Studies, with Gardens, Possibly for a Talman Family House
undated
3
Sparrow, active 1773–1787
Herstmonceux Castle, Sussex Pl. 4
undated
4
William Tombleson, ca.1795–1835
Herstmonceux Castle, Sussex
undated
5
William Henry Brooke, 1772–1860
Herstmonceux Castle, Interior of Porter's Lodge and Gateway Tower
undated
6
John Greig, active 1803–1853
Herstmonceux Castle, Sussex
1815
7
Print made by William Miller, 1796–1882
The Dead Eagle - Oran
1837
8
Print made by Robert Wallis, 1794–1878
Banditti (vignette)
1830
9
Print made by W. R. Smith, active 1819–1851
Hannibal passing the Alps (vignette)
1830
10
Print made by Henry Le Keux, 1787–1868
Aosta (vignette)
1830
11
Print made by W. R. Smith, active 1819–1851
Richmond Hill and Bridge, Surrey
1832
12
Print made by Edward Goodall, 1795–1870
Cologne
1824
13
Print made by Edward Goodall, 1795–1870
Cologne
1824
14
Print made by James T. Willmore, 1800–1863
Ancient Italy - Ovid Banished from Rome
1842
15
Print made by William Miller, 1796–1882
Modern Italy
1842
16
Charles John Smith, 1803–1838
Herstmonceux Castle for the history and description of the Sussex Coast
undated
17
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
18
J. C. Varrall, active 1815–1827
Walton Bridge on Thames, Surrey
1827-1838
19
Print made by George Cooke, 1781–1834
Pendennis Castle and Entrance of Falmouth Harbour
1814 to 1826
20
Print made by William Miller, 1796–1882
Portsmouth, Hampshire
1825
21
Print made by Edward Goodall, 1795–1870
Boscastle, Cornwall
1814 to 1826
22
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1822
23
unknown artist
Plan of ground floor of Herstmonceux Castle
undated
24
Samuel Buck, 1696–1779
The Southwest view of Hertsmonceux Castle in the County of Sussex
1737
25
Print made by W. R. Smith, active 1819–1851
Dido and Aeneas; The Morning of the Chase
1842
26
Print made by William Miller, 1796–1882
Modern Italy
1842
27
Print made by William Miller, 1796–1882
Modern Italy
1842
28
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
29
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
30
unknown artist
Exterior of Painted Chamber, North View
undated
31
Print made by James Basire the younger, 1769–1822
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
32
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
33
Print made by John Greig, active 1803–1853
The Painted Chamber, Westminster
1804
34
Print made by James Baylis Allen, 1803–1876
Château of Amboise
1833
35
Print made by Edward Goodall, 1795–1870
The Gipsy
1834
36
Print made by Edward Goodall, 1795–1870
St. Anne's Hill, No. II
1834
37
Print made by Robert Brandard, 1805–1862
Château Hamelin
1833
38
Print made by William Radclyffe, 1780–1855
St. Julian's, Tours
1833
39
Print made by unknown artist
Inde Francaise, Costumes, Elephant Caparaconne
1835
40
Charles Robert Cockerell, 1788–1863
The Temple of Venus in the Port at Aegina: Elevations
1811
41
Print made by Robert Brandard, 1805–1862
Crossing the Brook
1842
42
Edmund Turrell, active 1835–1860
The Temple of Aphaia at Aegina: Sections
1828
43
Print made by Thomas Abiel Prior, 1809–1886
Heidelberg from the Opposite bank of the Neckar
1846
44
Print made by Edward Goodall, 1795–1870
Oxford from North Hinksey
1841
45
Print made by Edward Goodall, 1795–1870
Rocks at Colgong on the Ganges
1836
46
Charles Robert Cockerell, 1788–1863
The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave
1860
47
Print made by Samuel Fisher, 1806–1851
Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore
between 1821 and 1851
48
Print made by John Le Keux, 1783–1846
St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)