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Creator Blake, William, 1757–1827

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601. Tiriel Supporting the Dying Myratana and Cursing His Sons

Tiriel Supporting the Dying Myratana and Cursing His Sons
Creator:
William Blake, 1757–1827
Date:
1786 to 1789
Materials & Techniques:
Pen and black ink with gray wash and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 10 3/4 inches (18.7 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

602. Thomas Alphonso Hayley, Half-Length Drawing

Thomas Alphonso Hayley, Half-Length Drawing
Creator:
attributed to William Blake, 1757–1827
Date:
ca. 1800
Materials & Techniques:
Graphite and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 x 5 1/4 inches (17.1 x 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Charles Rosenbloom

603. Satan Approaching the Court of Chaos

Satan Approaching the Court of Chaos
Creator:
William Blake, 1757–1827
Date:
1784 to 1785
Materials & Techniques:
Graphite with pen and gray ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

604. Sealing the Stone and Setting a Watch

Sealing the Stone and Setting a Watch
Creator:
William Blake, 1757–1827
Date:
1800 to 1803
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:
Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund

605. Landscape with Spire

Landscape with Spire
Creator:
William Blake, 1757–1827
Date:
ca. 1801
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 x 8 7/8 inches (15.6 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

606. A Woody Landscape

A Woody Landscape
Creator:
William Blake, 1757–1827
Date:
ca. 1801
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 x 9 inches (14.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

607. The Entrance Front of Hayley's House at Eartham

The Entrance Front of Hayley's House at Eartham
Creator:
William Blake, 1757–1827
Date:
1801
Materials & Techniques:
Pen and black ink with watercolor and graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 5 1/2 x 9 inches (14 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

608. Albion Compelling the Four Zoas to Their Proper Tasks

Albion Compelling the Four Zoas to Their Proper Tasks
Creator:
William Blake, 1757–1827
Date:
1804 to 1810
Materials & Techniques:
Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 12 1/4 inches (25.1 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

609. Joseph and Potiphar's Wife

Joseph and Potiphar's Wife
Creator:
William Blake, 1757–1827
Date:
1803 to 1805
Materials & Techniques:
Watercolor, with pen, and black ink gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 1/16 × 12 1/2 inches (35.7 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

610. Pity

Pity
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1795
Materials & Techniques:
Color monotype, watercolor, pen and black ink, and varnish on moderately textured wove paper
Dimensions:
Sheet: 16 1/4 x 20 1/4 inches (41.3 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

611. Abraham and Isaac

Abraham and Isaac
Creator:
William Blake, 1757–1827
Date:
1799 to 1800
Materials & Techniques:
Tempera and pen and black ink on canvas
Dimensions:
Sheet: 10 1/2 x 15 1/2 inches (26.7 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

612. Mary Magdalen at the Sepulchre

Mary Magdalen at the Sepulchre
Creator:
William Blake, 1757–1827
Date:
ca. 1805
Materials & Techniques:
Watercolor with pen and black ink and gray ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 17 1/4 x 12 1/4 inches (43.8 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

613. Five Visionary Heads of Women

Five Visionary Heads of Women
Creator:
William Blake, 1757–1827
Date:
1819 to 1820
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 10 5/8 x 12 3/4 inches (27 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

614. Study for a Destroying Deity

Study for a Destroying Deity
Creator:
William Blake, 1757–1827
Date:
1820 to 1825
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 24 inches (45.1 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

615. The Parable of the Wise and Foolish Virgins

The Parable of the Wise and Foolish Virgins
Creator:
William Blake, 1757–1827
Date:
ca. 1825
Materials & Techniques:
Watercolor with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

616. Christ Appearing to the Apostles after the Resurrection

Christ Appearing to the Apostles after the Resurrection
Creator:
Print made by William Blake, 1757–1827
Date:
1795 to 1805
Materials & Techniques:
Color monotype, watercolor, pen and black ink and varnish on moderately textured wove paper
Dimensions:
Sheet: 17 x 22 1/2 inches (43.2 x 57.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Purchased 1929

617. A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.
Creator:
Print made by William Blake, 1757–1827
Date:
1804
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 11 1/2 inches (29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

618. A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.
Creator:
Print made by William Blake, 1757–1827
Date:
1804
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 11 1/2 inches (29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

619. Introduction to the Fables, The Shepherd and the Philosopher

Introduction to the Fables, The Shepherd and the Philosopher
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

620. Fable XIII. The Tame Stag

Fable XIII. The Tame Stag
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

621. Fable VI. The Miser and Plutus

Fable VI. The Miser and Plutus
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

622. Fable XVI. The Pin and the Needle

Fable XVI. The Pin and the Needle
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

623. Fable XXIV. The Butterfly and the Snail

Fable XXIV. The Butterfly and the Snail
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

624. Fable XXII. The Goat Without a Beard

Fable XXII. The Goat Without a Beard
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

625. Fable XXX. The Setting-dog and the Partridge

Fable XXX. The Setting-dog and the Partridge
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

626. Death of the Strong Wicked Man

Death of the Strong Wicked Man
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

627. Robert Blair, The Grave, Title Page

Robert Blair, The Grave, Title Page
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

628. The Reunion of the Soul & the Body

The Reunion of the Soul & the Body
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

629. The Meeting of a Family in Heaven

The Meeting of a Family in Heaven
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

630. Death's Door

Death's Door
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

631. The Descent of Man into the Vale of Death

The Descent of Man into the Vale of Death
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

632. Christ Descending into the Grave

Christ Descending into the Grave
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

633. The Counsellor, King, Warrior, Mother & Child, in the Tomb

The Counsellor, King, Warrior, Mother & Child, in the Tomb
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

634. The Death of the Good Old Man

The Death of the Good Old Man
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

635. The Day of Judgment

The Day of Judgment
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

636. The Soul Hovering over the Body reluctantly Parting with Life

The Soul Hovering over the Body reluctantly Parting with Life
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

637. The Soul Exploring the Recesses of the Grave

The Soul Exploring the Recesses of the Grave
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

638. God Creating the Universe

God Creating the Universe
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 13 1/8 inches (23.5 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

639. Reproduction of "William Blake in Youth and Age"

Reproduction of "William Blake in Youth and Age"
Creator:
Print made by George Richmond, 1809–1896
Date:
ca. 1830
Materials & Techniques:
Lithograph with gray tint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 11/16 x 7 13/16 inches (27.2 x 19.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

640. Reproduction of "William Blake in Youth and Age"

Reproduction of "William Blake in Youth and Age"
Creator:
Print made by George Richmond, 1809–1896
Date:
ca. 1830
Materials & Techniques:
Lithograph with gray tint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 11/16 x 8 1/16 inches (27.1 x 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

641. Facsimile of plate number 76 from "Jerusalem"

Facsimile of plate number 76 from "Jerusalem"
Creator:
Whittington and Griggs, Chiswick, active 1921
Date:
1921
Materials & Techniques:
Color printed collotype
Dimensions:
Sheet: 13 1/2 x 10 3/8in. (34.3 x 26.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

642. Songs of Innocence and Experience, pl. 13: 'Spring' pl. 2, 'Little Girl...'

Songs of Innocence and Experience, pl. 13: 'Spring' pl. 2, 'Little Girl...'
Creator:
unknown artist
Date:
ca. 1808
Materials & Techniques:
Watercolor with pen and brown ink
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

643. Songs of Innocence and Experience, pl. 25: 'A Cradle Song' pl. 2, 'Wept for me...'

Songs of Innocence and Experience, pl. 25: 'A Cradle Song' pl. 2, 'Wept for me...'
Creator:
unknown artist
Date:
ca. 1808
Materials & Techniques:
Watercolor with pen and brown ink
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

644. Job's Despair

Job's Despair
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 3/4 inches (9.5 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

645. The Destruction of Job's Sons

The Destruction of Job's Sons
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 1/8 inches (13.3 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

646. The Messengers Tell Job of the Misfortunes that Have Befallen Him

The Messengers Tell Job of the Misfortunes that Have Befallen Him
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

647. Satan Going Forth from the Presence of the Lord

Satan Going Forth from the Presence of the Lord
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 1/8 inches (13.3 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

648. Job and His Wife Restored to Prosperity

Job and His Wife Restored to Prosperity
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

649. Satan before the Throne of God

Satan before the Throne of God
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 4 1/8 inches (13.7 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

650. Satan Smiting Job with Boils

Satan Smiting Job with Boils
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 3/4 inches (9.5 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

651. Job's Comforters

Job's Comforters
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 5/8 inches (9.2 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

652. Songs of Innocence and Experience, pl. 2: Innocence, Title Page: [A woman in a chair shows a book to a boy and girl.]

Songs of Innocence and Experience, pl. 2: Innocence, Title Page: [A woman in a chair shows a book to a boy and girl.]
Creator:
unknown artist
Date:
ca. 1808
Materials & Techniques:
Watercolor with pen and brown ink
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

653. Songs of Innocence and Experience, pl. 40: 'The Little Girl found' pl. 2, 'Famish'd weeping...'

Songs of Innocence and Experience, pl. 40: 'The Little Girl found' pl. 2, 'Famish'd weeping...'
Creator:
unknown artist
Date:
ca. 1808
Materials & Techniques:
Watercolor with pen and brown ink
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

654. The Vision of Eliphaz

The Vision of Eliphaz
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 3 3/4 inches (13.3 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

655. Job Rebuked by His Friends

Job Rebuked by His Friends
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 3/4 inches (9.2 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

656. Title Page: Illustrations of the Book of Job

Title Page: Illustrations of the Book of Job
Creator:
circle of John Linnell, 1792–1882
Date:
after 1825
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 3 1/2 inches (12.7 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

657. Job and His Family

Job and His Family
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

658. The Wrath of Elihu

The Wrath of Elihu
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 3/4 inches (9.2 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

659. The Creation

The Creation
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 3 3/4 inches (14.6 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

660. Behemoth and Leviathan

Behemoth and Leviathan
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Frame: 20 1/4 x 15 1/4 x 1in. (51.4 x 38.7 x 2.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

661. Job's Evil Dreams

Job's Evil Dreams
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 5/8 inches (9.2 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

662. The Lord Answering Job out of the Whirlwind

The Lord Answering Job out of the Whirlwind
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 7/8 inches (9.5 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

663. The Fall of Satan

The Fall of Satan
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 3 7/8 inches (13.3 x 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

664. The Vision of God

The Vision of God
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 5 inches (9.2 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

665. Job's Sacrifice

Job's Sacrifice
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 3 1/2 inches (12.1 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

666. Job and His Daughters

Job and His Daughters
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 3/4 inches (9.5 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

667. Job Accepting Charity

Job Accepting Charity
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 3/4 inches (8.9 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

668. Illustrations of the Book of Job

Illustrations of the Book of Job
Creator:
John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink on card
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

669. An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)

An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
Creator:
James Basire the younger, 1769–1822
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

670. An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)

An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
Creator:
James Basire the younger, 1769–1822
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

671. An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)

An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
Creator:
Attributed to Sir Joseph Ayloffe, 1709–1781
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

672. An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)

An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
Creator:
James Basire the younger, 1769–1822
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

673. An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)

An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
Creator:
James Basire the younger, 1769–1822
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

674. An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)

An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
Creator:
James Basire the younger, 1769–1822
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

675. An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)

An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
Creator:
Engraved by James Basire the younger, 1769–1822
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

676. Illustrations of the Book of Job, pl. 1 (Title Page): 'Illustrations of/ the/ Book/ of/ Job'

No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on chine-collé
Dimensions:
Binding: 17 1/4in. (43.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

677. Illustrations of the Book of Job, pl. 2 (page 1): [Job and his Family]

No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

678. Illustrations of the Book of Job, pl. 3 (page 2): [Satan before the Throne of God]

No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

679. Illustrations of the Book of Job, pl. 4 (page 3): [The Destruction of Job's Sons]

No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on chine-collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

680. Illustrations of the Book of Job, pl. 9 (page 8): [Job's Despair]

No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

681. Illustrations of the Book of Job, pl. 7 (page 6): [Satan smiting Job with Boils]

No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

682. Illustrations of the Book of Job, pl. 16 (page 15): [Behemoth and Leviathan]

No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

683. Illustrations of the Book of Job, pl. 18 (page 17): [The Vision of God]

No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

684. Illustrations of the Book of Job, pl. 19 (page 18): [Job's Sacrifice]

No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

685. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

No cover image available
Creator:
William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Wood engraving
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

686. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'

No cover image available
Creator:
William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Wood engraving
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

687. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'

No cover image available
Creator:
William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Wood engraving
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

688. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'

No cover image available
Creator:
William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Wood engraving
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

689. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'

No cover image available
Creator:
William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Wood engraving
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

690. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'

No cover image available
Creator:
William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Wood engraving
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

691. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'

No cover image available
Creator:
William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Wood engraving
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

692. And now behold the sun's departing ray

No cover image available
Creator:
William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Wood-engraving
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

693. Pl. 12: 'Psyche Disobeys'

No cover image available
Creator:
William Blake, 1757–1827
Date:
1796
Materials & Techniques:
Etching
Dimensions:
Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

694. Illustrations of the Book of Job, pl. 6 (page 5): [Satan going forth from the Presence of the Lord]

No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

695. Illustrations of the Book of Job, pl. 10 (page 9): [The Vision of Eliphaz]

No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

696. Illustrations of the Book of Job, pl. 11 (page 10): [Job rebuked by his Friends]

No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

697. Illustrations of the Book of Job, pl. 12 (page 11): [Job's Evil Dreams]

No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

698. Illustrations of the Book of Job, pl. 15 (page 14): [The Creation]

No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

699. Illustrations of the Book of Job, pl. 17 (page 16): [The Fall of Satan]

No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

700. Illustrations of the Book of Job, pl. 20 (page 19): [Job Accepting Charity]

No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection