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1. Thomas "Sense" Browne

Thomas "Sense" Browne
Creator:
Nathaniel Dance, 1735–1811
Date:
1775
Materials & Techniques:
Oil on canvas
Dimensions:
91 x 55 inches (231.1 x 139.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Distant View of Exmouth from Exeter

Distant View of Exmouth from Exeter
Creator:
William Payne, active 1850s
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 7 1/4 inches (15.4 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Mill on the Tavy

Mill on the Tavy
Creator:
William Payne, active 1850s
Date:
undated
Materials & Techniques:
Watercolor on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. On the Sands at Brighton: Figures Walking on the Shore

On the Sands at Brighton: Figures Walking on the Shore
Creator:
John Nixon, ca. 1760–1818
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 9 inches (14.6 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Bathampton Mill

Bathampton Mill
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 12 1/4 inches (22.9 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

6. Norbury Park

Norbury Park
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Graphite, watercolor and pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 × 9 1/8 inches (17.8 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

7. Torquay

Torquay
Creator:
William Payne, active 1850s
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/16 × 6 inches (10.6 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Distant View of Easton Neston, Northants

Distant View of Easton Neston, Northants
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 1/2 × 7 3/8 inches (11.4 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

9. View of Easton Neston, Northants

View of Easton Neston, Northants
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on medium, slightly textured, beige wove paper medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 7/8 × 7 1/2 inches (12.4 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

10. View in Surrey

View in Surrey
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 × 8 3/4 inches (17.8 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

11. Bathing Houses at Margate

Bathing Houses at Margate
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink, graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 × 11 7/8 inches (19.7 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

12. Bathampton Mill

Bathampton Mill
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite and black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/8 × 7 5/8 inches (16.2 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

13. Labyrinth at Walworth, Surrey

Labyrinth at Walworth, Surrey
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 11 7/8 inches (18.4 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

14. A Review on Epson Downs

A Review on Epson Downs
Creator:
John Nixon, ca. 1760–1818
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 × 8 7/8 inches (8.9 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Bridgenorth Bridge

Bridgenorth Bridge
Creator:
Attributed to Peter Rashleigh, active 1775
Date:
1775
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 12 7/8 inches (23.5 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Bewdley Bridge, Worcester

Bewdley Bridge, Worcester
Creator:
Attributed to Peter Rashleigh, active 1775
Date:
1775
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 12 3/4 inches (23.5 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Hill Hall, Essex

Hill Hall, Essex
Creator:
unknown artist
Date:
ca. 1780
Materials & Techniques:
Pen and ink and watercolor on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 3/4 x 22 15/16 inches (32.4 x 58.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Southampton and Northam from the River Itchen

Southampton and Northam from the River Itchen
Creator:
Jonathan Fisher, active 1763–1809
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 10 3/4 inches (17.5 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. South West View of Norwich Castle October 20, 1775

South West View of Norwich Castle October 20, 1775
Creator:
Capt. Francis Grose, 1731–1791
Date:
1775
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 12in. (19.4 x 30.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

20. Binsey Church, Oxford

Binsey Church, Oxford
Creator:
Capt. Francis Grose, 1731–1791
Date:
1775
Materials & Techniques:
Pen and black ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 x 13 1/2in. (22.9 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

21. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 5 1/2 inches (16.5 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge

View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 15/16 × 16 5/8 inches (27.8 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Binsey Church, Oxford

Binsey Church, Oxford
Creator:
Capt. Francis Grose, 1731–1791
Date:
1775
Materials & Techniques:
Pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 12in. (22.9 x 30.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

29. Figures Seated at a Table Being Served Food, Crockem Wells, Devonshire

Figures Seated at a Table Being Served Food, Crockem Wells, Devonshire
Creator:
John Nixon, ca. 1760–1818
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. An Encampment in St. James Park

An Encampment in St. James Park
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1780
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 17 7/8 inches (30.2 x 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Handel in Vauxhall Gardens

Handel in Vauxhall Gardens
Creator:
Attributed to Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/8 × 4 1/8 inches (18.1 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of William Drummond

32. Seat of the Right Honorable, the Earl of Harcourt at Nuneham, with a distant View of Oxford

Seat of the Right Honorable, the Earl of Harcourt at Nuneham, with a distant View of Oxford
Creator:
Print made by Michael "Angelo" Rooker, 1746–1801
Date:
1775
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/16 × 9 3/4 inches (18.6 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

33. The Roman Arch at Canterbury

The Roman Arch at Canterbury
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1780
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 x 9 5/8 inches (21.3 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Fair at Cheltenham

The Fair at Cheltenham
Creator:
Edward Eyre, active 1771–1792
Date:
1775
Materials & Techniques:
Watercolor, pen, brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 15 1/8 inches (24.4 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. A catalogue of the genuine collection of pictures, of Mrs. Gamberini, widow of the late Charles Gamberini Esq., deceased, by whom these pictures were collected, at a great expence out of the principal cabinets abroad : consisting of the most eminent and approved masters of the Italian and other schools, amongst which are the undoubted works of Titian, Corregio, Raphael, Rembrant, Rubens, Vandyke, Poussin, Albert Durer, Carracci, Guercino, Guido, Zucharelli, Demenichino, Gio. Dom. Porta, Michael Angelo and other scarce performances, some remarkably curious : also her houshold furniture, an exceeding fine ton'd double key'd harpsichord, by Hawes of Hamburgh : a ditto single key'd harpsichord, with two unison, by Jos. Shudi, in a neat mahogany case : a neat brass measuring wheel, by Adams, on a new construction; and a great variety of other valuable effects : which by order of the executrix will be sold at publick auction by Miles Nightingall, on Wednesday the 10th May, 1775, and two following days, at his great room, the end of Saville Row, next Conduit-Street : beginning each day punctually at 12 o'clock : catalogues may be had as above, the Rainbow Coffee-House Cornhill, and at the auctioneer's in Golden Square.

A catalogue of the genuine collection of pictures, of Mrs. Gamberini, widow of the late Charles Gamberini Esq., deceased, by whom these pictures were collected, at a great expence out of the principal cabinets abroad : consisting of the most eminent and approved masters of the Italian and other schools, amongst which are the undoubted works of Titian, Corregio, Raphael, Rembrant, Rubens, Vandyke, Poussin, Albert Durer, Carracci, Guercino, Guido, Zucharelli, Demenichino, Gio. Dom. Porta, Michael Angelo and other scarce performances, some remarkably curious : also her houshold furniture, an exceeding fine ton'd double key'd harpsichord, by Hawes of Hamburgh : a ditto single key'd harpsichord, with two unison, by Jos. Shudi, in a neat mahogany case : a neat brass measuring wheel, by Adams, on a new construction; and a great variety of other valuable effects : which by order of the executrix will be sold at publick auction by Miles Nightingall, on Wednesday the 10th May, 1775, and two following days, at his great room, the end of Saville Row, next Conduit-Street : beginning each day punctually at 12 o'clock : catalogues may be had as above, the Rainbow Coffee-House Cornhill, and at the auctioneer's in Golden Square.
Creator:
Nightingall, Miles
Date:
[1775]
Physical Description:
8 pages ; 25 cm
Collection:
Rare Books and Manuscripts