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Exhibition History The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
Remove constraint Exhibition History: The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)Search Results
101
- America. A Prophecy, Plate 8, "The Morning Comes...."
- 1793
102
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
103
- America. A Prophecy, Plate 7, "Albions Angel stood...."
- 1793
104
- Jerusalem, Plate 14, "One hair nor particle of dust...."
- 1804 to 1820
105
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
106
- Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
- 1804 to 1820
107
- Jerusalem, Plate 76
- 1804 to 1820
108
- Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
- 1804 to 1820
109
- Jerusalem, Plate 81, "I have mockd those...."
- 1804 to 1820
110
- Jerusalem, Plate 92, "What do I see!...."
- 1804 to 1820
111
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
112
- America. A Prophecy, Plate 1, Frontispiece
- 1793
113
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
114
- America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
- 1793
115
- America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
- 1793
116
- America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
- 1793
117
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
118
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
![William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]](https://media.collections.yale.edu/thumbnail/ycba/2377c317-1278-492a-94c3-bda0566322ac)
119
- Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
- 1827
![William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]](https://media.collections.yale.edu/thumbnail/ycba/7f5ea7d3-2e50-4064-bf5d-a66c163c0237)
120
- Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
- 1827
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
121
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
122
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
123
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
124
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
125
- Mary Magdalen at the Sepulchre
- ca. 1805
126
- The Parable of the Wise and Foolish Virgins
- ca. 1825
127
- Crater of Vesuvius
- 1816
128
- Study of a Lion and Study of a Lioness' Head
- ca. 1820
129
- Study of a Lioness
- ca. 1824
130
- Sheik Hussein of Gebel Tor and His Son
- between 1842 and 1843
131
- A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
- 1856
132
- King Lear and Cordelia, Act V, Scene 10
- 1776
133
- Lear, from King Lear, Act III, Scene ii
- 1776
134
- Caliban, from The Tempest
- 1775
135
- Cavalry Charging
- 1801
136
- The Phoenix or the Resurrection of Freedom
- 1776
137
- Portia and Bassanio
- ca. 1826
138
- A Human Skeleton
- undated
139
- A Human Skeleton
- undated
140
- Tryfan, Carnarvonshire
- 1826
141
- Seated Turk
- between 1840 and 1841
142
- Self-Portrait
- between 1771 and 1775
143
- Two Studies of an Indian Elephant's Head
- ca. 1840
144
- Study of a Plunging Eagle
- undated
145
- Saint Cuthbert's Holy Island
- 1797
146
- The Great Temple of Amon Karnak, The Hypostyle Hall
- 1838
147
- Jedburgh Abbey from the South East
- 1800
148
- The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812
- 1800
149
- The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812
- December 1, 1801
150
- The Lake of Albano and Castel Gandolfo
- between 1783 and 1785
151
- A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc
- 1834
152
- Tree Study
- between 1800 and 1805
153
- The Creation of the Heavens
- ca. 1790
154
- Castle Acre Priory, Norfolk
- ca. 1804
155
- Get Thee Behind Me, Satan
- between 1783 and 1787
156
- Illustrations to Dante's Divine Comedy
- 1827
157
- Botanical collages from the circle of Booth Grey
- 1790s