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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1797

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Subject Terms trees

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1. Ranger, a setter, the property of Elizabeth Gray

Ranger, a setter, the property of Elizabeth Gray
Creator:
George Garrard, 1760–1826
Date:
1797
Materials & Techniques:
Oil on canvas
Dimensions:
28 1/8 × 36 inches (71.4 × 91.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. The Poems of Thomas Gray, Design 53, "The Bard."

The Poems of Thomas Gray, Design 53, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Poems of Thomas Gray, Design 57, "The Bard."

The Poems of Thomas Gray, Design 57, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Poems of Thomas Gray, Design 97, "Ode for Music."

The Poems of Thomas Gray, Design 97, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Poems of Thomas Gray, Design 5, "Ode on the Spring."

The Poems of Thomas Gray, Design 5, "Ode on the Spring."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Poems of Thomas Gray, Design 55, "The Bard."

The Poems of Thomas Gray, Design 55, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

The Poems of Thomas Gray, Design 83, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Poems of Thomas Gray, Design 65, "The Bard."

The Poems of Thomas Gray, Design 65, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Poems of Thomas Gray, Design 3, "Ode on the Spring."

The Poems of Thomas Gray, Design 3, "Ode on the Spring."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

The Poems of Thomas Gray, Design 35, "Ode to Adversity."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Poems of Thomas Gray, Design 27, "A Long Story."

The Poems of Thomas Gray, Design 27, "A Long Story."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Norfolk Broads

The Norfolk Broads
Creator:
John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 x 6 7/8 inches (12.4 x 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Castle in a Landscape

Castle in a Landscape
Creator:
John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 7/8 x 11 1/8 inches (17.5 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Rocks with Central Cavern Among Trees

Rocks with Central Cavern Among Trees
Creator:
James Baynes, 1766–1837
Date:
1797
Materials & Techniques:
Watercolor, pen and black ink, with traces of grouche and graphite on medium, moderately textured, gray laid paper
Dimensions:
Sheet: 11 11/16 × 18 15/16 inches (29.7 × 48.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Entrance to Chepstow Castle

The Entrance to Chepstow Castle
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1802
Materials & Techniques:
Gouache and watercolor with graphite on thick, rough, cream wove paper
Dimensions:
Sheet: 5 3/4 x 7 inches (14.6 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Welsh Landscape

Welsh Landscape
Creator:
Attributed to William Havell, 1782–1857
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 4 1/2 × 6 inches (11.4 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. A Group of Trees by a Fence

A Group of Trees by a Fence
Creator:
John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 7 3/4 inches (25.1 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. A Bridge

A Bridge
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/16 x 6 15/16 inches (23.3 x 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Old Bridge in Devon

The Old Bridge in Devon
Creator:
Thomas Girtin, 1775–1802
Date:
between 1797 and 1801
Materials & Techniques:
Watercolor, pen and brown ink, gouache and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 5/8 × 11 5/8 inches (21.9 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Vauxhall Stairs, from Millbank, July 5, 1797

Vauxhall Stairs, from Millbank, July 5, 1797
Creator:
Francis Towne, 1740–1816
Date:
1797
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 9/16 × 11 inches (24.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The Duke of Cumberland Riding With Mr. de Burgh's Hunt

The Duke of Cumberland Riding With Mr. de Burgh's Hunt
Creator:
John Ferneley, 1782–1860
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gouache and gum arabic on thick, rough, cream wove paper
Dimensions:
Sheet: 8 11/16 × 12 9/16 inches (22.1 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire

A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire
Creator:
John Ferneley, 1782–1860
Date:
undated
Materials & Techniques:
Oil, watercolor, gouache, and graphite on medium, slightly textured, brown wove paper mounted on wood
Dimensions:
Sheet: 10 3/4 × 15 3/4 inches (27.3 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Wooded Upland Landscape with Riders and Packhorse

Wooded Upland Landscape with Riders and Packhorse
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
1797
Materials & Techniques:
Mezzotint and drypoint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 18 3/8 inches (35.9 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Mr. Drummond's Cottage, East Cowes, Isle of Wight

Mr. Drummond's Cottage, East Cowes, Isle of Wight
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1797 and 1800
Materials & Techniques:
Watercolor with pen and gray and red-brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 18 5/16 inches (13.7 x 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Soldier's Widow; or Schoolboys' Collection

The Soldier's Widow; or Schoolboys' Collection
Creator:
Robert Dunkarton, 1744–1811
Date:
ca. 1802
Materials & Techniques:
Mezzotint, colored impression
Dimensions:
Plate: 19 1/8 x 23 7/8in. (48.6 x 60.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Content and Innocence

Content and Innocence
Creator:
Print made by Thomas Burke, 1749–1815
Date:
1797
Materials & Techniques:
Hand-colored stipple engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 20 3/8 x 15 1/4 inches (51.7 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Wooded Landscape with Herdsman and Cows

Wooded Landscape with Herdsman and Cows
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
1797
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 13 3/4 inches (27.9 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Carnarvon Castle, North Wales

Carnarvon Castle, North Wales
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 1/2 x 16 1/8 inches (14 x 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Entrance to Festiniog, Wales

Entrance to Festiniog, Wales
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 5/8 x 16 3/8 inches (14.3 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Hever Castle, Kent

Hever Castle, Kent
Creator:
attributed to John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/8 x 11 inches (19.4 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Portrait of a Lady Standing near a Lake

Portrait of a Lady Standing near a Lake
Creator:
Richard Cosway, 1742–1821
Date:
ca. 1802
Materials & Techniques:
Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 1/4 x 8 3/8 inches (28.6 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. River and Windmill

River and Windmill
Creator:
John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 4 1/4 x 7 inches (10.8 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Michelham, Surrey

Michelham, Surrey
Creator:
Henry Edridge, 1769–1821
Date:
1797
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 7 inches (25.1 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Study of Trees

Study of Trees
Creator:
pupil of John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Graphite and brown wash on medium, smooth, beige wove paper
Dimensions:
Sheet: 9 1/4 x 13 1/8 inches (23.5 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection