Period: 19th century / Image Use: Free to Use / Subject Terms: clouds and religious and mythological subject

1. The Rock of Salvation

Creator:: Samuel Colman, 1780–1845
Date:: 1837
Materials & Techniques:: Oil on canvas
Dimensions:: 24 1/8 x 29 1/4 inches (61.3 x 74.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

2. The Judgement of Korah, Dathan and Abiram

Creator:: Maria Hadfield Cosway, 1759–1838
Date:: ca. 1801
Materials & Techniques:: Pen and ink and oil on canvas
Dimensions:: 14 3/4 × 11 1/2 inches (37.5 × 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Indian Landscape with Figures near a Stream

Creator:: Attributed to William Daniell, 1769–1837
Date:: ca. 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 31 1/2 x 45 inches (80 x 114.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Joshua Commanding the Sun to Stand Still

Creator:: John Martin, 1789–1854
Date:: ca. 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 18 7/8 × 24 5/8 inches (47.9 × 62.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. The Last Judgement (study)

Creator:: John Martin, 1789–1854
Date:: between 1851 and 1853
Materials & Techniques:: Oil on panel
Dimensions:: 7 3/4 x 12 inches (19.7 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

6. The Fifth Plague of Egypt

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 11 1/8 inches (20.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. For the Sexes: The Gates of Paradise, Plate 6, "Air"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Jerusalem, Plate 12, "Why wilt thou give to her...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Jerusalem, Plate 14, "One hair nor particle of dust...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Jerusalem, Plate 31, "His western heaven...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Jerusalem, Plate 43, "They saw their Wheels...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Jerusalem, Plate 70, "And this the form of mighty Hand...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Jerusalem, Plate 78, "The Spectres of..."

Creator:: William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Jerusalem, Plate 8, "Rose up against me...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Jerusalem, Plate 92, "What do I see!...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Jerusalem, Plate 20, "But when they saw Albion...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Jerusalem, Plate 32, "Leaning against the pillars...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Jerusalem, Plate 77, "To the Christians...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Jerusalem, Plate 3, "To the Public...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Jerusalem, Plate 45, "Bath, healing City!...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Jerusalem, Plate 50, "The Atlantic Mountains...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Jerusalem, Plate 81, "I have mockd those...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Jerusalem, Plate 82, "I have heard Jerusalems groans...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Parable of the Wise and Foolish Virgins

Creator:: William Blake, 1757–1827
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Man Sweeping the Interpreter's Parlour

Creator:: William Blake, 1757–1827
Date:: ca. 1822
Materials & Techniques:: White-line metal cut engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Cupid Wounded

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1801
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 5/16 × 9 1/2 inches (33.8 × 24.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Joseph Lanman Richards

31. The Fates

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 3/16 x 17 3/8 inches (31 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Harpies Attacking the Daughters of Pandarus

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 18 1/8 inches (30.5 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Job's Despair

Creator:: circle of John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/4 x 4 3/4 inches (9.5 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Vision of Eliphaz

Creator:: circle of John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 3 3/4 inches (13.3 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Venus, after Masters of Tarrochi

Creator:: Print made by Arthur Burgess, 1844–1886
Date:: undated
Materials & Techniques:: Wood-engraving on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 7/16 x 6 7/16 inches (16.3 x 16.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

36. Intemperance

Creator:: Print made by Guillaume Sulpice Chevalier, 1804–1866
Date:: undated
Materials & Techniques:: Line engraving, stipple engraving and etching on moderately thick, slightly textured, beige wove paper with beige chine collé
Dimensions:: Sheet: 13 9/16 x 20 inches (34.4 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Rescue of Lot

Creator:: John Martin, 1789–1854
Date:: 1833
Materials & Techniques:: Brown wash and brown ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 3 7/8 x 5 15/16 inches (9.8 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Daughters of Jerusalem Weeping by the Waters of Babylon

Creator:: John Martin, 1789–1854
Date:: 1834
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 6 5/16 x 8 inches (16 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Christ Stilling the Tempest

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene

Creator:: George Siegmund Facius, 1750–1804
Date:: 1805
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 21 1/16 inches (45.1 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Charon's Boat

Creator:: Print made by John Bell, 1811–1895
Date:: between 1838 and 1850
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 8 3/8 x 12 1/2 inches (21.2 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

43. Turin from the Portico of the Superga Church

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Love

Creator:: Print made by William Say, 1768–1834
Date:: c.1813
Materials & Techniques:: Mezzotint (second state) on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 16 7/8 × 13 inches (42.9 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. Cupid and Psyche

Creator:: Print made by William Say, 1768–1834
Date:: 1816
Materials & Techniques:: Mezzotint (second state) on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 21 1/4 inches (49.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. The Walls of Jericho

Creator:: John Martin, 1789–1854
Date:: 1834
Materials & Techniques:: Gray and brown wash with pen and brown ink on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream card
Dimensions:: Mount: 3 7/8 x 5 7/8 inches (9.8 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Joshua Commanding the Sun to Stand Still

Creator:: John Martin, 1789–1854
Date:: 1818
Materials & Techniques:: Graphite, brown wash, scratching out and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 24 1/8 inches (40.6 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Miss O'Neill as Hebe

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1811
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 7/8 × 16 5/8 inches (55.6 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49. De Hemelvaart

Creator:: Print made by Frederik Christiaan Bierweiler, active 1800–1831
Date:: ca. 1820
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 26 1/2 × 21 inches (67.3 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. The Bacchante

Creator:: Print made by Edward Calvert, 1799–1883
Date:: ca. 1827
Materials & Techniques:: Wood-engraving on medium, smooth, cream Asian paper
Dimensions:: Sheet: 4 1/16 x 2 9/16 inches (10.3 x 6.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Iris

Creator:: Print made by Samuel Freeman, 1773–1857
Date:: 1808
Materials & Techniques:: Colored aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/4 x 11 5/8 inches (40 x 29.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Deluge

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1828
Materials & Techniques:: Mezzotint; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Venus Crowned by Cupid

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1810 and 1815
Materials & Techniques:: Watercolor, with pen and brown, gray, red-brown and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 3/4 inches (14.3 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Palm Offering

Creator:: Print made by Frederick Stacpoole, 1813–1907
Date:: 1868
Materials & Techniques:: Mezzotint and stipple engraving on thick, slightly textured, cream wove paper mounted on canvas
Dimensions:: Sheet: 37 3/8 × 27 3/4 inches (94.9 × 70.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

55. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 13 1/2 inches (50.2 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 13 1/2 inches (51.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Period 19th century

Image Use Free to Use

Subject Terms clouds

Subject Terms religious and mythological subject

Search Results

1. The Rock of Salvation

2. The Judgement of Korah, Dathan and Abiram

3. Indian Landscape with Figures near a Stream

4. Joshua Commanding the Sun to Stand Still

5. The Last Judgement (study)

6. The Fifth Plague of Egypt

7. For the Sexes: The Gates of Paradise, Plate 6, "Air"

8. For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

9. For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

10. Jerusalem, Plate 12, "Why wilt thou give to her...."

11. Jerusalem, Plate 14, "One hair nor particle of dust...."

12. Jerusalem, Plate 31, "His western heaven...."

13. Jerusalem, Plate 43, "They saw their Wheels...."

14. Jerusalem, Plate 70, "And this the form of mighty Hand...."

15. Jerusalem, Plate 78, "The Spectres of..."

16. Jerusalem, Plate 8, "Rose up against me...."

17. Jerusalem, Plate 92, "What do I see!...."

18. Jerusalem, Plate 20, "But when they saw Albion...."

19. Jerusalem, Plate 32, "Leaning against the pillars...."

20. Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

21. Jerusalem, Plate 77, "To the Christians...."

22. Jerusalem, Plate 3, "To the Public...."

23. Jerusalem, Plate 45, "Bath, healing City!...."

24. Jerusalem, Plate 50, "The Atlantic Mountains...."

25. Jerusalem, Plate 81, "I have mockd those...."

26. Jerusalem, Plate 82, "I have heard Jerusalems groans...."

27. Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

28. The Parable of the Wise and Foolish Virgins

29. The Man Sweeping the Interpreter's Parlour

30. Cupid Wounded

31. The Fates

32. The Harpies Attacking the Daughters of Pandarus

33. Job's Despair

34. The Vision of Eliphaz

35. Venus, after Masters of Tarrochi

36. Intemperance

37. The Rescue of Lot

38. The Daughters of Jerusalem Weeping by the Waters of Babylon

39. Christ Stilling the Tempest

40. The Death of the Good Old Man

41. West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene

42. Charon's Boat

43. Turin from the Portico of the Superga Church

44. Love

45. Cupid and Psyche

46. The Walls of Jericho

47. Joshua Commanding the Sun to Stand Still

48. Miss O'Neill as Hebe

49. De Hemelvaart

50. The Bacchante

51. Iris

52. The Deluge

53. Venus Crowned by Cupid

54. The Palm Offering

55. The Day of Judgment

56. The Meeting of a Family in Heaven