Collection: Prints and Drawings - YCBA Collections Search Search Results

201. Fulham Church from across the River

Creator:: John Constable, 1776–1837
Date:: 1818
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Male Nude

Creator:: John Constable, 1776–1837
Date:: 1808
Materials & Techniques:: Graphite and white gouache on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 21 3/4 x 17 1/2 inches (55.2 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

203. Borrowdale: Evening after a Fine Day, 1 October 1806

Creator:: John Constable, 1776–1837
Date:: 1806
Materials & Techniques:: Watercolor over graphite with scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Helmingham: The Silent Pool

Creator:: John Constable, 1776–1837
Date:: ca. 1800
Materials & Techniques:: Graphite with gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 11 7/8 inches (18.1 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Wormingford Church

Creator:: attributed to John Constable, 1776–1837
Date:: between 1813 and 1815
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/8 inches (18.4 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Dedham Vale from Langham

Creator:: John Constable, 1776–1837
Date:: ca. 1813
Materials & Techniques:: Graphite on medium, rough, beige laid paper
Dimensions:: Sheet: 7 1/8 x 11 3/8 inches (18.1 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. East Bergholt Church, Looking Out the South Archway of the Ruined Tower

Creator:: John Constable, 1776–1837
Date:: 1806
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 5 3/8 inches (18.7 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Wooded Slope with a Receding Road

Creator:: John Constable, 1776–1837
Date:: ca. 1805
Materials & Techniques:: Black chalk and white chalk with stumping on medium, rough, beige laid paper
Dimensions:: Sheet: 13 5/8 x 20 1/8 inches (34.6 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Old Sarum at Noon

Creator:: John Constable, 1776–1837
Date:: 1829
Materials & Techniques:: Graphite on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 1/8 x 13 1/4 inches (23.2 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Two Studies of Dedham Church from the East

Creator:: John Constable, 1776–1837
Date:: between 1806 and 1808
Materials & Techniques:: Graphite and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 3/4 x 8 inches (17.1 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Landscape at East Bergholt

Creator:: John Constable, 1776–1837
Date:: ca. 1805
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 x 8 1/2 inches (17.8 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Two Figures by a River

Creator:: John Constable, 1776–1837
Date:: between 1807 and 1809
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/2 x 4 7/8 inches (8.9 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Hampstead Heath

Creator:: John Constable, 1776–1837
Date:: 1820
Materials & Techniques:: Graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 3 1/4 x 4 7/8 inches (8.3 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Two Ships at Anchor

Creator:: John Constable, 1776–1837
Date:: 1803
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 9 7/8 inches (20 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Four East Indiamen at Archor

Creator:: John Constable, 1776–1837
Date:: 1803
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 12 3/4 inches (19.4 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Stoke Poges Church

Creator:: John Constable, 1776–1837
Date:: 1834
Materials & Techniques:: Watercolor with pen and dark brown ink and scratching out on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 1/2 x 7 1/8 inches (21.6 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Dawn

Creator:: John Constable, 1776–1837
Date:: between 1831 and 1832
Materials & Techniques:: Pen and brown ink and brown wash on thin, smooth, cream wove paper
Dimensions:: Sheet: 2 1/4 x 4 3/8 inches (5.7 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Mr. Hobson of Markfield and Family

Creator:: John Constable, 1776–1837
Date:: ca. 1806
Materials & Techniques:: Graphite, gray wash, and watercolor on medium, slightly textured, gray laid paper
Dimensions:: Sheet: 4 1/4 x 6 7/8 inches (10.8 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Trees and Deer

Creator:: John Constable, 1776–1837
Date:: 1825
Materials & Techniques:: Pen and brown ink with brown and gray wash on medium, rough, cream laid paper
Dimensions:: Sheet: 11 3/8 x 7 7/8 inches (28.9 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Landscape with Windmill

Creator:: attributed to John Constable, 1776–1837
Date:: between 1825 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper laid to card
Dimensions:: Sheet: 4 1/4 x 7 7/8 inches (10.8 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Ruin of St. Botolph's Priory, Colchester

Creator:: John Constable, 1776–1837
Date:: ca. 1809
Materials & Techniques:: Black and brown chalk over graphite with stumping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 x 14 7/8 inches (43.5 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. A Country Girl in the Lake District

Creator:: John Constable, 1776–1837
Date:: 1806
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 x 2 3/4 inches (17.1 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. Dedham Vale from Langham

Creator:: John Constable, 1776–1837
Date:: between 1830 and 1831
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/4 x 4 1/2 inches (9.5 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. View near Arundel

Creator:: John Constable, 1776–1837
Date:: between 1834 and 1835
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 8 1/4 inches (12.7 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Leatherhead Church, Near Epsom, from the Northeast

Creator:: John Constable, 1776–1837
Date:: 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 x 4 1/4 inches (17.5 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Shipping on the Thames

Creator:: John Constable, 1776–1837
Date:: ca. 1818
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/8 x 5 1/8 inches (9.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Salisbury Plain from Old Sarum

Creator:: John Constable, 1776–1837
Date:: 1829
Materials & Techniques:: Graphite on medium, smooth, cream laid paper
Dimensions:: Sheet: 9 1/8 x 13 1/8 inches (23.2 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. A Bridge near Salisbury Court, Perhaps Milford Bridge

Creator:: John Constable, 1776–1837
Date:: ca. 1829
Materials & Techniques:: Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 x 13 1/8 inches (22.9 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Mary Constable Reading

Creator:: John Constable, 1776–1837
Date:: 1812
Materials & Techniques:: Graphite; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/8 x 3 5/8 inches (15.6 x 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Cottage among Trees

Creator:: John Constable, 1776–1837
Date:: ca. 1795
Materials & Techniques:: Graphite and gray wash; verso: graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 x 14 3/8 inches (28.9 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Study for Cottage in Cornfield, East Bergholt

Creator:: attributed to John Constable, 1776–1837
Date:: ca. 1833
Materials & Techniques:: Graphite and brown wash on medium, smooth, beige wove paper mounted to card
Dimensions:: Sheet: 3 1/2 x 2 1/2 inches (8.9 x 6.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Coombe Wood

Creator:: John Constable, 1776–1837
Date:: 1812
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 x 5 1/8 inches (8.6 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Taj Mahal, Agra

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 11 inches (18.4 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
On View:: On view at YUAG

234. Human Figure, Anterior View (Outline figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 x 16 inches (53.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Human Figure, Posterior View (Further Study for Table XII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 21 x 13 1/4 inches (53.3 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Human Figure, Posterior View (Finished Study for an Unpublished Plate)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on moderately thick, slightly textured, cream wove paper with traces of well-defined platemarks along margins
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Human Skeleton, Posterior View (Relates to Table II)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Ink with traces of graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Human Skeleton, Posterior View (Perhaps the first of the studies of the skeleton)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 18 1/2 x 10 1/4 inches (47 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Human Skeleton, Posterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper with traces of platemarks
Dimensions:: Sheet: 18 7/8 x 14 3/4 inches (47.9 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, beige wove paper
Dimensions:: Sheet: 21 3/8 x 15 7/8 inches (54.3 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Human Figure, Lateral View (Outline Study in Reverse of Table VIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite and red chalk on thin, smooth, beige wove paper
Dimensions:: Sheet: 19 3/4 x 15 5/8 inches (50.2 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Human Figure, Lateral View (For the key figure to Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 x 16 inches (53.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 21 1/8 x 15 7/8 inches (53.7 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 21 1/8 x 15 7/8 inches (53.7 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

Creator:: George Stubbs, 1724–1806
Date:: Between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 x 16 inches (54.6 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 x 11 inches (44.8 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Human Skeleton, Posterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 x 10 3/8 inches (43.8 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 13 inches (22.9 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 x 21 inches (40.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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201. Fulham Church from across the River

202. Male Nude

203. Borrowdale: Evening after a Fine Day, 1 October 1806

204. Helmingham: The Silent Pool

205. Wormingford Church

206. Dedham Vale from Langham

207. East Bergholt Church, Looking Out the South Archway of the Ruined Tower

208. Wooded Slope with a Receding Road

209. Old Sarum at Noon

210. Two Studies of Dedham Church from the East

211. Landscape at East Bergholt

212. Two Figures by a River

213. Hampstead Heath

214. Two Ships at Anchor

215. Four East Indiamen at Archor

216. Stoke Poges Church

217. Dawn

218. Mr. Hobson of Markfield and Family

219. Trees and Deer

220. Landscape with Windmill

221. Ruin of St. Botolph's Priory, Colchester

222. A Country Girl in the Lake District

223. Dedham Vale from Langham

224. View near Arundel

225. Leatherhead Church, Near Epsom, from the Northeast

226. Shipping on the Thames

227. Salisbury Plain from Old Sarum

228. A Bridge near Salisbury Court, Perhaps Milford Bridge

229. Mary Constable Reading

230. Cottage among Trees

231. Study for Cottage in Cornfield, East Bergholt

232. Coombe Wood

233. Taj Mahal, Agra

234. Human Figure, Anterior View (Outline figure)

235. Human Figure, Posterior View (Further Study for Table XII)

236. Human Figure, Posterior View (Finished Study for an Unpublished Plate)

237. Human Skeleton, Posterior View (Relates to Table II)

238. Human Skeleton, Posterior View (Perhaps the first of the studies of the skeleton)

239. Human Skeleton, Posterior View

240. Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)

241. Human Figure, Lateral View (Outline Study in Reverse of Table VIII)

242. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

243. Human Figure, Lateral View (For the key figure to Table XIII)

244. Human Skeleton, Lateral View

245. Human Figure, Lateral View

246. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

247. Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

248. Human Skeleton, Posterior View

249. Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)

250. Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)