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Date 1745

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Period 18th century

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Giovanni Battista Borra Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
Giovanni Battista Borra, 1713–1770
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
Giovanni Battista Borra Details of the Ionic Temple at Toreh
Giovanni Battista Borra, 1713–1770
Details of the Ionic Temple at Toreh
ca. 1750
Giovanni Battista Borra Frieze and Capital of the Ionic Temple at Toreh
Giovanni Battista Borra, 1713–1770
Frieze and Capital of the Ionic Temple at Toreh
ca. 1750
Giovanni Battista Borra Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
Giovanni Battista Borra, 1713–1770
Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
ca. 1750
Giovanni Battista Borra Plan of the Port of Sigacik (ancient Teos)
Giovanni Battista Borra, 1713–1770
Plan of the Port of Sigacik (ancient Teos)
ca. 1750
Giovanni Battista Borra Aquedotto Angolare
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
Giovanni Battista Borra Castello di Smirna
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
Giovanni Battista Borra View of the Theater and Plan of the Ionic Temple at Sardis
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
Giovanni Battista Borra View of the Modern City of Pergamon
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
Giovanni Battista Borra The Members of a Corinthian Temple in Ruins at Ephesus
Giovanni Battista Borra, 1713–1770
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
Giovanni Battista Borra Topographical Map of Halicarnassus at its Harbor
Giovanni Battista Borra, 1713–1770
Topographical Map of Halicarnassus at its Harbor
ca. 1750
Giovanni Battista Borra Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
Giovanni Battista Borra, 1713–1770
Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
ca. 1750
Giovanni Battista Borra Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
Giovanni Battista Borra, 1713–1770
Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
ca. 1750
Giovanni Battista Borra Plan of a Temple at Mylasa and Detail of a Coffered Ceiling from a Tomb
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and Detail of a Coffered Ceiling from a Tomb
ca. 1750
Giovanni Battista Borra A Doorway from Geramo
Giovanni Battista Borra, 1713–1770
A Doorway from Geramo
ca. 1750
Giovanni Battista Borra Posizione delle Piramidi di Sachara
Giovanni Battista Borra, 1713–1770
Posizione delle Piramidi di Sachara
ca. 1750
Giovanni Battista Borra Sepolcro di Zagaria
Giovanni Battista Borra, 1713–1770
Sepolcro di Zagaria
ca. 1750
Giovanni Battista Borra Sepolcro di Absalon
Giovanni Battista Borra, 1713–1770
Sepolcro di Absalon
ca. 1750
Giovanni Battista Borra Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
Giovanni Battista Borra, 1713–1770
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
Giovanni Battista Borra Plan of the Second Theater of Laodicea and Details of a Composite Order
Giovanni Battista Borra, 1713–1770
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
Giovanni Battista Borra Details of a Doric Order from Toreh
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from Toreh
ca. 1750
Giovanni Battista Borra Plan of the Temple of Juno at Samos and Details of a Column
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Juno at Samos and Details of a Column
ca. 1750
Giovanni Battista Borra Ruines à Troye
Giovanni Battista Borra, 1713–1770
Ruines à Troye
ca. 1750
Giovanni Battista Borra View of Maglova Aqueduct
Giovanni Battista Borra, 1713–1770
View of Maglova Aqueduct
ca. 1750
Giovanni Battista Borra Plan, View and Second Plan of Ruins at Sardis
Giovanni Battista Borra, 1713–1770
Plan, View and Second Plan of Ruins at Sardis
ca. 1750
Giovanni Battista Borra Door in the Corinthian Order from Aphrodisias (now Geyve)
Giovanni Battista Borra, 1713–1770
Door in the Corinthian Order from Aphrodisias (now Geyve)
ca. 1750
Giovanni Battista Borra Reconstruction of the Second Theatre at Laodicea
Giovanni Battista Borra, 1713–1770
Reconstruction of the Second Theatre at Laodicea
ca. 1750
Giovanni Battista Borra View of Ruins at Tivoli
Giovanni Battista Borra, 1713–1770
View of Ruins at Tivoli
ca. 1750
Giovanni Battista Borra View of the Ruined Baths at Hadrian's Villa at Tivoli
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
Giovanni Battista Borra Unfinished View of the Palatine in Rome
Giovanni Battista Borra, 1713–1770
Unfinished View of the Palatine in Rome
ca. 1750
Giovanni Battista Borra View of a Passage Cut into a Hillside
Giovanni Battista Borra, 1713–1770
View of a Passage Cut into a Hillside
ca. 1750
Giovanni Battista Borra Plan and View of the Third Theater at Laodicea
Giovanni Battista Borra, 1713–1770
Plan and View of the Third Theater at Laodicea
ca. 1750
Giovanni Battista Borra Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
Giovanni Battista Borra, 1713–1770
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750
Giovanni Battista Borra View of a Long Aqueduct
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
Giovanni Battista Borra Is'Tmo di Cizico unito al Continente
Giovanni Battista Borra, 1713–1770
Is'Tmo di Cizico unito al Continente
ca. 1750
Giovanni Battista Borra View of Tivoli
Giovanni Battista Borra, 1713–1770
View of Tivoli
ca. 1750
Giovanni Battista Borra Reconstruction of the Proscenium of the Theater at Hierapolis
Giovanni Battista Borra, 1713–1770
Reconstruction of the Proscenium of the Theater at Hierapolis
ca. 1750
Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
James Deacon Rocky Landscape with Classical Buildings
James Deacon, c. 1728–1750
Rocky Landscape with Classical Buildings
undated