Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1831

1. Vicunas

Creator:: Jacques-Laurent Agasse, 1767–1849
Date:: 1831
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 12 inches (35.6 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 8 3/16 inches (16.4 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 13/16 × 8 5/16 inches (17.3 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 8 inches (16.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk and white gouache on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 5/16 inches (16.5 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 8 7/16 inches (17.5 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 1/4 inches (16.7 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 8 1/2 inches (16.4 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 × 8 1/8 inches (16.2 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. G.Osbaldeston, Esqr. performing wonderful and unprecedented feat of 200 miles against time.

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1831
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 16 1/4 x 18 3/4in. (41.3 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Ceremony of Opening London Bridge, August 1, 1831

Creator:: Print made by Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Ceremony of Opening London Bridge with the Old London Bridge in the Background

Creator:: Thomas Allom, 1804–1872
Date:: 1831
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 8 1/8 x 12 11/16in. (20.6 x 32.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840

Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840

Creator:: Richard Ansdell, 1815–1885
Date:: before 1841
Materials & Techniques:: Oil on millboard
Dimensions:: Overall: 5 1/8 × 4 1/8 inches (13 × 10.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. James Northcote

Creator:: Print made by Philip Audinet, 1766–1837
Date:: 1831
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 13/16 x 5 9/16 inches (22.4 x 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Versailles

Creator:: Thomas Shotter Boys, 1803–1874
Date:: between 1831 and 1837
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 3/16 inches (13 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Notre Dame, Paris

Creator:: Thomas Shotter Boys, 1803–1874
Date:: between 1831 and 1845
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 8 7/16 inches (15.9 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Pont des Arts, Paris

Creator:: Thomas Shotter Boys, 1803–1874
Date:: between 1831 and 1837
Materials & Techniques:: Pen and black ink and brown ink, graphite and watercolor on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 13 1/8 inches (16.8 x 33.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. On the Seine

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1831
Materials & Techniques:: Watercolor with pen and brown ink over graphite with gum arabic on moderately thick, slightly textured, cream wove paper, mounted to thick, slightly textured, cream wove paper, mounted to thick, slightly textured, beige card
Dimensions:: Mount: 5 3/4 x 8 3/4 inches (14.6 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Pont Neuf

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor, graphite, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 3/8 inches (19.1 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Gosport, Entrance to Portsmouth Harbor

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1831
Materials & Techniques:: Etching and engraving, touched with graphite (Engraver's Proof)
Dimensions:: Plate: 10 x 12in. (25.4 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Gasport, Entrance to Portsmouth Harbor

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1831
Materials & Techniques:: Etching and engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Gosport, Entrance to Portsmouth Harbor

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1831
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Costessy Hall, Norfolk

Creator:: John Chessell Buckler, 1793–1894
Date:: 1831
Materials & Techniques:: Graphite, pen and brown ink, and watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 9 1/4 × 12 7/8 inches (23.5 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Costessy Hall, Norfolk

Creator:: John Chessell Buckler, 1793–1894
Date:: 1831
Materials & Techniques:: Pen and brown ink with watercolor over graphite on slightly textured, thick, beige wove paper
Dimensions:: Sheet: 9 1/8 × 13 inches (23.2 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. North East View of Crest Park, Bedfordshire

Creator:: John Buckler FSA, 1770–1851
Date:: 1831
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. South East View of Crest Park, Bedfordshire

Creator:: John Buckler FSA, 1770–1851
Date:: 1831
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1831
Materials & Techniques:: Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 3/8 × 17 inches (34 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Chelsea Pensioners

Creator:: John Burnet, 1784–1868
Date:: 1831
Materials & Techniques:: Engraving
Dimensions:: Sheet: 21 1/2 x 30 1/2in. (54.6 x 77.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Chelsea Pensioners

Creator:: John Burnet, 1784–1868
Date:: 1831
Materials & Techniques:: Engraving
Dimensions:: Sheet: 21 1/2 x 30 1/2in. (54.6 x 77.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Chamber Idyll

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1831
Materials & Techniques:: Wood-engraving on thin, smooth, cream Asian paper
Dimensions:: Sheet: 2 1/8 x 3 7/16 inches (5.4 x 8.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Mrs. Mary Cawse

Creator:: Alfred Edward Chalon, 1780–1860
Date:: 1831
Materials & Techniques:: Watercolor and gouache on ivory mounted on card
Dimensions:: Frame: 5 x 4 1/4 x 1/8 inches (12.7 x 10.8 x 0.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. A Dancer

Creator:: Alfred Edward Chalon, 1780–1860
Date:: ca. 1836
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 × 7 inches (20.3 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Two Fishing Boats on the Banks of Inland Waters

Creator:: George Chambers, 1803–1840
Date:: 1831
Materials & Techniques:: Oil on panel
Dimensions:: 13 1/2 x 17 5/8 inches (34.3 x 44.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

38. One print bound in a volume of miscellaneous prints 1831-1834

Creator:: Alfred Concanen, 19th c
Date:: 1831-1834
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Sir Richard Steele's Cottage, Hampstead

Creator:: John Constable, 1776–1837
Date:: 1831 to 1832
Materials & Techniques:: Oil on canvas
Dimensions:: 8 1/4 x 11 1/4 inches (21 x 28.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

40. Dawn

Creator:: John Constable, 1776–1837
Date:: between 1831 and 1832
Materials & Techniques:: Pen and brown ink and brown wash on thin, smooth, cream wove paper
Dimensions:: Sheet: 2 1/4 x 4 3/8 inches (5.7 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Part of Old London Bridge, St. Magnus and the Monument

Creator:: Edward William Cooke, 1811–1880
Date:: 1831
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 15 15/16 x 11 11/16in. (40.5 x 29.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Southwark End of Old London Bridge

Creator:: Edward William Cooke, 1811–1880
Date:: 1831
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 12 7/8 x 16 5/8in. (32.7 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Steps of New London Bridge, St. Magnus, the Monument and Part of Old Bridge

Creator:: Edward William Cooke, 1811–1880
Date:: 1831
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 14 9/16 x 12 1/2in. (37 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Isleworth Ferry

Creator:: William Bernard Cooke, 1778–1855
Date:: 1831
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Opening of the New London Bridge

Creator:: David Cox, 1783–1859
Date:: 1831
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 14 3/4 inches (24.1 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Young Girl Holding a Milk Can

Creator:: Joshua Cristall, 1768–1847
Date:: 1831
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 7 3/8 inches (27.3 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Paul Sandby

Creator:: Print made by Richard Dagley, ca. 1765–1841
Date:: 1831
Materials & Techniques:: Stipple engraving and soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 x 4 7/8 inches (16.2 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Procession of their Most Gracious Majesties King William and Queen Adelaide to London Bridge

Creator:: William Day, 1764–1807
Date:: 1831
Materials & Techniques:: Hand colored lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Return of their most Gracious Majesties King William and Queen Adelaide to Somerset House after the Opening of London Bridge

Creator:: William Day, 1764–1807
Date:: 1831
Materials & Techniques:: Hand colored lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Portrait of Lawrence When a Boy

Creator:: Print made by Thomas Anthony Dean, 1801–1860
Date:: 1831
Materials & Techniques:: Line engraving, stipple engraving, and etching on moderately thick, slightly textured, cream wove paper, laid in mount
Dimensions:: Sheet: 8 9/16 × 5 3/16 inches (21.8 × 13.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1831

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1. Vicunas

2. "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

3. "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

4. "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

5. "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

6. "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

7. "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

8. "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

9. "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'

10. "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

11. "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

12. "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

13. "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

14. G.Osbaldeston, Esqr. performing wonderful and unprecedented feat of 200 miles against time.

15. The Ceremony of Opening London Bridge, August 1, 1831

16. The Ceremony of Opening London Bridge with the Old London Bridge in the Background

17. Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840

18. James Northcote

19. Versailles

20. Notre Dame, Paris

21. The Pont des Arts, Paris

22. On the Seine

23. The Pont Neuf

24. Gosport, Entrance to Portsmouth Harbor

25. Gasport, Entrance to Portsmouth Harbor

26. Gosport, Entrance to Portsmouth Harbor

27. Costessy Hall, Norfolk

28. Costessy Hall, Norfolk

29. North East View of Crest Park, Bedfordshire

30. South East View of Crest Park, Bedfordshire

31. [One from] A Volume of Drawings and Prints

32. Chelsea Pensioners

33. Chelsea Pensioners

34. The Chamber Idyll

35. Mrs. Mary Cawse

36. A Dancer

37. Two Fishing Boats on the Banks of Inland Waters

38. One print bound in a volume of miscellaneous prints 1831-1834

39. Sir Richard Steele's Cottage, Hampstead

40. Dawn

41. Part of Old London Bridge, St. Magnus and the Monument

42. The Southwark End of Old London Bridge

43. Steps of New London Bridge, St. Magnus, the Monument and Part of Old Bridge

44. Isleworth Ferry

45. The Opening of the New London Bridge

46. Young Girl Holding a Milk Can

47. Paul Sandby

48. Procession of their Most Gracious Majesties King William and Queen Adelaide to London Bridge

49. Return of their most Gracious Majesties King William and Queen Adelaide to Somerset House after the Opening of London Bridge

50. Portrait of Lawrence When a Boy