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On-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomExhibition History William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
Remove constraint Exhibition History: William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)Search Results
101
- Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
- 1797
102
- Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
- 1797
103
- Plate 21 (page 37): 'Love, and love only, is the loan for love'
- 1797
104
- Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
- 1797
105
- Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
- 1797
106
- Plate 3 (page 4): 'What, though my soul fantastick measures trod'
- 1797
107
- Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
- 1797
108
- Plate 6 (page 10): 'Disease invades the chastest temperence'
- 1797
109
- Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
- 1797
110
- Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
- 1797
111
- Plate 22 (page 40): ' Angels should paint it, angels ever there'
- 1797
112
- Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
- 1797
113
- Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
- 1797
114
- Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
- 1797
![William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'](https://media.collections.yale.edu/thumbnail/ycba/5a919703-759e-494b-a892-d66a8288096b)
115
- Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
- 1797
116
- Plate 9 (page 15):' The longest night though longer far, would fail'
- 1797
117
- Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
- 1797
118
- Plate 15 (page 25): 'Behold him, when past by; what then is seen'
- 1797
119
- Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
- 1797
120
- Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
- 1797
121
- Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
- 1797
122
- Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
- 1797
123
- Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
- 1797
124
- Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
- 1797
125
- Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
- 1797
126
- Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
- 1797
127
- Plate 41 (page 92): 'When faith is virtue, reason makes it so'
- 1797
128
- The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)
- 1794
129
- The First Book of Urizen, Plate 24 (Bentley 26)
- 1794
130
- Earth; Plate 5
- 1793
131
- Air; Plate 6
- 1793
132
- Does Thy God O Priest Take such Vengeance as This?; Plate 14
- 1793
133
- Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
- 1789
134
- Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
- 1789
135
- Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
- 1789
136
- Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
- 1789
137
- Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
- 1789
138
- Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
- 1789
139
- Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
- 1789
140
- Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
- 1794
141
- Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
- 1793
142
- Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
- 1789
143
- Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
- 1794
144
- Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
- 1794
145
- Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
- 1794
146
- Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)
- 1794
147
- Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
- 1794
148
- Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
- 1794
149
- Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
- 1794
150
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
151
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
152
- Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
- 1793
153
- Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
- 1794
154
- Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
- 1794
155
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
156
- Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
- 1793
157
- Jerusalem, Plate 25, "And there was heard...."
- 1804 to 1820
158
- Jerusalem, Plate 27, "To the Jews...."
- 1804 to 1820
159
- Jerusalem, Plate 32, "Leaning against the pillars...."
- 1804 to 1820
160
- Jerusalem, Plate 35, "Then the Divine hand...."
- 1804 to 1820
161
- Jerusalem, Plate 70, "And this the form of mighty Hand...."
- 1804 to 1820
162
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
163
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
164
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
165
- The Poems of Thomas Gray, Design 29, "A Long Story."
- between 1797 and 1798
166
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
167
- Jerusalem, Plate 2, Title Page
- 1804 to 1820
168
- Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
- 1804 to 1820
169
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
170
- Jerusalem, Plate 53, "Jerusalem / Chap. 3"
- 1804 to 1820
171
- Jerusalem, Plate 51
- 1804 to 1820
172
- Jerusalem, Plate 76
- 1804 to 1820
173
- Jerusalem, Plate 84, "Highgates heights & Hampstead...."
- 1804 to 1820
174
- Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
- 1804 to 1820
175
- Jerusalem, Plate 99, "All Human Forms identified...."
- 1804 to 1820
176
- Christ Giving Sight to Bartimaeus
- 1799 to 1800
177
- Albion Compelling the Four Zoas to Their Proper Tasks
- 1804 to 1810
178
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
179
- Mary Magdalen at the Sepulchre
- ca. 1805
180
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
181
- Abraham and Isaac
- 1799 to 1800
182
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
183
- The Parable of the Wise and Foolish Virgins
- ca. 1825
184
- Christ Appearing to the Apostles after the Resurrection
- 1795 to 1805
185
- A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
- 1809
186
- The Witch of En-Dor
- 1788
187
- Pylades and Orestes
- 1771
188
- William Blake in Youth and Age
- ca. 1830
189
- Job Reproved by his Friends
- 1777
190
- The Phoenix or the Resurrection of Freedom
- 1776
191
- The Shepherd
- 1827
192
- Death on a Pale Horse
- 1784
193
- Presages of the Millenium
- 1795
194
- Queen Katherine's Dream
- 1788
195
- The Deposition
- undated
196
- Get Thee Behind Me, Satan
- between 1783 and 1787
197
- A Father's Memoirs of His Child
- 1806
198
- A Select Collection of English Songs
- 1783
199
- A Select Collection of English Songs
- 1783
200
- A Select Collection of English Songs
- 1783