Soldiers on a March: "To pack up her tatters and follow the Drum"
1811
2
Thomas Rowlandson, 1756–1827
View on Exmoor
undated
3
Thomas Rowlandson, 1756–1827
Interior of a Stable
undated
4
Thomas Rowlandson, 1756–1827
Angry Scene in a Street
between 1805 and 1810
5
Thomas Rowlandson, 1756–1827
The Undergraduate's Room
undated
6
Thomas Rowlandson, 1756–1827
Rowlandson and Wigstead on Tour
undated
7
Thomas Rowlandson, 1756–1827
Three Sportsmen Sleeping at the Table in Their Chairs
undated
8
Thomas Rowlandson, 1756–1827
Bucks of the First Head
ca. 1785
9
Thomas Rowlandson, 1756–1827
Dr. Syntax Painting a Portrait
10
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
11
Thomas Rowlandson, 1756–1827
The Actresses Dressing Room at Drury Lane
between 1800 and 1810
12
Thomas Rowlandson, 1756–1827
The Recruiting Officer
1797
13
Thomas Rowlandson, 1756–1827
The Journalist, with a view of Auchinleck or the Land of Stones
1786
14
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam
1801
15
Thomas Rowlandson, 1756–1827
Mrs. Abington
undated
16
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
17
Thomas Rowlandson, 1756–1827
The Return of the Fleet to Great Yarmouth in 1797
1797
18
Thomas Rowlandson, 1756–1827
Harvesters Resting in a Corn Field
between 1805 and 1810
19
unknown artist
The Arrival of Ferries at London Bridge (?)
undated
20
Thomas Rowlandson, 1756–1827
The Guards on the March for the Duke of York's Campaign in France
undated
21
Thomas Rowlandson, 1756–1827
Dr. Syntax Made Free of the Cellar
undated
22
Thomas Rowlandson, 1756–1827
Sketched at the Cockpit, Nottingham
1801
23
Thomas Rowlandson, 1756–1827
Loading Sacks into a Cart
undated
24
Thomas Rowlandson, 1756–1827
The Picnic
undated
25
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
26
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
27
Thomas Rowlandson, 1756–1827
Set of eight (3): Cries of London
1799
28
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
29
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
30
Thomas Rowlandson, 1756–1827
Set of eight (2): Cries of London
1799
31
Thomas Rowlandson, 1756–1827
Set of Sixteen: Outlines of Figure and Landscapes
1790-1792
32
Thomas Rowlandson, 1756–1827
Set of eight (7): Cries of London
1799
33
Thomas Rowlandson, 1756–1827
Set of eight (5): Cries of London
1799
34
Thomas Rowlandson, 1756–1827
Set of eight (5): Cries of London
1799
35
Thomas Rowlandson, 1756–1827
Set of eight (4): Cries of London
1799
36
Thomas Rowlandson, 1756–1827
Set of eight (6): Cries of London
1799
37
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
38
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
39
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
40
Thomas Sunderland, 1744–1828
Synagogue, Duke's Place, Houndsditch
1808
41
Joseph Constantine Stadler, active 1780–1812
Lloyd's Subscription Room
1809
42
Thomas Sunderland, 1744–1828
Tattersall's Horse Repository
43
Thomas Sunderland, 1744–1828
Horse Armoury
44
Print made by John Bluck, active 1791–1831
West India Docks
1810
45
Joseph Constantine Stadler, active 1780–1812
Court of Chancery, Lincoln's Inn Hall
1808
46
Thomas Sutherland, ca. 1785–1838
Excise Office, Broad Street
1810
47
Print made by Joseph Constantine Stadler, active 1780–1812
Newgate Chapel
48
Joseph Constantine Stadler, active 1780–1812
Freemasons Hall, Great Queen Street
1808
49
Joseph Constantine Stadler, active 1780–1812
Court of Common Pleas, Westminster Hall
1808
50
Print made by John Bluck, active 1791–1831
Saint Stephen's, Walbrook
1809
51
John Hill, 1770–1850
Dining Hall, Asylum
1808
52
Thomas Rowlandson, 1756–1827
A Dutch Packet in a Rising Breeze
1791
53
Thomas Rowlandson, 1756–1827
Gardening
undated
54
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Bath
1798
55
Thomas Rowlandson, 1756–1827
The Gardener's Offering
between 1803 and 1805
56
unknown artist
Morning
1799
57
unknown artist
Mid-Day
1799
58
unknown artist
Evening
1799
59
Thomas Rowlandson, 1756–1827
An Album of Sketches compiled by the Artist, including many figure and landscape studies at Blackheath, Deptford and Greenwich, Dover and elsewhere, drawings for "The English Dance of Death", Gambado's "Academy for Grown Horsemen"
60
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
61
Thomas Rowlandson, 1756–1827
Travelling in France
between 1785 and 1789
62
Thomas Rowlandson, 1756–1827
A Race on the Knavesmire at York
undated
63
Thomas Rowlandson, 1756–1827
The Return from the Hunt
1787
64
Thomas Rowlandson, 1756–1827
The Stable of an Inn
ca. 1790
65
Thomas Rowlandson, 1756–1827
A Horse Sale at Hopkins's Repository (An outline)
undated
66
Thomas Rowlandson, 1756–1827
Four O'Clock in the Country
between 1788 and 1790
67
Thomas Rowlandson, 1756–1827
How to Vault in the Saddle
1813
68
Thomas Rowlandson, 1756–1827
Greenwich
1795 to 1800
69
Thomas Rowlandson, 1756–1827
Pigs at a Trough
ca. 1790
70
Thomas Rowlandson, 1756–1827
Ages of the Horse: The Foal, The Colt, The Racer, The Hunter, The Post-Horse, Food for the Hounds
undated
71
Thomas Rowlandson, 1756–1827
Picking Mulberries
undated
72
Thomas Rowlandson, 1756–1827
A Ball at Scarborough
ca. 1820
73
Thomas Rowlandson, 1756–1827
A Picture of Misery
74
unknown artist
An Execution Scene Outside Newgate
75
unknown artist
The Old Castle Inn on Hampstead Heath
76
Thomas Rowlandson, 1756–1827
The Light House Volunteers of London and Westminster
1798
77
John Bluck, active 1791–1831
Drawing Room, St. James's
1809
78
Joseph Constantine Stadler, active 1780–1812
Great Subscription Room at Brooks's
1808
79
Joseph Constantine Stadler, active 1780–1812
Quakers Meeting
1809
80
John Bluck, active 1791–1831
Vauxhall Garden
1809
81
unknown artist
Castle Baynard Volunteer
1798
82
John Bluck, active 1791–1831
Heralds College, the Hall
1808
83
Thomas Rowlandson, 1756–1827
Witches in a Hayloft
1813?
84
Thomas Rowlandson, 1756–1827
Pass-Room Bridewell
1808
85
Thomas Rowlandson, 1756–1827
The Cobbler's Cure for a Scolding Wife
86
Thomas Rowlandson, 1756–1827
Miseries Personal
1807
87
Thomas Rowlandson, 1756–1827
Doctor Syntax, Rural Sports, from The Tour of Doctor Syntax in Search of the Picturesque
1813
88
Print made by Thomas Rowlandson, 1756–1827
The Boxes: O woe is me, t' have seen what I have seen Seeing what I see