Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
603
William Blake, 1757–1827
The Complaint and The Consolation: or Night Thoughts
ca. 1797
604
William Blake, 1757–1827
Illustrations of the Book of Job
1825
605
William Blake, 1757–1827
For the Sexes: The Gates of Paradise, London, 1826
1826
606
William Blake, 1757–1827
Europe. A Prophecy, 1793 (printed 1795)
1793, printed 1795
607
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
608
William Blake, 1757–1827
Illustrations of the Book of Job: Title Page
609
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
610
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
611
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
612
William Blake, 1757–1827
Illustrations of the Book of Job - Wrapper
613
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
614
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
615
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater (1787-1801)
1800
616
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
617
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
618
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
619
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
620
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
621
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
622
Print made by William Blake, 1757–1827
Thomas Hayley (1780-1800)
1800
623
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
624
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
625
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
626
unknown artist
God Creating the Universe
ca. 1800
627
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808, published 1813
628
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808, published 1813
629
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808, published 1813
630
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808, published 1813
631
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
632
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808, published 1813
633
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808, published 1813
634
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808, published 1813
635
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808, published 1813
636
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808, published 1813
637
circle of John Linnell, 1792–1882
Title Page: Illustrations of the Book of Job
after 1825
638
circle of John Linnell, 1792–1882
Job Rebuked by His Friends
undated
639
circle of John Linnell, 1792–1882
Behemoth and Leviathan
undated
640
circle of John Linnell, 1792–1882
The Fall of Satan
undated
641
circle of John Linnell, 1792–1882
Job Accepting Charity
undated
642
unknown artist
Songs of Innocence and Experience, pl. 2: Innocence, Title Page: [A woman in a chair shows a book to a boy and girl.]
ca. 1808
643
circle of John Linnell, 1792–1882
The Vision of Eliphaz
undated
644
circle of John Linnell, 1792–1882
Job's Evil Dreams
undated
645
circle of John Linnell, 1792–1882
The Lord Answering Job out of the Whirlwind
undated
646
circle of John Linnell, 1792–1882
The Vision of God
undated
647
circle of John Linnell, 1792–1882
Job's Sacrifice
undated
648
circle of John Linnell, 1792–1882
Job and His Family
undated
649
circle of John Linnell, 1792–1882
Job and His Daughters
undated
650
circle of John Linnell, 1792–1882
Job and His Wife Restored to Prosperity
undated
651
circle of John Linnell, 1792–1882
The Messengers Tell Job of the Misfortunes that Have Befallen Him
undated
652
circle of John Linnell, 1792–1882
Satan Smiting Job with Boils
undated
653
circle of John Linnell, 1792–1882
Job's Comforters
undated
654
circle of John Linnell, 1792–1882
Job's Despair
undated
655
Print made by George Richmond, 1809–1896
Reproduction of "William Blake in Youth and Age"
ca. 1830
656
unknown artist
Songs of Innocence and Experience, pl. 25: 'A Cradle Song' pl. 2, 'Wept for me...'
ca. 1808
657
unknown artist
Songs of Innocence and Experience, pl. 13: 'Spring' pl. 2, 'Little Girl...'
ca. 1808
658
unknown artist
Songs of Innocence and Experience, pl. 40: 'The Little Girl found' pl. 2, 'Famish'd weeping...'
ca. 1808
659
circle of John Linnell, 1792–1882
The Wrath of Elihu
undated
660
circle of John Linnell, 1792–1882
The Creation
undated
661
circle of John Linnell, 1792–1882
Satan before the Throne of God
undated
662
circle of John Linnell, 1792–1882
The Destruction of Job's Sons
undated
663
circle of John Linnell, 1792–1882
Satan Going Forth from the Presence of the Lord
undated
664
Print made by George Richmond, 1809–1896
Reproduction of "William Blake in Youth and Age"
ca. 1830
665
Whittington and Griggs, Chiswick, active 1921
Facsimile of plate number 76 from "Jerusalem"
1921
666
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808, published 1813
667
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
668
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
669
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
670
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
671
Engraved by James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
672
John Linnell, 1792–1882
Illustrations of the Book of Job
undated
673
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
674
Attributed to Sir Joseph Ayloffe, 1709–1781
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
675
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
676
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
677
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
678
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
679
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
680
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
681
William Blake, 1757–1827
Illustrations to Dante's "Divine Comedy"
1827
682
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 2)
1803-1804
683
William Blake, 1757–1827
The Pastorals of Virgil, London, 1821
1821, reprinted 1977
684
William Blake, 1757–1827
Illustrations of the Book of Job
1825
685
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper, (volume 1)
1803-1804
686
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
687
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
688
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
689
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
690
William Blake, 1757–1827
Pl. 12: `Psyche Disobeys.'
1796
691
William Blake, 1757–1827
Pl. 13: `Psyche Repents.'
1796
692
William Blake, 1757–1827
Pl. 14: `Venus Counsels Cupid'
1796
693
William Blake, 1757–1827
Pl. 16: `Cupid & Psyche'
1796
694
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
695
William Blake, 1757–1827
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
696
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
697
William Blake, 1757–1827
My sheep quite spent through travel and ill fare
1821, reprinted 1977
698
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
699
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'