Bauhinia farec Desv. : finished drawing of a flowering shoot, with details of flowers below
undated
14
unknown artist
Kniphofia pumila (Ait.) Kunth (Redhot Poker): finished drawing of leaves and inflorescence, with floral details
undated
15
unknown artist
Panicum deustum Thunb. (Wild Millet): finished drawing of whole plant in flower
undated
16
unknown artist
Coleus species 1: finished drawing of habit of flowering plant
undated
17
Print made by George White, ca.1684–1732
Louis Goupy
undated
18
Antonio Zucchi, 1725–1795
Pastoral Scene
undated
19
Print made by unknown artist
William Cavendish Marquis of Newcastle
undated
20
Print made by William Hogarth, 1697–1764
Paul Before Felix Burlesqued
1751
21
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
22
unknown artist
Solanum marginatum Linn.f. (Nightshade): finished drawing of whole plant with root
ca. 1768
23
unknown artist
Verbascum sinaiticum Benth. (Mullein): finished drawing of flowering shoot and root
ca. 1768
24
James Gwin, 1700–1769
Desseins Originaux des Attitudes Continuée dans L'École des Armes
1763
25
William Sharp, 1749–1824
John Philip Kemble
undated
26
Attributed to Daniel Gardner, 1750–1805
Study of a Young Boy in a Landscape Setting
undated
27
Daniel Gardner, 1750–1805
Mrs. Jane Mounsey and Child
ca. 1770
28
Print made by P. Crotchet, active 1768
Grown Ladies Taught to Dance
1768
29
Print made by William Dickinson, 1746–1823
Children Playing
1774
30
unknown artist
Solanum capsicoides Allioni (Nightshade): finished drawing of flowering and fruiting plant, with details of fruit and flowers
ca 1775
31
George Keating, 1762–1842
John Philip Kemble, as Richard III
undated
32
unknown artist
One of Six Designs for a Wall Decoration
undated
33
unknown artist
Section of the Chimney Side for the Alteration of the Great Hall
undated
34
unknown artist
One of Six Designs for Wall Decoration
undated
35
unknown artist
One of Six Designs for a Wall Decoration
undated
36
unknown artist
One of Six Designs for a Wall Decoration
undated
37
unknown artist
One of Six Designs for a Wall Decoration
undated
38
George Moutard Woodward, ca. 1760–1809
Collection of Twenty-six of Caricatures
ca. 1789
39
James Wyatt, 1746–1813
Cobham Hall, Kent: Side Elevation
ca. 1790
40
James Gillray, 1756–1815
Out of Fits - or the Recovery to the Satisfaction of All Parties
1786
41
Print made by Thomas Cook, 1744–1818
Samuel Johnson, L. L. D
1786
42
Sawrey Gilpin, 1733–1807
Forty-three Studies of Horses and Riders
1787
43
Print made by Joseph Strutt, 1749–1802
John Bunyan. " Pilgrim's Progress ", illustrated by Thomas Stothard
1788 to 1791
44
James Gillray, 1756–1815
King Henry The Fourth's Last Scene
1788
45
Henry Phillip Hope, active 1799–1818
Vue du Temple de Minerve au Cap Colonne
undated
46
George Perfect Harding, 1780–1853
Lady Mary Dudley
undated
47
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
48
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
49
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
50
John Yenn, 1750–1821
Designs for Wall Decoration
ca. 1800
51
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
52
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
53
John Yenn, 1750–1821
Designs for Wall Decoration
ca. 1800
54
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
55
William Blake, 1757–1827
Pl. 13: `Psyche Repents'
1796
56
William Blake, 1757–1827
Pl. 16: `Cupid & Psyche'
1796
57
William Blake, 1757–1827
Pl. 19: `Aristophanes Clouds. Scene I'
1796
58
William Blake, 1757–1827
Pl. 23: `Anacreon Ode LII'
1796
59
William Blake, 1757–1827
Pl. 12: 'Psyche Disobeys'
1796
60
William Blake, 1757–1827
Pl. 18: `Iron Age'
1796
61
William Blake, 1757–1827
Pl. 14: `Venus Councels Cupid'
1796
62
William Blake, 1757–1827
Pl. 15: `The Conjugal Union of Cupid'
1796
63
George Cumberland, 1754–1848
Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes..
1796
64
George Cumberland, 1754–1848
Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes..
1796
65
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
66
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
67
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
68
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
69
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
70
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
71
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
72
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
73
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
74
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
75
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
76
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
77
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
78
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
79
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
80
Andrew Geddes, 1783–1844
Study of Two Peacocks
undated
81
James Gillray, 1756–1815
Pen-etration
1799
82
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete
undated
83
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison dans laquelle le General Rapp a ete place comme Apprenti Epicier a Colmar
undated
84
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
85
Henry Phillip Hope, active 1799–1818
Plan of Private Entrance from the Uxbridge Road (Arklow House)
undated
86
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
87
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
88
unknown artist
Woman Walking, with a Large Dish Under Her Right Arm
undated
89
unknown artist
The Steeple of St. Bride's Church
undated
90
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
91
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
92
unknown artist
View of the Robert Burns Monument, Ayr
undated
93
James Gillray, 1756–1815
Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
1801
94
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
95
Miss F Waring, active 1803
Dunkeld Cathedral
1803
96
Frederick Christian Lewis the Elder, 1779–1856
Bacchanal
ca. 1809
97
James Gillray, 1756–1815
Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row
1806
98
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
99
James Gillray, 1756–1815
Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
1806
100
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose