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Lord Northwick's Picture Gallery at Thirlestaine House
Creator:
Robert Huskisson, 1820–1861
Date:
between 1846 and 1847
Materials & Techniques:
Oil on canvas
Dimensions:
32 x 42 3/4 inches (81.3 x 108.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Carding Wool
Creator:
Sir Hubert von Herkomer, 1849–1914
Date:
1881
Materials & Techniques:
Oil on board
Dimensions:
Frame: 16 1/2 × 20 inches (41.9 × 50.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen
On View:
Not on view
Christening of the Heir
Creator:
William Redmore Bigg, 1755–1828
Date:
ca. 1799
Materials & Techniques:
Oil on canvas
Dimensions:
25 x 30 inches (63.5 x 76.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A West Indian Creole Woman Attended by her Black Servant
Creator:
Agostino Brunias, 1728–1796
Date:
ca. 1780
Materials & Techniques:
Oil on canvas
Dimensions:
12 x 9 7/8 inches (30.5 x 25.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Free West Indian Dominicans
Creator:
Agostino Brunias, 1728–1796
Date:
ca. 1770
Materials & Techniques:
Oil on canvas
Dimensions:
12 1/2 x 9 3/4 inches (31.8 x 24.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Linen Market, Dominica
Creator:
Agostino Brunias, 1728–1796
Date:
ca. 1780
Materials & Techniques:
Oil on canvas
Dimensions:
19 5/8 × 27 inches (49.8 × 68.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
West Indian Women of Color, with a Child and Black Servant
Creator:
Agostino Brunias, 1728–1796
Date:
ca. 1780
Materials & Techniques:
Oil on canvas
Dimensions:
12 1/4 x 9 7/8 inches (31.1 x 25.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Harlowe Family, from Samuel Richardson's "Clarissa"
Creator:
Joseph Highmore, 1692–1780
Date:
between 1745 and 1747
Materials & Techniques:
Oil on canvas
Dimensions:
25 1/2 x 30 7/8 inches (64.8 x 78.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A West Indian Flower Girl and Two other Free Women of Color
Creator:
Agostino Brunias, 1728–1796
Date:
ca. 1769
Materials & Techniques:
Oil on canvas
Dimensions:
12 1/2 x 9 3/4 inches (31.8 x 24.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Coast near Scheveningen with Fishing Pinks on the Shore
Creator:
Charles Brooking, 1723–1759
Date:
ca. 1755
Materials & Techniques:
Oil on canvas
Dimensions:
20 x 31 1/4 inches (50.8 x 79.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
London from Greenwich Hill
Creator:
Henry Dawson, 1811–1878
Date:
1869 to 1870
Materials & Techniques:
Oil on canvas
Dimensions:
72 x 107 1/2 inches (182.9 x 273.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Rainbow
Creator:
Philippe-Jacques de Loutherbourg, 1740–1812
Date:
1784
Materials & Techniques:
Oil on canvas
Dimensions:
40 x 50 inches (101.6 x 127 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Bell Tower of Evesham
Creator:
unknown artist
Date:
ca. 1795
Materials & Techniques:
Oil on panel
Dimensions:
21 x 62 inches (53.3 x 157.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Watson-Wentworth and Finch Families
Creator:
Charles Philips, 1708–1747
Date:
ca. 1732
Materials & Techniques:
Oil on canvas
Dimensions:
39 1/2 x 49 inches (100.3 x 124.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Paper Buildings, Inner Temple, London
Creator:
unknown artist
Date:
ca. 1725
Materials & Techniques:
Oil on canvas
Dimensions:
34 1/2 x 49 1/4 inches (87.6 x 125.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
One Tree Hill, Greenwich, with London in the Distance
Creator:
John Feary, ca. 1745–1788
Date:
1779
Materials & Techniques:
Oil on panel
Dimensions:
27 1/2 x 48 inches (69.9 x 121.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Mountain Valley with Figures and Distant Village
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1773 and 1777
Materials & Techniques:
Oil on canvas
Dimensions:
48 x 58 3/4 inches (121.9 x 149.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Family Being Served with Tea, possibly the Carter family
Creator:
unknown artist
Date:
ca. 1745
Materials & Techniques:
Oil on canvas
Dimensions:
42 x 55 inches (106.7 x 139.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Lady Jane Mathew and Her Daughters
Creator:
unknown artist
Date:
ca. 1790
Materials & Techniques:
Oil on canvas
Dimensions:
36 x 36 inches (91.4 x 91.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
Creator:
William Hamilton, 1751–1801
Date:
ca. 1790
Materials & Techniques:
Oil on canvas
Dimensions:
13 1/2 x 17 inches (34.3 x 43.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

221. Negation

Negation
Creator:
Richard Dadd, 1817–1886
Date:
1860
Materials & Techniques:
Oil on canvas
Dimensions:
20 x 13 1/2 inches (50.8 x 34.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Caravanserai at Mylasa in Asia Minor
Creator:
Richard Dadd, 1817–1886
Date:
1845
Materials & Techniques:
Oil on panel
Dimensions:
8 3/8 x 12 inches (21.3 x 30.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Summer Bower, Derwent Water
Creator:
Thomas Creswick, 1811–1869
Date:
ca. 1838
Materials & Techniques:
Oil on panel
Dimensions:
9 x 7 inches (22.9 x 17.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The End of a Perfect Day
Creator:
Helen Bradley, 1900–1979
Date:
1967
Materials & Techniques:
Oil on canvas
Dimensions:
21 x 36 inches (53.3 x 91.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker
On View:
Not on view
George and I Go Fishing
Creator:
Helen Bradley, 1900–1979
Date:
1966
Materials & Techniques:
Oil on canvas mounted to board
Dimensions:
16 x 20 inches (40.6 x 50.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker
On View:
Not on view
Launching at Deptford
Creator:
John Cleveley the elder, ca. 1712–1777
Date:
ca. 1757
Materials & Techniques:
Oil on canvas
Dimensions:
41 3/4 × 72 1/8 inches (106 × 183.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Market Day, Roseau, Dominica
Creator:
Agostino Brunias, 1728–1796
Date:
ca. 1780
Materials & Techniques:
Oil on canvas
Dimensions:
14 x 18 1/4 inches (35.6 x 46.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Leeward Islands Carib family outside a Hut
Creator:
Agostino Brunias, 1728–1796
Date:
ca. 1780
Materials & Techniques:
Oil on canvas
Dimensions:
12 1/8 x 9 3/4 inches (30.8 x 24.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Free West Indian Creoles in Elegant Dress
Creator:
Agostino Brunias, 1728–1796
Date:
ca. 1780
Materials & Techniques:
Oil on canvas
Dimensions:
12 1/8 x 9 3/4 inches (30.8 x 24.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
West Indian Man of Color, Directing Two Carib Women with a Child
Creator:
Agostino Brunias, 1728–1796
Date:
ca. 1780
Materials & Techniques:
Oil on canvas
Dimensions:
12 x 9 7/8 inches (30.5 x 25.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Planter and his Wife, with a Servant
Creator:
Agostino Brunias, 1728–1796
Date:
ca. 1780
Materials & Techniques:
Oil on canvas
Dimensions:
12 x 9 3/4 inches (30.5 x 24.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Four Servants of Ston Easton Estate
Creator:
Thomas Beach, 1738–1806
Date:
1776
Materials & Techniques:
Oil on canvas
Dimensions:
62 × 92 inches (157.5 × 233.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
A Sunday School
Creator:
Maria Spilsbury, 1777–1820
Date:
1803
Materials & Techniques:
Oil on canvas
Dimensions:
Overall: 46 × 55 3/4 inches (116.8 × 141.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Landscape with Farmworkers
Creator:
George Lambert, 1700–1765
Date:
ca. 1735
Materials & Techniques:
Oil on canvas
Dimensions:
40 x 50 inches (101.6 x 127 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Tea Party at Lord Harrington's House, St. James's
Creator:
Charles Philips, 1708–1747
Date:
1730
Materials & Techniques:
Oil on canvas
Dimensions:
40 1/4 x 49 3/4 inches (102.2 x 126.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Piazzetta, Venice
Creator:
Edward Pritchett, active ca. 1828–1864
Date:
mid-19th century
Materials & Techniques:
Oil on board
Dimensions:
5 3/4 x 8 inches (14.6 x 20.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Virtuous Comforted by Sympathy
Creator:
Edward Penny, 1714–1791
Date:
1774
Materials & Techniques:
Oil on canvas
Dimensions:
50 × 40 1/2 inches (127 × 102.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Profligate Punished by Neglect
Creator:
Edward Penny, 1714–1791
Date:
1774
Materials & Techniques:
Oil on canvas
Dimensions:
49 1/2 × 40 inches (125.7 × 101.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
North Country Mails at the Peacock, Islington
Creator:
James Pollard, 1792–1867
Date:
1821
Materials & Techniques:
Oil on canvas
Dimensions:
43 x 60 3/4 inches (109.2 x 154.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Death of Orpheus
Creator:
Landscape by Thomas Jones, 1742–1803
Date:
ca. 1770
Materials & Techniques:
Oil on canvas
Dimensions:
37 1/2 x 51 inches (95.3 x 129.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
Creator:
Attributed to Michael Chuke, 1679–1742
Date:
ca. 1715
Materials & Techniques:
Bronzed limewood
Dimensions:
Overall: 54 5/16 x 37 13/16 inches (138 x 96 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts
Creator:
Attributed to Michael Chuke, 1679–1742
Date:
ca. 1715
Materials & Techniques:
Bronzed limewood
Dimensions:
Overall: 54 5/16 x 37 13/16 inches (138 x 96 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
The Great Divide (Beautiful Zameen)
Creator:
Jagdeep Raina, born 1991
Date:
2022
Materials & Techniques:
Embroidered tapestry, phulkari border
Dimensions:
Overall: 76 × 27 inches (193 × 68.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Friends of British Art Fund
On View:
Not on view
A Morning at Tattersalls (with further sketches in left margin folded over)
Creator:
Robert Polhill Bevan, 1865–1925
Date:
undated
Materials & Techniques:
Black chalk and colored washes on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 17 inches (34 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A London Church
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1924
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 15/16 x 19 5/8 inches (38 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell
Figures at Mass, Poland
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1904
Materials & Techniques:
Black chalk and watercolor on medium, smooth, cream laid paper
Dimensions:
Sheet: 10 1/2 x 16 1/2 inches (26.7 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Grotesque Female Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 x 1 3/4 inches (5.1 x 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Grotesque Female Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 1/8 x 1 7/8 inches (5.4 x 4.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Grotesque Female Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 3/4 x 1 1/2 inches (4.4 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Grotesque Female Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 7/8 x 1 1/2 inches (4.8 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Grotesque Female Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 1 1/2 x 1 5/8 inches (3.8 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
Creator:
William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 15 5/8 inches (29.8 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Drawing of the Clyde
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1809
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Apuleia in Search of Apuleius
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching and mezzotint, printed in brown ink Engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Apuleia in Search of Apuleius
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching, printed in brown ink; Modern impression, canceled plate on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Woman and Tambourine
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1807
Materials & Techniques:
Etching and mezzotint, printed in brown ink 2nd state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 11 3/8 inches (20.3 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Woman and Tambourine
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1807
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/8 × 14 7/8 inches (25.7 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

258. The Deluge

The Deluge
Creator:
Engraved by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Mezzotint, printed in brown ink Modern Impression on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rome from Monte Mario
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1818
Materials & Techniques:
Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/16 x 8 7/16 inches (13.8 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmoor: The Source of the Tamar and the Torridge
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1813
Materials & Techniques:
Watercolor, gouache, graphite and scratching out on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Opposite Beni Hassan
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, white gouache, pen and brown ink on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 5 15/16 x 9 13/16 inches (15.1 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

262. Howatke

Howatke
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 3 13/16 x 9 1/16 inches (9.7 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Val di Roppa, Corfu, 22 May 1868
Creator:
Edward Lear, 1812–1888
Date:
1868
Materials & Techniques:
Pen and brown ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 × 20 inches (35.6 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 25, "A Long Story."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 27, "A Long Story."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 33, "A Long Story."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 39, "Ode to Adversity."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 55, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 61, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 59, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 63, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence, Plate 16, "Night" (Bentley 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection