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Remove constraint Collection: Prints and DrawingsExhibition History William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
Remove constraint Exhibition History: William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)Search Results
101
- I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
- ca. 1788
102
- II. "Reason or the ratio of all we have already known..." (Plate 11)
- ca. 1788
103
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
104
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
105
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
106
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
107
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
108
- Frontispiece. Albion's Angel (Plate 1)
- 1793
109
- "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
- 1793
110
- "In thoughts perturb'd they rose..." (Plate 11)
- 1794
111
- The First Book of Urizen, Plate 23 (Bentley 9)
- 1794
112
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797
113
- Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
- 1794
114
- Urizen Swims through Dark Waters (Plate 5)
- 1794
115
- Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
- 1794
116
- Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
- 1794
117
- Fettered Urizen Weeping (Plate 12)
- 1794
118
- Urizen (Plate 14)
- 1794
119
- From a Globe of Blood Rises Enitharmon (Plate 16)
- 1794
120
- Chapter V, "The globe of life blood trembled..." (Plate 15)
- 1794
121
- "They call'd her Pity, and fled..." (Plate 17)
- 1794
122
- Los with the child Orc and Enitharmon (Plate 18)
- 1794
123
- Urizen (Plate 21)
- 1794
124
- Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
- 1794
125
- Praying Child and Howling Dog (Plate 24)
- 1794
126
- Chapter IX, "They lived a period of years..." (Plate 25)
- 1794
127
- Death's Door (Plate 17)
- 1793
128
- Frontispiece, The Ancient of Days (Plate 1)
- 1794
129
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
130
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
131
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
132
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
133
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
134
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
135
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
136
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
137
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
138
- Urizen (Plate 22)
- 1794
139
- "The Ox in the slaughter house moans..." (Plate 23)
- 1794
140
- I Found Him Beneath a Tree (Plate 3)
- 1793
141
- Title Page, For Children. The Gates of Paradise (Plate 2)
- 1793
142
- Earth (Plate 5)
- 1793
143
- Fire (Plate 7)
- 1793
144
- Alas! (Plate 9)
- 1793
145
- Aged Ignorance (Plate 13)
- 1793
146
- Fear & Hope Are -- Vision (Plate 15)
- 1793
147
- The Traveller Hasteth in the Evening (Plate 16)
- 1793
148
- The Christian Triumph; Title Page
- 1797
149
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
150
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
151
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
152
- 'Disease invades the chastest temperence' (Page 10)
- 1797
153
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
154
- 'The present moment terminates our sight' (Page 13)
- 1797
155
- 'And vapid; sense and reason shew the door' (Page 72)
- 1797
156
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
157
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
158
- "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
- 1804 to 1820
159
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
160
- "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
- between 1797 and 1798
161
- "Up stairs in a whirlwind rattle..." (Design 29)
- between 1797 and 1798
162
- Jerusalem, Frontispiece (Plate 1)
- 1804 to 1820
163
- Jerusalem, Tailpiece (Plate 100)
- 1804 to 1820
164
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
165
- "Then the Divine hand found the Two Limits..." (Plate 35)
- 1804 to 1820
166
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
167
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
168
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
169
- "Highgates heights & Hampsteads..." (Plate 84)
- 1804 to 1820
170
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
171
- The Baffled Devils Fighting (Plate 3)
- 1827
172
- The Pit of Disease: The Falsifiers (Plate 6)
- 1827
173
- Abraham and Isaac
- 1799 to 1800
174
- Albion Compelling the Four Zoas to Their Proper Tasks
- 1804 to 1810
175
- Mary Magdalen at the Sepulchre
- ca. 1805
176
- The Parable of the Wise and Foolish Virgins
- ca. 1825
177
- Christ Giving Sight to Bartimaeus
- 1799 to 1800
178
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
179
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
180
- Christ Appearing to the Apostles after the Resurrection
- 1795 to 1805
181
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
182
- Rev. John Caspar Lavater
- 1800
183
- Chaucer's Canterbury Pilgrims
- 1810 to 1820
184
- A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
- 1809
185
- Prison Scene
- undated
186
- The Phoenix or the Resurrection of Freedom
- 1776
187
- William Blake in Youth and Age
- ca. 1830
188
- Job Reproved by his Friends
- 1777
189
- Queen Katherine's Dream
- 1788
190
- The Shepherd
- 1827
191
- Death on a Pale Horse
- 1784
192
- Presages of the Millenium
- 1795
193
- Pylades and Orestes
- 1771
194
- The Witch of En-Dor
- 1788
195
- The Deposition
- undated
196
- Get Thee Behind Me, Satan
- between 1783 and 1787
197
- Love Songs, Class I. Tailpiece
- 1783
198
- Love Songs, Class V. Headpiece
- 1783
199
- Drinking Songs, Headpiece
- 1783
200
- Drinking Songs, Tailpiece
- 1783