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Period 18th century

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1. Street Scene in Chorley, Lancashire, with a view of Chorley Hall

Street Scene in Chorley, Lancashire, with a view of Chorley Hall
Creator:
John Bird of Liverpool, 1768–1829
Date:
ca. 1795
Materials & Techniques:
Oil on canvas
Dimensions:
11 1/2 x 15 1/2 inches (29.2 x 39.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Herstmonceux Castle, East Sussex: View

Herstmonceux Castle, East Sussex: View
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 5/8 x 25 1/4 inches (47.3 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A View of Rome Taken from the Pincio

A View of Rome Taken from the Pincio
Creator:
William Pars, 1742–1782
Date:
1776
Materials & Techniques:
Watercolor, pen and gray ink, graphite and black crayon on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 17 15/16 x 24 1/8 inches (45.5 x 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Castle Acre Priory

Castle Acre Priory
Creator:
Thomas Hearne, 1744–1817
Date:
1771
Materials & Techniques:
Pen and black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 9 3/8 inches (18.1 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Cobham Hall, Kent: Plan of the chamber story of part of the offices

Cobham Hall, Kent: Plan of the chamber story of part of the offices
Creator:
James Wyatt, 1746–1813
Date:
1798
Materials & Techniques:
Graphite, pen and black and brown ink and yellow wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 x 26 3/8 inches (54.6 x 67 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Cobham Hall, Kent: Elevation and Section of New Entrance and Offices

Cobham Hall, Kent: Elevation and Section of New Entrance and Offices
Creator:
James Wyatt, 1746–1813
Date:
1798
Materials & Techniques:
Graphite, pen and black and brown ink and yellow wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 7/8 x 21 inches (35.2 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Cobham Hall, Kent: New Passage by Butler's Pantry

Cobham Hall, Kent: New Passage by Butler's Pantry
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite and pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 x 25 1/4 inches (54.3 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
Creator:
Print made by George Barret, ca. 1728/32–1784
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 13/16 × 6 11/16 inches (12.2 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Painter-Stainers’ Hall

Painter-Stainers’ Hall
Creator:
Charles Tomkins, 1757–1823
Date:
1799
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 11/16 × 5 3/8 inches (22.1 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh

Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh
Creator:
Thomas Hearne, 1744–1817
Date:
1778
Materials & Techniques:
Gray wash, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 13 5/8 x 10 3/8 inches (34.6 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Guildhall, Exeter

The Guildhall, Exeter
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/8 × 10 1/8 inches (20.6 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Badminton Church and Part of the Duke of Beaufort's House

Badminton Church and Part of the Duke of Beaufort's House
Creator:
Luke Sullivan, 1705–1771
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 8 inches (13 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Corsham Court, Wiltshire: Elevation of the North Front

Corsham Court, Wiltshire: Elevation of the North Front
Creator:
John Nash, 1752–1835
Date:
ca. 1797
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 14 3/8 inches (19.2 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Hill Hall, Essex

Hill Hall, Essex
Creator:
unknown artist
Date:
ca. 1780
Materials & Techniques:
Pen and ink and watercolor on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 3/4 x 22 15/16 inches (32.4 x 58.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Night Watchman

Night Watchman
Creator:
Print made by John Bogle, 1746–1804
Date:
1776
Materials & Techniques:
Etching on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 17 3/4 x 11 15/16 inches (45.1 x 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16. The Romans Polite to Strangers

The Romans Polite to Strangers
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1781
Materials & Techniques:
Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/8 x 22 5/16 inches (38.4 x 56.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Pilgrims Paying Their Devotion in St. Peters at Rome

Pilgrims Paying Their Devotion in St. Peters at Rome
Creator:
Print made by David Allan, 1744–1796
Date:
between 1773 and 1775
Materials & Techniques:
Etching on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 9 7/8 × 6 15/16 inches (25.1 × 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Harrow-on-the-Hill, Middlesex

Harrow-on-the-Hill, Middlesex
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1794
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 1/8 x 5 7/8 inches (10.5 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Lichfield Cathedral, Staffordshire

Lichfield Cathedral, Staffordshire
Creator:
Thomas Girtin, 1775–1802
Date:
1794
Materials & Techniques:
Watercolor with pen in gray ink over graphite on moderately thick, moderatetly textured, brown wove paper
Dimensions:
Sheet: 15 1/16 x 11 3/8 inches (38.3 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. St. Paul's Cathedral, from St. Martin's-le-Grand, London

St. Paul's Cathedral, from St. Martin's-le-Grand, London
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Gray wash and watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 19 3/4 x 15 5/16 inches (50.2 x 38.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Writtle Church, Essex

Writtle Church, Essex
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/4 × 9 5/8 inches (18.4 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Embarkation at Southampton, June 20th 1794

Embarkation at Southampton, June 20th 1794
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Comforts of Bath: The Breakfast

The Comforts of Bath: The Breakfast
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Bodmin Cornwall: The Arrival of the Stage-Coach

Bodmin Cornwall: The Arrival of the Stage-Coach
Creator:
Thomas Rowlandson, 1756–1827
Date:
1795
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 15 inches (23.5 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Embarkation at Southampton, June 20th 1794 (Version A)

Embarkation at Southampton, June 20th 1794 (Version A)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Pen and brown ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 9/16 x 11 3/16 inches (21.7 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Travelling in France

Travelling in France
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1789
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 17 1/2 inches (28.7 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Newport High Street, Isle of Wight

Newport High Street, Isle of Wight
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1797 and 1800
Materials & Techniques:
Watercolor with pen and black and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 18 7/16 inches (13.3 x 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Comforts of Bath: The Pump Room

Comforts of Bath: The Pump Room
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. View of Kingswear, from Dartmouth, Devon

View of Kingswear, from Dartmouth, Devon
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 x 16 1/8 inches (24.8 x 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. A Devonshire Farm

A Devonshire Farm
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1798
Materials & Techniques:
Watercolor, graphite and gouache on medium, slightly textured, cream laid paper, mounted on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 7 3/4 × 11 5/8 inches (19.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Harewood House, Yorkshire

Harewood House, Yorkshire
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1798
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 7 7/16 x 14 1/4 inches (18.9 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Turver's Farm, Wimbish, Essex

Turver's Farm, Wimbish, Essex
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1799
Materials & Techniques:
Watercolor with pen and brown ink and gouache over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 7/8 x 16 3/8 inches (30.2 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Ruins of Savoy Palace

Ruins of Savoy Palace
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 9/16 x 11 3/4 inches (21.7 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Eton College from Datchet Road

Eton College from Datchet Road
Creator:
Thomas Girtin, 1775–1802
Date:
1790
Materials & Techniques:
Watercolor with pen and gray ink over graphite with gray wash border on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 1/4 x 23 1/16 inches (46.4 x 58.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Saltwood Castle, Kent

Saltwood Castle, Kent
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/8 x 6 7/8 inches (24.4 x 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Peterborough Cathedral, Cambridgeshire

Peterborough Cathedral, Cambridgeshire
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1794
Materials & Techniques:
Graphite on moderately thick, slightly textured, beige wove paperr
Dimensions:
Sheet: 16 1/16 x 11 1/8 inches (40.8 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Christ Church, Blackfriars, London

Christ Church, Blackfriars, London
Creator:
Thomas Girtin, 1775–1802
Date:
between 1792 and 1794
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/8 x 13 3/16 inches (24.4 x 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. A Review in a Market Place

A Review in a Market Place
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and gray and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 13 1/2 x 19 5/8 inches (34.3 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. View of the Market Place at Juliers in Westphalia

View of the Market Place at Juliers in Westphalia
Creator:
Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Watercolor with pen and brown, black, and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 x 21 1/16 inches (31.6 x 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Bodmin Cornwall: French Prisoners on Parole

Bodmin Cornwall: French Prisoners on Parole
Creator:
Thomas Rowlandson, 1756–1827
Date:
1795
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/8 x 15 1/8 inches (23.8 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The Elevation of the Design for the Bank of England by Theodore Jacobsen Esqr.

The Elevation of the Design for the Bank of England by Theodore Jacobsen Esqr.
Creator:
Paul Fourdrinier, 1698–1758
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/8 x 16 1/4 inches (27.6 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The New Gallery of the Vatican Library at Rome. With the Cornishes ornamented with Etrusian Vases

The New Gallery of the Vatican Library at Rome. With the Cornishes ornamented with Etrusian Vases
Creator:
Carington Bowles, 1724–1793
Materials & Techniques:
Hand-colored engraving
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The Front of the Palace of the King of Prussia

The Front of the Palace of the King of Prussia
Creator:
R. Benning, active 1714–1746
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Comforts of Bath: The Bath

Comforts of Bath: The Bath
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 7 1/8 inches (11 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Langley Park, Norfolk: Elevation

Langley Park, Norfolk: Elevation
Creator:
John Sanderson, active 1730; died 1774
Date:
1757
Materials & Techniques:
Pen and black, brown, and gray ink with gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 18 3/16 inches (28.7 x 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection