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Credit Line Yale Center for British Art, Paul Mellon Collection
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1
- Imitation Australian
- 1962
2
- Coming Home Alone
- 1963
3
- Open Ditch
- 1962
4
- Pulling Up
- 1962
5
- Taking Down Steady
- 1963
6
- No Danger
- 1963
7
- Setting Off, No. 1
- 1963
8
- The Pink Apron
- ca. 1904
9
- Horse in Breton Yard
- undated
10
- Sussex Cart Horse
- between 1905 and 1906
11
- The Flying Pack
- undated
12
- Horses Threshing, Pont Aven
- 1893
13
- Fields Farm, Clayhidon
- 1917
14
- Hounds in Covert
- ca. 1896
15
- The Hunt
- undated
16
- Hay Carts, Cumberland Market (sketch)
- ca. 1915
17
- The Meet
- 1898
18
- Study for Hay Carts, Cumberland Market
- ca. 1915
19
- The Meet
- between 1901 and 1925
20
- Horse Dealers
- ca. 1918
21
- Huntsman and Hounds
- ca. 1898
22
- Two Bridges
- 1912-1913
23
- A Turn Up with the Lads of the Village
- undated
24
- Erlestoke Looking West
- ca. 1825
25
- Views of Northern Europe, Volume I
- undated
26
- Views of England and Wales, Volume I
- undated
27
- Giving the Village Donkeys a Treat
- undated
28
- Four Lizards
- undated
29
- Two Birds in a Landscape
- undated
30
- Album Drawings
- ca. 1820
31
- Views of England and Wales, Volume II
- undated
32
- Views of Northern Europe, Volume II
- undated
33
- Views of Spain, Volume II
- undated
34
- On the Road to Erlestoke
- ca. 1825
35
- Old London Bridge from the Surrey Shore, showing Fishmonger's Hall, the Monument, etc
- 1826
36
- Portrait of an Unknown Man in a Full-Bottomed Wig
- undated
37
- Portrait of a Lady
- undated
38
- The Beach at Low Tide
- undated
39
- The Building of London Bridge
- undated
40
- Monk Bar, York
- undated
41
- St. Nicholas Church, Newcastle Upon Tyne
- ca. 1825
42
- Villagers Clearing out Rubbish
- 1800
43
- Panoramic View of Carlisle
- undated
44
- The Southern Entrance of Gundecotta Pass (1 of 6)
- ca. 1792
45
- Ruins of Baugnee-Ghur near Hydrabad (1 of 6)
- ca. 1792
46
- View Within the Northern Entrance of Gundecotta Pass (1 of 6)
- ca. 1792
47
- The Dry Dock at Woolwich
- 1841
48
- Moonlight Scene on the Rhine
- undated
49
- Half Length Portrait of Joanna Simonds
- undated
50
- Soldiers at an Inn (Interior with Soldiers)
- undated
51
- Exterior of an Inn
- undated
52
- The St. Aubyn Family
- 1787
53
- Basso Relievos: Statues and Inscriptions 1765. Manuscript with Drawings.
- 1765
54
- Ischaemum afrum (J.F. Gmel.) Dandy: finished drawing of inflorescence and leaves, with fifteen separate details below
- undated
55
- Albuca abyssinica Murrary (Ethiopian Squill): finished drawing of flowering plant, with floral details
- undated
56
- Solanum capsicoides Allioni (Nightshade): finished drawing of flowering and fruiting plant, with details of fruit and flowers
- ca 1775
57
- Aspis cornutus (Horned Viper or Cerastes)
- 1765-1773
58
- Saba comorensis (Bojer) Pichon: finished drawing of flowering shoot
- undated
59
- Solanum adoense Hochst. ex A. Rich. (Nightshade): finished drawing
- undated
60
- Ruttya speciosa (Hochst.) Engl. : finished drawing
- undated
61
- Coccinia abyssinica (Lam.): finished drawing
- undated
62
- Hypericum quartinianum A. Rich. (St. John's-Wort): finished drawing without addditional details
- undated
63
- Carthamus tinctorius L. (Safflower): finished drawing of flowering plant
- 1765-1773
64
- Buddleia polystachya Fresen. (African Buddleia): finished drawing
- undated
65
- Pandanus odoratissimus L. (Screwpine): finished drawing for male inflorescence
- undated
66
- Sphyrna zygaena (Hammer-headed Shark)
- 1765-1773
67
- Phoenicopterus roseus (Greater Flamingo)
- undated
68
- Ischaemum afrum (J.F. Gmel.) Dandy: finished drawing of whole plant, with inflorescence
- undated
69
- Bauhinia farec Desv. : finished drawing of a flowering shoot, with details of flowers below
- undated
70
- Design for a Silver Chalice (Design for a Wine-Cooler (?) for Rundell, Bride and Rundell)
- undated
71
- Panicum deustum Thunb. (Wild Millet): finished drawing of inflorscence
- undated
72
- Kniphofia pumila (Ait.) Kunth (Redhot Poker): finished drawing of flowering plant
- undated
73
- Kniphofia pumila (Ait.) Kunth (Redhot Poker): finished drawing of leaves and inflorescence, with floral details
- undated
74
- Coleus species 1: finished drawing of habit of flowering plant
- undated
75
- Untitled
- undated
76
- Pyrenean chamois
- 1813 to 1817
77
- Original Sketchbook, Studies of Mammals, and Studies of Deer
- 1813 to 1817
78
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
79
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
80
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
81
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
82
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
83
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
84
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
85
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
86
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
87
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
88
- Two Studies of classical sculpture of Farnese Hercules
- between 1730 and 1768
89
- Three studies of classical sculpture of Farnese Hercules
- between 1730 and 1768
90
- Study of classical scultpure of Castor and Pollux
- between 1730 and 1768
91
- Study of statue of an Egyptian man
- between 1730 and 1768
92
- Study of head from classical figure
- between 1730 and 1768
93
- Study of head from classical figure
- between 1730 and 1768
94
- Four Studies of heads from classical figures
- between 1730 and 1768
95
- Study of head from classical figures
- between 1730 and 1768
96
- Study of classical sculpture of Apollo Sauroctonur and Nymph with a shell
- between 1730 and 1768
97
- Study of head from classical figure
- between 1730 and 1768
98
- Study of head from classical figure
- between 1730 and 1768
99
- Study of head from classical figure
- between 1730 and 1768
100
- Study of head from classical figure
- between 1730 and 1768