Plan of Private Entrance from the Uxbridge Road (Arklow House)
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109
Henry Phillip Hope, active 1799–1818
Left Side of the China Cabinet in the Drawing Room (Arklow House)
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110
Henry Phillip Hope, active 1799–1818
Perspective View of Henry Phillip Hope's Arklow House in Connaught Place
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111
Henry Phillip Hope, active 1799–1818
Plan of Bedroom (Arklow House)
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112
Henry Phillip Hope, active 1799–1818
Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
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113
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene - Elevation
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114
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Plan of Pipes
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115
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Entrance Hall Towards Staircase
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116
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan and Wall Elevations
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117
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan of Ceiling and Elevations of Walls Showing Details
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118
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library and Mr. Coevelt' s Bedroom - Plan and Wall Elevations of Library
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119
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet - Detail of Concice
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120
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
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121
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations
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122
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
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123
unknown artist
Sketch I - Elevation of Pavilion Wall
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124
Henry Phillip Hope, active 1799–1818
Bedgeway: View of Interior of Pavilion... (4 of 4)
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125
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
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126
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
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127
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation sur le Quai, and Premiere Etage: Plan
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128
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
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129
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
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130
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
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131
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
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132
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
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133
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
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134
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
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135
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
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136
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
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137
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
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138
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
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139
Capt. Henry Pendarves Tremenheere, c.1763–1841
Newlyn Town
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140
Henry Phillip Hope, active 1799–1818
Paysage
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141
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet
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142
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls.
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143
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Mr. Coesvelt's Bedroom
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144
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
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145
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
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146
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Plan and Elevations of Walls
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147
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
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148
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Furniture Designs
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149
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
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150
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1
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151
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Premiere Etage - Plan
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152
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
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153
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete
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154
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
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155
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison ou est ne le General Rapp a Colmar
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156
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Tombeau de General Rapp a Colmar
1825
157
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison dans laquelle le General Rapp a ete place comme Apprenti Epicier a Colmar
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158
Henry Phillip Hope, active 1799–1818
Vue du Temple de Minerve au Cap Colonne
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159
Henry Phillip Hope, active 1799–1818
Vue d'une Colonne dans L'Interieur du Serail a Constantinople
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160
Henry Phillip Hope, active 1799–1818
Vue de la Porte aux Lions a Constantinople
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161
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene
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162
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
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163
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations
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164
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
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165
Henry Phillip Hope, active 1799–1818
Bedgebury: Design for the Stone Floor of the Pavilion.. (1 of 4)
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166
Henry Phillip Hope, active 1799–1818
Bedgebury: View of Interior of Pavilion (3 of 4)
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167
Henry Phillip Hope, active 1799–1818
Bedgebury: Alternative design for Pavilion Window
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168
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
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169
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
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170
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Projet de la Decoration du petit Salon de Verdure Hotel de Monsieur Rape quai d'Orsay
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171
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
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172
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan
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173
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
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174
Henry Phillip Hope, active 1799–1818
Fragmens des Differens Monumens de la Troade
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175
Charles Knight, 1743–c.1826
Edmond Malone, Esqr
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176
Print made by Frederick Christian Lewis the Elder, 1779–1856
The Mausoleum at Brocklesby
ca. 1800
177
Print made by Frederick Christian Lewis the Elder, 1779–1856
The Mausoleum at Brocklesby
ca. 1800
178
unknown artist
The Parish Church of St. James at Garlick Lith
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179
unknown artist
St. Margaret's, Lothbury
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180
unknown artist
The S. E. Prospect of the Parish Church of St. Margaret, Lothbury
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181
unknown artist
North West View of the Cathedral Church of St. Paul, London
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182
unknown artist
An Account of the above Fire
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183
unknown artist
An Account of the above Fire
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184
unknown artist
Tottenham Court Chapel
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185
unknown artist
St. Barts' South Transept
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186
unknown artist
Rotherhithe Tunnel
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187
unknown artist
St. James's Square
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188
Print made by Francesco Bartolozzi, 1728–1815
Gainsborough
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189
Francesco Bartolozzi, 1728–1815
Bacchus on a Barrel
190
James Ross, 1745–1823
A Plan of the Camp on the Malvern Hill, Commonly called the Herefordshire Beacon
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191
James Ross, 1745–1823
Saxon Architecture
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192
Francesco Bartolozzi, 1728–1815
Medallion: Profile of a Woman wearing an Ivy Wreath facing Right
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193
Francesco Bartolozzi, 1728–1815
Medallion: Profiles of two Bearded Men facing each Other
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194
Francesco Bartolozzi, 1728–1815
Medallion: Profile of a Woman wearing an Ivy Wreath facing Right
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195
Francesco Bartolozzi, 1728–1815
Coat of Amis of the Right Honable Willoughby Bertie, Earl of Abingdon and Baron Norris of Rycot
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196
Francesco Bartolozzi, 1728–1815
View of the Inside of the Vestibulum
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197
unknown artist
Lambeth Church and Palace
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198
James Miller, active 1773–1814
Loose Sheet of Notes by the Artist
199
Thomas Stothard, 1755–1834
Battle Scene (probably intended for Hume's "History of England")
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200
Francesco Bartolozzi, 1728–1815
Shepherdess on Horseback talking to Traveller with Sythe