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Pieter de Jode II Adam de Coster
Print made by Pieter de Jode II, ca. 1606–1674
Adam de Coster
ca. 1635
David Loggan Designs for a Stables
Formerly David Loggan, 1633–1692
Designs for a Stables
undated
Robert Robinson Diana at a Fountain
Print made by Robert Robinson, active 1674–1706
Diana at a Fountain
undated
Jacob Gole Maria Regina...
Jacob Gole, 1660–1737
Maria Regina..
undated
Bernard Lens II Italianate Garden Terrace
Print made by Bernard Lens II, 1659–1725
Italianate Garden Terrace
1680-1690s
unknown artist Design for Herms
unknown artist
Design for Herms
undated
unknown artist Panicum deustum Thunb. (Wild Millet): finished drawing of inflorscence
unknown artist
Panicum deustum Thunb. (Wild Millet): finished drawing of inflorscence
undated
unknown artist Salvia nilotica Juss. ex Jacq. (Nile Sage): finished drawing of a flowering shoot with details of floral dissections
unknown artist
Salvia nilotica Juss. ex Jacq. (Nile Sage): finished drawing of a flowering shoot with details of floral dissections
undated
unknown artist Albuca abyssinica Murrary (Ethiopian Squill): finished drawing of flowering plant, with floral details
unknown artist
Albuca abyssinica Murrary (Ethiopian Squill): finished drawing of flowering plant, with floral details
undated
unknown artist Guizotia abyssinica (Linn.F.) Cass. : finished drawing by anonymous French artist of flowering plant and details of flowers
unknown artist
Guizotia abyssinica (Linn.F.) Cass. : finished drawing by anonymous French artist of flowering plant and details of flowers
undated
unknown artist Ischaemum afrum (J.F. Gmel.) Dandy: finished drawing of whole plant, with inflorescence
unknown artist
Ischaemum afrum (J.F. Gmel.) Dandy: finished drawing of whole plant, with inflorescence
undated
unknown artist Kniphofia pumila (Ait.) Kunth (Redhot Poker): finished drawing of flowering plant
unknown artist
Kniphofia pumila (Ait.) Kunth (Redhot Poker): finished drawing of flowering plant
undated
unknown artist Bauhinia farec Desv. : finished drawing of a flowering shoot, with details of flowers below
unknown artist
Bauhinia farec Desv. : finished drawing of a flowering shoot, with details of flowers below
undated
unknown artist Kniphofia pumila (Ait.) Kunth (Redhot Poker): finished drawing of leaves and inflorescence, with floral details
unknown artist
Kniphofia pumila (Ait.) Kunth (Redhot Poker): finished drawing of leaves and inflorescence, with floral details
undated
unknown artist Panicum deustum Thunb. (Wild Millet): finished drawing of whole plant in flower
unknown artist
Panicum deustum Thunb. (Wild Millet): finished drawing of whole plant in flower
undated
unknown artist Coleus species 1: finished drawing of habit of flowering plant
unknown artist
Coleus species 1: finished drawing of habit of flowering plant
undated
George White Louis Goupy
Print made by George White, ca.1684–1732
Louis Goupy
undated
Antonio Zucchi Pastoral Scene
Antonio Zucchi, 1725–1795
Pastoral Scene
undated
unknown artist William Cavendish Marquis of Newcastle
Print made by unknown artist
William Cavendish Marquis of Newcastle
undated
William Hogarth Paul Before Felix Burlesqued
Print made by William Hogarth, 1697–1764
Paul Before Felix Burlesqued
1751
George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
unknown artist Solanum marginatum Linn.f. (Nightshade): finished drawing of whole plant with root
unknown artist
Solanum marginatum Linn.f. (Nightshade): finished drawing of whole plant with root
ca. 1768
unknown artist Verbascum sinaiticum Benth. (Mullein): finished drawing of flowering shoot and root
unknown artist
Verbascum sinaiticum Benth. (Mullein): finished drawing of flowering shoot and root
ca. 1768
James Gwin Desseins Originaux des Attitudes Continuée dans L'École des Armes
James Gwin, 1700–1769
Desseins Originaux des Attitudes Continuée dans L'École des Armes
1763
William Sharp John Philip Kemble
William Sharp, 1749–1824
John Philip Kemble
undated
Daniel Gardner Study of a Young Boy in a Landscape Setting
Attributed to Daniel Gardner, 1750–1805
Study of a Young Boy in a Landscape Setting
undated
Daniel Gardner Mrs. Jane Mounsey and Child
Daniel Gardner, 1750–1805
Mrs. Jane Mounsey and Child
ca. 1770
P. Crotchet Grown Ladies Taught to Dance
Print made by P. Crotchet, active 1768
Grown Ladies Taught to Dance
1768
William Dickinson Children Playing
Print made by William Dickinson, 1746–1823
Children Playing
1774
unknown artist Solanum capsicoides Allioni (Nightshade): finished drawing of flowering and fruiting plant, with details of fruit and flowers
unknown artist
Solanum capsicoides Allioni (Nightshade): finished drawing of flowering and fruiting plant, with details of fruit and flowers
ca 1775
George Keating John Philip Kemble, as Richard III
George Keating, 1762–1842
John Philip Kemble, as Richard III
undated
unknown artist One of Six Designs for a Wall Decoration
unknown artist
One of Six Designs for a Wall Decoration
undated
unknown artist Section of the Chimney Side for the Alteration of the Great Hall
unknown artist
Section of the Chimney Side for the Alteration of the Great Hall
undated
unknown artist One of Six Designs for Wall Decoration
unknown artist
One of Six Designs for Wall Decoration
undated
unknown artist One of Six Designs for a Wall Decoration
unknown artist
One of Six Designs for a Wall Decoration
undated
unknown artist One of Six Designs for a Wall Decoration
unknown artist
One of Six Designs for a Wall Decoration
undated
unknown artist One of Six Designs for a Wall Decoration
unknown artist
One of Six Designs for a Wall Decoration
undated
George Moutard Woodward Collection of Twenty-six of Caricatures
George Moutard Woodward, ca. 1760–1809
Collection of Twenty-six of Caricatures
ca. 1789
James Wyatt Cobham Hall, Kent: Side Elevation
James Wyatt, 1746–1813
Cobham Hall, Kent: Side Elevation
ca. 1790
James Gillray Out of Fits - or the Recovery to the Satisfaction of All Parties
James Gillray, 1756–1815
Out of Fits - or the Recovery to the Satisfaction of All Parties
1786
Thomas Cook Samuel Johnson, L. L. D.
Print made by Thomas Cook, 1744–1818
Samuel Johnson, L. L. D
1786
Sawrey Gilpin Forty-three Studies of Horses and Riders
Sawrey Gilpin, 1733–1807
Forty-three Studies of Horses and Riders
1787
Joseph Strutt John Bunyan. " Pilgrim's Progress ", illustrated by Thomas Stothard
Print made by Joseph Strutt, 1749–1802
John Bunyan. " Pilgrim's Progress ", illustrated by Thomas Stothard
1788 to 1791
James Gillray King Henry The Fourth's Last Scene
James Gillray, 1756–1815
King Henry The Fourth's Last Scene
1788
Henry Phillip Hope Vue du Temple de Minerve au Cap Colonne
Henry Phillip Hope, active 1799–1818
Vue du Temple de Minerve au Cap Colonne
undated
George Perfect Harding Lady Mary Dudley
George Perfect Harding, 1780–1853
Lady Mary Dudley
undated
John Yenn Design for Wall Decoration
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
John Yenn Design for Wall Decoration
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
John Yenn Design for Wall Decoration
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
John Yenn Designs for Wall Decoration
John Yenn, 1750–1821
Designs for Wall Decoration
ca. 1800
John Yenn Design for Wall Decoration
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
John Yenn Design for Wall Decoration
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
John Yenn Designs for Wall Decoration
John Yenn, 1750–1821
Designs for Wall Decoration
ca. 1800
John Yenn Design for Wall Decoration
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
William Blake Pl. 13: `Psyche Repents'
William Blake, 1757–1827
Pl. 13: `Psyche Repents'
1796
William Blake Pl. 16: `Cupid & Psyche'
William Blake, 1757–1827
Pl. 16: `Cupid & Psyche'
1796
William Blake Pl. 19: `Aristophanes Clouds. Scene I'
William Blake, 1757–1827
Pl. 19: `Aristophanes Clouds. Scene I'
1796
William Blake Pl. 23: `Anacreon Ode LII'
William Blake, 1757–1827
Pl. 23: `Anacreon Ode LII'
1796
William Blake Pl. 12: 'Psyche Disobeys'
William Blake, 1757–1827
Pl. 12: 'Psyche Disobeys'
1796
William Blake Pl. 18: `Iron Age'
William Blake, 1757–1827
Pl. 18: `Iron Age'
1796
William Blake Pl. 14: `Venus Councels Cupid'
William Blake, 1757–1827
Pl. 14: `Venus Councels Cupid'
1796
William Blake Pl. 15: `The Conjugal Union of Cupid'
William Blake, 1757–1827
Pl. 15: `The Conjugal Union of Cupid'
1796
George Cumberland Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...
George Cumberland, 1754–1848
Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes..
1796
George Cumberland Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...
George Cumberland, 1754–1848
Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes..
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
Andrew Geddes Study of Two Peacocks
Andrew Geddes, 1783–1844
Study of Two Peacocks
undated
James Gillray Pen-etration
James Gillray, 1756–1815
Pen-etration
1799
Henry Phillip Hope Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete
undated
unknown artist Colmar, Chateau Wildenstein, Rue Plumer: Maison dans laquelle le General Rapp a ete place comme Apprenti Epicier a Colmar
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison dans laquelle le General Rapp a ete place comme Apprenti Epicier a Colmar
undated
Henry Phillip Hope Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
Henry Phillip Hope Plan of Private Entrance from the Uxbridge Road (Arklow House)
Henry Phillip Hope, active 1799–1818
Plan of Private Entrance from the Uxbridge Road (Arklow House)
undated
Henry Phillip Hope Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
Henry Phillip Hope Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
unknown artist Woman Walking, with a Large Dish Under Her Right Arm
unknown artist
Woman Walking, with a Large Dish Under Her Right Arm
undated
unknown artist The Steeple of St. Bride's Church
unknown artist
The Steeple of St. Bride's Church
undated
James Gillray The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
James Gillray The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
unknown artist View of the Robert Burns Monument, Ayr
unknown artist
View of the Robert Burns Monument, Ayr
undated
James Gillray Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
James Gillray, 1756–1815
Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
1801
James Gillray The Nursery, with, Britannia Reposing in Peace
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
Miss F Waring Dunkeld Cathedral
Miss F Waring, active 1803
Dunkeld Cathedral
1803
Frederick Christian Lewis the Elder Bacchanal
Frederick Christian Lewis the Elder, 1779–1856
Bacchanal
ca. 1809
James Gillray Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row
James Gillray, 1756–1815
Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row
1806
James Gillray The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
James Gillray Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
James Gillray, 1756–1815
Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
1806
James Gillray Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807