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301. Richmond Terrace, Surrey

Richmond Terrace, Surrey
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1838
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

302. Jeytie Lifting Weights

Jeytie Lifting Weights
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 7 1/4 inches (20.3 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

303. Three Jeyties Exercising

Three Jeyties Exercising
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
ca. 1792
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 11 inches (20 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

304. Stable Boy on a Pony

Stable Boy on a Pony
Creator:
Arthur James Stark, 1831–1902
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 5 1/2 × 6 7/8 inches (14 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

305. Modern Exercise

Modern Exercise
Creator:
Robert Dighton, 1752–1814
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 10 7/8 inches (16.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

306. Square in the Village of Los Silos, Tenerife

Square in the Village of Los Silos, Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1827
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper mounted to thick brown card
Dimensions:
Sheet: 6 7/8 × 9 1/4 inches (17.5 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

307. A Pair of Jeyties

A Pair of Jeyties
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
undated
Materials & Techniques:
Watercolor, graphite, and white gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 8 15/16 inches (19.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

308. A Pair of Jeyties Weightlifting

A Pair of Jeyties Weightlifting
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
undated
Materials & Techniques:
Watercolor, white gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 8 15/16 inches (19.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

309. Two Jeyties Wrestling

Two Jeyties Wrestling
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
1792
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/4 × 9 inches (13.3 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

310. A Pair of Jeyties

A Pair of Jeyties
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/4 × 11 inches (12.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

311. Two Jeyties Weightlifting

Two Jeyties Weightlifting
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
undated
Materials & Techniques:
Watercolor, white gouache and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 × 8 15/16 inches (18.7 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

312. Christ Church College, Oxford

Christ Church College, Oxford
Creator:
Print made by James Redway, active 1827–1838
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

313. Christ Church College, Oxford

Christ Church College, Oxford
Creator:
Print made by James Redway, active 1827–1838
Date:
1834
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

314. Christ Church College, Oxford

Christ Church College, Oxford
Creator:
Print made by James Redway, active 1827–1838
Date:
1834
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

315. Llandberis Lake, Wales

Llandberis Lake, Wales
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

316. Llandberis Lake, Wales

Llandberis Lake, Wales
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

317. Llandberis Lake, Wales

Llandberis Lake, Wales
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

318. Caernarvon Castle, Wales

Caernarvon Castle, Wales
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

319. Caernarvon Castle, Wales

Caernarvon Castle, Wales
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

320. Powis Castle, Montgomery

Powis Castle, Montgomery
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

321. Ullswater, Cumberland

Ullswater, Cumberland
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

322. Powis Castle, Montgomery

Powis Castle, Montgomery
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

323. Two Jeyties Exercising

Two Jeyties Exercising
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 9 inches (15.2 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

324. Vishnu Riding a Horse Composed of Women

Vishnu Riding a Horse Composed of Women
Creator:
Attributed to Gangaram Chintaman Tambat, active 1790s
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 10 3/4 inches (18.4 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

325. Eaton College, Berkshire

Eaton College, Berkshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1831
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

326. Eaton College, Berkshire

Eaton College, Berkshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

327. Eaton College, Berkshire

Eaton College, Berkshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1831
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

328. Bedford, Bedfordshire

Bedford, Bedfordshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

329. Bedford, Bedfordshire

Bedford, Bedfordshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

330. Richmond Hill and Bridge, Surrey

Richmond Hill and Bridge, Surrey
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1832
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

331. Richmond Hill and Bridge, Surrey

Richmond Hill and Bridge, Surrey
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1832
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

332. Blenheim, Oxfordshire

Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving, with scraping out and touched with graphite (Engraver's Proof a)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

333. Blenheim, Oxfordshire

Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

334. Blenheim, Oxfordshire

Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

335. Richmond Hill and Bridge, Surrey

Richmond Hill and Bridge, Surrey
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1832
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

336. Margate, Kent

Margate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, with scraping out, touched with graphite (Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

337. Margate, Kent

Margate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

338. Margate, Kent

Margate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, (Completed Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

339. Margate, Kent

Margate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof, early
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

340. A Country Amusement - Bull Baiting

A Country Amusement - Bull Baiting
Creator:
Robert Dighton, 1752–1814
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 10 7/8 inches (16.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

341. Blenheim, Oxfordshire

Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof (touched)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

342. Blenheim, Oxfordshire

Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

343. Bedford, Bedfordshire

Bedford, Bedfordshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1831
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

344. Richmond Hill and Bridge, Surrey

Richmond Hill and Bridge, Surrey
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1832
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

345. Two Hunters and Two Dogs in Winter Scene

Two Hunters and Two Dogs in Winter Scene
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/8 × 6 1/2 inches (11.1 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

346. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

347. De la Parade de Tierce, sur le Coup de Tierce

De la Parade de Tierce, sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 16 15/16 inches (26.7 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

348. De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes

De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 16 inches (27.6 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

349. De la Parade de Seconde sur le Coup de Seconde

De la Parade de Seconde sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 15/16 × 17 1/4 inches (27.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

350. De la Parade du Cavé sur le Coup de Flanconnade

De la Parade du Cavé sur le Coup de Flanconnade
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

351. De la Parade Dequinte sur le Coup de Quinte

De la Parade Dequinte sur le Coup de Quinte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 17 1/2 inches (27.3 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

352. De la Parade de Prime sur le Coup de Seconde

De la Parade de Prime sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/16 × 16 inches (28.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

353. De la Risposte de Quarte apres la Parade de Quarte

De la Risposte de Quarte apres la Parade de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

354. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 × 17 3/8 inches (27.9 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

355. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

356. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

De la Risposte en Quinte de Pied forme sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

357. De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche

De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 16 15/16 inches (27.6 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

358. Du Coupé sur Pointe de Quarte en Quarte sur les Armes

Du Coupé sur Pointe de Quarte en Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

359. De la Passe en Quarte du Dehors des Armes

De la Passe en Quarte du Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

360. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

361. Demi Volte sur les Coups Forcés au Dehors des Armes

Demi Volte sur les Coups Forcés au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 15/16 × 16 inches (27.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

362. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes

Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

363. De la Volte sur la Passe au Dehors des Armes

De la Volte sur la Passe au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/8 × 15 1/8 inches (28.9 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

364. Position Aprés Avoir Désarmé sur le Coup de Tierce

Position Aprés Avoir Désarmé sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 7/16 × 14 1/8 inches (29.1 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

365. Du Desarmement Aprés la Parade au Dehors des Armes

Du Desarmement Aprés la Parade au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

366. Du Desarmement Aprés Avoir Paré le Coup de Quarte

Du Desarmement Aprés Avoir Paré le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 1/2 inches (28.4 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

367. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

368. The Sportsman

The Sportsman
Creator:
Print made by John Browne, 1741–1801
Date:
1775
Materials & Techniques:
Etching, line engraving, and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 7/8 x 19 3/8 inches (40.4 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

369. Regatta Ball at Ranelagh

Regatta Ball at Ranelagh
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1775
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

370. Shooting Party Returning Home

Shooting Party Returning Home
Creator:
Frederick George Byron, 1764–1794
Date:
1789
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 21 1/4 inches (42.9 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

371. Games at Vauxhall: Playing at Cricket

Games at Vauxhall: Playing at Cricket
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
ca. 1743
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 x 14 13/16 inches (26.7 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

372. Shooting Party Setting Out

Shooting Party Setting Out
Creator:
Frederick George Byron, 1764–1794
Date:
1789
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 13/16 × 21 1/4 inches (42.7 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

373. Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)
Creator:
Print made by George Bickham the Elder, 1683/4–1758
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream laid paper
Dimensions:
Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

374. Stag at Bay - Scene near Taplow, Berks.

Stag at Bay - Scene near Taplow, Berks.
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1795 and 1801
Materials & Techniques:
Watercolor with pen and red, black, gray and brown ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 16 5/16 x 20 5/8 inches (41.4 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

375. Rat Hunters

Rat Hunters
Creator:
James Mitchell, 1791–1852
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, smooth, cream wove paper
Dimensions:
Mount: 21 13/16 × 15 5/16 inches (55.4 × 38.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

376. Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1

Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
Creator:
Print made by Robert Isaac Cruikshank, 1789–1856
Date:
1822
Materials & Techniques:
Etching hand-colored with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 13/16 × 6 1/16 inches (24.9 × 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

377. Position pour la Garde en Quarte et le Coup de Quarte

Position pour la Garde en Quarte et le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

378. Position pour la Garde en Tierce

Position pour la Garde en Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/4 × 11 1/4 inches (26 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

379. Seconde Position du Salut

Seconde Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/8 × 10 3/16 inches (25.7 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

380. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

381. Position de la Garde en Quarte, et le Coup de Flanconnade

Position de la Garde en Quarte, et le Coup de Flanconnade
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/4 × 15 7/8 inches (26 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

382. Premiere Position du Salut

Premiere Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/4 × 10 1/16 inches (26 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

383. Troisieme Position du Salut

Troisieme Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 15/16 × 10 inches (25.2 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

384. Quatrieme Position du Salut

Quatrieme Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 10 15/16 inches (26.7 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

385. To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1792
Materials & Techniques:
Color-printed stipple engraving with aquatint and drypoint
Dimensions:
Sheet: 21 x 26 1/4in. (53.3 x 66.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

386. Colonel Mordaunt's Cock Match at Lucknow

Colonel Mordaunt's Cock Match at Lucknow
Creator:
Richard Earlom, 1743–1822
Date:
1792
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/4 x 27 1/2 inches (54 x 69.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

387. Robin Hood and Clarinda hunting deer in a wooded landscape

Robin Hood and Clarinda hunting deer in a wooded landscape
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Dimensions:
Sheet: 5 1/4 × 3 1/8 inches (13.3 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

388. Position pour le Garde en Tierce et le Coup de Tierce

Position pour le Garde en Tierce et le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

389. Premiere Position pour tirer L'Epée

Premiere Position pour tirer L'Epée
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 10 9/16 × 8 5/16 inches (26.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

390. Position pour la Garde en Quarte

Position pour la Garde en Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/16 × 11 7/8 inches (26.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

391. Position de la Garde de Tierce et le Coup de Seconde

Position de la Garde de Tierce et le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

392. Cinquieme Position du Salut

Cinquieme Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/16 × 10 7/8 inches (25.9 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

393. The Cadger's Trot

The Cadger's Trot
Creator:
Print made by Thomas Bewick, 1753–1828
Date:
1823
Materials & Techniques:
Lithograph on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 1/8 x 10 1/4 inches (20.7 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

394. The Cadger's Trot (first State)

The Cadger's Trot (first State)
Creator:
Print made by Thomas Bewick, 1753–1828
Date:
1823
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 1/4 x 10 1/4 inches (21 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

395. Glenfinlas

Glenfinlas
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 9/16 x 11 5/8 inches (24.3 x 29.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

396. Illustrations used for 17th Century Chapbook

Illustrations used for 17th Century Chapbook
Creator:
Print made by unknown artist
Date:
1909
Materials & Techniques:
Woodcut on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/16 x 3 7/16 inches (13.8 x 8.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

397. The Horse Race at Rome During the Carnival

The Horse Race at Rome During the Carnival
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1781
Materials & Techniques:
Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:
Mount:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

398. The Victor Conducted in Triumph

The Victor Conducted in Triumph
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1781
Materials & Techniques:
Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 22 3/8 inches (39.6 x 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

399. Study of a Turkey

Study of a Turkey
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 4 1/2 x 4 1/8 inches (11.4 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

400. Boots, Etc. Cromwell's Time, Haddon Hall, Jan. 9, 1825

Boots, Etc. Cromwell's Time, Haddon Hall, Jan. 9, 1825
Creator:
James Ward, 1769–1859
Date:
1825
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper mounted on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 x 10 3/8 inches (17.8 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection