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1. Ruins of the Basilica of Maxentius in the Roman Forum

Ruins of the Basilica of Maxentius in the Roman Forum
Creator:
Abraham Louis Rodolphe Ducros, 1748–1810
Date:
1779
Materials & Techniques:
Watercolor with pen and black ink over graphite on laid paper
Dimensions:
Sheet: 20 7/8 x 29 1/8 inches (53 x 74 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Ruins at Pergamon, Probably of the Amphitheatre

Ruins at Pergamon, Probably of the Amphitheatre
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Watercolor with black ink over graphite on moderately thick, moderately textured, cream laid paper with gray wash
Dimensions:
Sheet: 14 15/16 x 21 1/4 inches (38 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Basilica at Pergamon

The Basilica at Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 3/16 x 21 1/4 inches (38.5 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh

Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh
Creator:
Thomas Hearne, 1744–1817
Date:
1778
Materials & Techniques:
Gray wash, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 13 5/8 x 10 3/8 inches (34.6 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Bridge of Augustus near Narni

The Bridge of Augustus near Narni
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 x 9 inches (14.3 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Temple of Janus

Temple of Janus
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/8 x 6 1/2 inches (13.7 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Bridge at Narni

Bridge at Narni
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 x 8 3/4 inches (14.3 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Scuola di Virgilio, October 18

Scuola di Virgilio, October 18
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 6 1/2 x 10 inches (16.5 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Ruins of the College of Lincluden

The Ruins of the College of Lincluden
Creator:
Print made by William Byrne, 1743–1805
Date:
1782
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 13/16 x 14 15/16 inches (27.5 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. View of Ruins at Tivoli

View of Ruins at Tivoli
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash, blue wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 x 21 1/4 inches (38.1 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus

Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with gray and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 15 inches (54 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. View of Tivoli

View of Tivoli
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray and blue wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 21 3/16 inches (37.9 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. View of the Ruined Baths at Hadrian's Villa at Tivoli

View of the Ruined Baths at Hadrian's Villa at Tivoli
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 x 21 5/16 inches (38.1 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Plan and View of the Third Theater at Laodicea

Plan and View of the Third Theater at Laodicea
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 5/16 x 14 7/8 inches (54.1 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. View of the Ruined Theater of Aezani at Tjaden

View of the Ruined Theater of Aezani at Tjaden
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 13/16 x 21 9/16 inches (37.6 x 54.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. View and Plan of the Theater of Hierapolis (now Pamukkale)

View and Plan of the Theater of Hierapolis (now Pamukkale)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 3/8 x 14 15/16 inches (54.3 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Ruines à Troye

Ruines à Troye
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 13/16 x 21 9/16 inches (37.6 x 54.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Nîmes from the Tour Magne

Nîmes from the Tour Magne
Creator:
William Marlow, 1740–1813
Date:
ca. 1765
Materials & Techniques:
Watercolor and pen and brown ink over graphite on medium, moderately textured, cream laid paper mounted on medium, moderately textured, cream laid paper (original mount)
Dimensions:
Mount: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. View of Leiston Abbey

View of Leiston Abbey
Creator:
Print made by William Byrne, 1743–1805
Date:
1781
Materials & Techniques:
Etching and stipple engraving on moderately thick, textured, beige laid paper
Dimensions:
Sheet: 9 11/16 x 11 3/4 inches (24.6 x 29.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Ruins of Leiston Abbey

The Ruins of Leiston Abbey
Creator:
Thomas Hearne, 1744–1817
Date:
1781
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 3/4 x 12 3/8 inches (24.8 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Claudian Aqueduct and Colosseum

The Claudian Aqueduct and Colosseum
Creator:
Thomas Jones, 1742–1803
Date:
1778
Materials & Techniques:
Watercolor and graphite with gum on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Castle Acre Priory

Castle Acre Priory
Creator:
Thomas Hearne, 1744–1817
Date:
1771
Materials & Techniques:
Pen and black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 9 3/8 inches (18.1 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Ruins of the College of Lincluden, Near Dumfries

The Ruins of the College of Lincluden, Near Dumfries
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1778
Materials & Techniques:
Watercolor and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 x 10 inches (18.1 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome

Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/16 × 20 3/4 inches (29.1 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Claudian Aquaduct, Rome

The Claudian Aquaduct, Rome
Creator:
Francis Towne, 1740–1816
Date:
1785
Materials & Techniques:
Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 18 1/2 inches (32.1 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Arch of Janus, after Piranesi

Arch of Janus, after Piranesi
Creator:
Thomas Girtin, 1775–1802
Date:
between 1798 and 1799
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 5/16 x 12 1/8 inches (21.1 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Tynemouth Priory, Northumberland

Tynemouth Priory, Northumberland
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1793
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 x 8 5/8 inches (16.8 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Abbey of St. Mary, Yorkshire, England

The Abbey of St. Mary, Yorkshire, England
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Ruins of Savoy Palace

Ruins of Savoy Palace
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 9/16 x 11 3/4 inches (21.7 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Dudley Priory in Worcestershire, Plate 2

Dudley Priory in Worcestershire, Plate 2
Creator:
Print made by M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 13/16 × 7 5/8 inches (14.7 × 19.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Dudley Priory in Worcestershire, Plate 1

Dudley Priory in Worcestershire, Plate 1
Creator:
Print made by M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 × 8 11/16 inches (17.8 × 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Dudley Priory in Worcestershire, Plate 2

Dudley Priory in Worcestershire, Plate 2
Creator:
M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 15/16 × 8 3/4 inches (17.7 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Baths of Diocletian

Baths of Diocletian
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 x 6 7/8 inches (15.6 x 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Baths of Dioclesian

Baths of Dioclesian
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, white laid paper
Dimensions:
Sheet: 3 7/8 x 7 1/2 inches (9.8 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. A Sepulchre in the Road near Capua

A Sepulchre in the Road near Capua
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 9 5/8 x 5 1/2 inches (24.4 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Baroque Arch and Roman Aqueduct Ruins

Baroque Arch and Roman Aqueduct Ruins
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/8 x 9 inches (16.2 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Buildwas Abbey, Shropshire

Buildwas Abbey, Shropshire
Creator:
Edward Dayes, 1763–1804
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 15 5/8 inches (26.7 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Ecclesiastical Ruins beside the Thames (?)

Ecclesiastical Ruins beside the Thames (?)
Creator:
John Collet, ca. 1725–1780
Date:
undated
Materials & Techniques:
Gray wash, brown wash, and pen and black ink on moderately thick, moderately textured, white laid paper
Dimensions:
Sheet: 4 7/8 × 7 1/8 inches (12.4 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. In the Camp Vaccinio at Rome

In the Camp Vaccinio at Rome
Creator:
John Warwick Smith, 1749–1831
Date:
ca. 1777
Materials & Techniques:
Watercolor and gouache over graphite on medium, rough, cream laid paper
Dimensions:
Sheet: 15 1/8 x 23 13/16 inches (38.4 x 60.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection