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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomPeriod 18th century
Remove constraint Period: 18th centuryGenre genre subject
Remove constraint Genre: genre subjectSearch Results
1
- The Farmer's Wife and the Raven
- 1788
2
- The First Stage of Cruelty
- ca. 1750
3
- Grotesque Male Head
- undated
4
- A Midnight Modern Conversation
- 1733
5
- Southwark Fair
- 1733
6
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
7
- The Sleeping Congregation
- 1736
8
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
9
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
10
- Study for the Foundlings
- ca. 1739
11
- Christ Church Gate, Canterbury
- 1793 to 1794
12
- Autumn Sowing of the Grain
- ca. 1794
13
- Newark - upon - Trent
- ca. 1796
14
- Interior of St. John's Palace, Eltham
- ca. 1793
15
- Man with Horse and Cart Entering a Quarry
- ca. 1797
16
- The Angler
- 1794
17
- Landscape with Trees and Figures
- ca. 1796
18
- Study of the Head of a Young Man
- undated
19
- An Encampment in St. James Park
- ca. 1780
20
- A Lesson Westward - or A Morning Visit to Betsy Cole
- 1782
21
- Political Caricature: "The Spiritualists"
- undated
22
- The Horse Guard's Parade, Whitehall
- undated
23
- Mahadeva and Parvati Playing Chaupar
- undated
24
- Scene in Famine
- undated
25
- Cart and Driver
- undated
26
- St. Tago Scene
- undated
27
- Retreat Beating at Poona
- undated
28
- Sketch of Mahaji Sindia in his Tent
- undated
29
- Women Carrying Water
- undated
30
- Woman Bending over Basket
- undated
31
- A Nautch or Dance
- ca. 1792
32
- Calica
- undated
33
- The Maratha Peshwa and his Ministers
- undated
34
- A Toopapaoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine
- 1789
35
- A Toopapaoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine
- 1789
36
- View in the Island of Pulo Condore
- 1792
37
- View in Macao
- 1788
38
- A View in Annamooka
- ca. 1790
39
- Village Scene
- ca. 1790
40
- Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
- 1793
41
- Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs
- 1762
42
- The Recruiting Officer
- 1797
43
- View in the Island of Cracatoa
- undated
44
- Queen Charlotte's Sound, New Zealand
- 1790
45
- A Toopapapoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine
- 1789
46
- Alpine Bridge and Woodland Scenery near Pistil y Maw
- undated
47
- An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley
- undated
48
- The Norman Gate and Deputy Governor's House
- ca. 1765
49
- Gloucester Cathedral
- ca. 1795
50
- Canadian Calash or Marche-Donc
- between 1795 and 1797
51
- Haymaking
- 1792
52
- River with Fishermen
- 1792
53
- Battledore and Shuttlecock
- ca. 1740
54
- Flying the Kite
- ca. 1740
55
- The Open-Air Preacher
- undated
56
- Robbing the Mail
- ca. 1790
57
- St. James' Park, Summer
- 1796
58
- Two Girls in a Landscape, One Riding a Lamb
- undated
59
- Nîmes from the Tour Magne
- ca. 1765
60
- Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
- between 1770 and 1780
61
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
62
- The Lightning Flash, Travellers in a Thunderstorm on a Woodland Road
- undated
63
- A Dramatic Scene with Three Women in an Interior
- 1794
64
- Wooded Landscape with Figures Round a Cooking Pot
- 1793
65
- Travellers in Turkey
- undated
66
- Gate Toward Bursit, Aix-la-Chappelle
- 1785
67
- Westminster from the South Bank
- ca. 1790
68
- Two Heads in a Roundel
- undated
69
- Olivia Returns to Her Family
- undated
70
- London Cries: A Muffin Man
- ca. 1759
71
- Three Soldiers in Armour Sitting on Stone Blocks
- undated
72
- London Cries: "Any Kitchen Stuff"
- ca. 1759
73
- London Cries: "Black Heart Cherries..."
- ca. 1759
74
- London Cries: "Do You Want any Spoons..."
- ca. 1759
75
- London Cries: A Milkmaid
- ca. 1759
76
- London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
- ca. 1759
77
- London Cries: A Man with a Basket (Man Selling Pots and Pans)
- undated
78
- London Cries: Shoe Cleaner
- ca. 1759
79
- London Cries: Small Coal or Brushes
- ca. 1759
80
- London Cries: Fun upon Fun
- 1759
81
- London Cries: Throws for a Ha'penny Have You a Ha'penny
- undated
82
- London Cries: All Fire and No Smoke
- ca. 1759
83
- London Cries: A Man with a Bundle, Old Clothes
- undated
84
- London Cries: A Tinker and His Wife
- ca. 1759
85
- London Cries: A Lace Seller
- ca. 1759
86
- London Cries: A Man Swaggering
- undated
87
- London Cries: Last Dying Speech and Confession
- ca. 1759
88
- London Cries: A Man with a Bottle
- ca. 1759
89
- London Cries: Boy with a Donkey
- ca. 1759
90
- St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
- undated
91
- The River Avon: with Passing Vessels
- 1785
92
- Pile Driving on the Banks of the Thames
- undated
93
- Woman and Child Holding a Doll
- between 1758 and 1760
94
- Two Women holding a Basket
- ca. 1759
95
- Lady and Cockatoo
- undated
96
- Conversation Piece
- undated
97
- The Murder of Kenith Hossack by Captain Lowry
- undated
98
- Murder in the Carriage (Probably a Design for The Tyburn Chronicle)
- undated
99
- The Pursuit (Probably a Design for The Tyburn Chronicle)
- undated
100
- Soldiers and Country Women
- undated