Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1797 / Image Use: Free to Use / Classification: Prints

1. Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Plate 33 (page 72): 'And vapid; sense and reason shew the door'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Plate 43 (page 95): 'The goddess bursts in thunder and in flame'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Complaint and the Consolation; or Night Thoughts (and title page)

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Dimensions:: Spine: 16 3/4in. (42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Plate 2 (page 1): 'Swift on his downy pinion flies from woe'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Plate 9 (page 15):' The longest night though longer far, would fail'

Creator:: Engravings by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Plate 22 (page 40): ' Angels should paint it, angels ever there'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Plate 26 (page 49): 'As if the sun could envy, check'd his beam'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Plate 37 (page 86): 'His hand the good man fastens on the skies'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Plate 41 (page 92): 'When faith is virtue, reason makes it so'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Plate 21 (page 37): 'Love, and love only, is the loan for love'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Plate 40 (page 90): 'That touch, with charm celestial heals the soul'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Plate 3 (page 4): 'What, though my soul fantastick measures trod'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Plate 7 (page 12): 'Its favours here are trials, not rewards'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Plate 8 (page 13): 'The present moment terminates our sight'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Plate 6 (page 10): 'Disease invades the chastest temperence'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Plate 12 (page 19): 'Emblem of that which shall awake the dead'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Plate 13 (page 23): 'We censure nature for a span too short'

Creator:: Engravings by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Plate 15 (page 25): 'Behold him, when past by; what then is seen'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young

Creator:: William Blake, 1757–1827
Date:: 1797
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Complaint and the Consolation; or Night Thoughts

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Dimensions:: Spine: 16 3/4in. (42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Itinerant Potters

Creator:: John Whessell, 1760–ca. 1823
Date:: 1797
Materials & Techniques:: Color printed stipple engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 24 5/16 × 19 3/16 inches (61.8 × 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The Woodman's Return

Creator:: John Whessell, 1760–ca. 1823
Date:: 1797
Materials & Techniques:: Colored stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 24 1/4 × 18 7/8 inches (61.6 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. John Ralston

Creator:: William Sadler, c. 1782–1839
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Birth of Pyrrhus

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1797
Materials & Techniques:: Stipple engraving and etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Jacob's Vision, Genesis 28, v. II

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1797
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Encampment at Brighton

Creator:: John Murphy, ca. 1748–1820
Date:: 1797
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 7/8 × 31 1/2 inches (60.6 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795

Creator:: John William Edy, 1760–1820
Date:: 1797
Materials & Techniques:: Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 18 11/16 inches (35.9 × 47.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Queen Catherine Howard

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1797
Materials & Techniques:: Color-printed stipple engraving on satin
Dimensions:: Sheet: 7 x 4 5/8in. (17.8 x 11.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Cottage Scene Near Colchester, Essex

Creator:: Francis Jukes, 1747–1812
Date:: 1797
Materials & Techniques:: Color aquatint
Dimensions:: Sheet: 10 3/4 x 12 3/4in. (27.3 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. A Bridge

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/16 x 6 15/16 inches (23.3 x 17.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Castle Above a Rocky Gorge

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, blue wove paper
Dimensions:: Sheet: 7 1/16 x 8 15/16 inches (17.9 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Parent Restor'd or the Blessings of Peace

Creator:: William Nutter, 1754–1802
Date:: 1797
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 14 x 11 5/8in. (35.6 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Abraham Offering up His Son

Creator:: Robert Dunkarton, 1744–1811
Date:: 1797
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 23 3/4 x 19 1/2in. (60.3 x 49.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. North Front of the Bank

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Hand colored aquatint on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 16 1/16 × 12 1/16 inches (40.8 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. View in Cool Harbour Lane, Camberwell

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 4 x 5 3/8in. (10.2 x 13.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. View of London from Camberwell Green

Creator:: William Knight, active 1807–1845
Date:: 1797
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 7/8 x 11 3/8in. (22.5 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Sir Brooke Boothby, 6th Baronet Boothby of Broadlow Ash

Creator:: John Raphael Smith, 1752–1812
Date:: 1797
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 15/16 × 11 7/8 inches (40.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Cockspur Street

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 7/8 x 15 1/8in. (30.2 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Wooded Landscape with Herdsman and Cows

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: 1797
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 13 3/4 inches (27.9 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1797

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1. Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

2. Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

3. Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

4. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

5. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

6. Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

7. Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

8. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

9. Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

10. Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

11. Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

12. Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

13. Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

14. Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

15. Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

16. Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

17. Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

18. Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

19. Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

20. Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

21. Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

22. Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

23. Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

24. Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

25. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

26. Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

27. Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

28. Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

29. Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

30. Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

31. Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

32. Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

33. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

34. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

35. Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

36. Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

37. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

38. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

39. Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

40. Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

41. Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

42. Plate 33 (page 72): 'And vapid; sense and reason shew the door'

43. Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'

44. Plate 43 (page 95): 'The goddess bursts in thunder and in flame'

45. The Complaint and the Consolation; or Night Thoughts (and title page)

46. Plate 2 (page 1): 'Swift on his downy pinion flies from woe'

47. Plate 9 (page 15):' The longest night though longer far, would fail'

48. Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"

49. Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'

50. Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'

51. Plate 22 (page 40): ' Angels should paint it, angels ever there'

52. Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'

53. Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'

54. Plate 26 (page 49): 'As if the sun could envy, check'd his beam'

55. Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'

56. Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'

57. Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'

58. Plate 37 (page 86): 'His hand the good man fastens on the skies'

59. Plate 41 (page 92): 'When faith is virtue, reason makes it so'

60. Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'

61. Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'

62. Plate 21 (page 37): 'Love, and love only, is the loan for love'

63. Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'

64. Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'

65. Plate 40 (page 90): 'That touch, with charm celestial heals the soul'

66. Plate 3 (page 4): 'What, though my soul fantastick measures trod'

67. Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'

68. Plate 7 (page 12): 'Its favours here are trials, not rewards'

69. Plate 8 (page 13): 'The present moment terminates our sight'

70. Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'

71. Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'

72. Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'