates of Paradise, Plate 4, "Water"
- 1826
34
- For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
- 1826
35
- Florence, from the Chiesa al Monte
- 1820
36
- Florence, from the Chiesa al Monte
- 1820
37
- Florence, from the Chiesa al Monte
- 1820
38
- Christ with Three Figures
- undated
39
- The Convent of St. Nicholas
- 1802-1804
40
- The Rescue of Lot
- 1833
41
- Apollo and Daphne
- between 1770 and 1799
42
- The Pool of Bethesda
- 1772
43
- The Death of Ananias
- after 1855
44
- Tobias and the Angel
- ca. 1685
45
- The Good Samaritan
- 1772
46
- Dido and Aeneas; The Morning of the Chase
- 1842
47
- Mercury and Herse
- 1842
48
- Mercury and Herse
- 1842
49
- Figure Study of a Bacchanalia Celebration in a Wooded Landscape
- undated
50
- Figure Study of a Bacchanalia Celebration in a Wooded Landscape
- undated