Study of the Human Figure, Anterior View (Probably related to Table XI)
1795 to 1806
3
George Stubbs, 1724–1806
Human Figure, Anterior View (Intended for a Plate That was Never Published)
1795 to 1806
4
George Stubbs, 1724–1806
Human Figure, Posterior View (Almost Identical to Finished Drawing for Table XII)
1795 to 1806
5
George Stubbs, 1724–1806
Human Skeleton, Anterior View
1795 to 1806
6
George Stubbs, 1724–1806
Human Body, Posterior View (Outline Drawing for Table VII)
1795 to 1806
7
George Stubbs, 1724–1806
Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
1795 to 1806
8
George Stubbs, 1724–1806
Human Figure, Posterior View (Further Study for Table XII)
1795 to 1806
9
George Stubbs, 1724–1806
Human Figure, Posterior View (Finished Study for an Unpublished Plate)
1795 to 1806
10
George Stubbs, 1724–1806
Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
1795 to 1806
11
George Stubbs, 1724–1806
Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
1795 to 1806
12
George Stubbs, 1724–1806
Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)
1795 to 1806
13
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
14
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
15
George Stubbs, 1724–1806
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
16
George Stubbs, 1724–1806
Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles
undated
17
George Stubbs, 1724–1806
A Prancing Horse, Facing Right
ca. 1790
18
George Stubbs, 1724–1806
Human Figure, Posterior View
1795 to 1806
19
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
20
George Stubbs, 1724–1806
Tiger Body, Lateral View (Shows the third stage in dissection)
1795 to 1806
21
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
22
George Stubbs, 1724–1806
Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
1795 to 1806
23
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
1795 to 1806
24
George Stubbs, 1724–1806
Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
1795 to 1806
25
George Stubbs, 1724–1806
Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
1795 to 1806
26
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
27
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
28
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
29
George Stubbs, 1724–1806
Owl Standing, Anterior View
1795 to 1806
30
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
31
George Stubbs, 1724–1806
Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving the Key Figure to Table X)
1795 to 1806
32
George Stubbs, 1724–1806
Dorking Hen, Lateral View
1795 to 1806
33
George Stubbs, 1724–1806
Human Figure, Anterior View (Largely in outline)
1795 to 1806
34
George Stubbs, 1724–1806
Study of the Human Figure, Anterior View (Outline Drawing for Table VI)
1795 to 1806
35
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
36
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for the Key Figure to Table XV)
1795 to 1806
37
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
38
George Stubbs, 1724–1806
Tiger, Recumbent, Viewed Ventrally
1795 to 1806
39
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for key figure to Table X)
1795 to 1806
40
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
41
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
42
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
43
Verso by John Talman, 1677–1726
Studies, with Gardens, Possibly for a Talman Family House
undated
44
Daniel Maclise, 1806–1870
Henry Sass
between 1830 and 1835
45
Samuel De Wilde, 1748–1832
A Gentleman, full length, Holding a Paper and Pencil
1795
46
Edward Francis Burney, 1760–1848
Preparatory drawing for The Waltz
1820s
47
Samuel De Wilde, 1748–1832
A Lady, full length, Wearing a Blue Sash and Holding a Fan
1795
48
Samuel De Wilde, 1748–1832
Mr. Mathews as Matthew Daw in the School for Friends
1805
49
Samuel De Wilde, 1748–1832
An Actor
undated
50
John Singleton Copley, 1738–1815
Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"
ca. 1798
51
Paul Sandby, 1731–1809
Lady in a Bonnet
between 1760 and 1765
52
David Cox, 1783–1859
Cottage in Herefordshire
before August 1820
53
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
54
Samuel De Wilde, 1748–1832
An Actress
1806
55
Thomas Uwins, 1782–1857
Farm House Kitchen at Brackham in Surrey
undated
56
Robert Price, 1717–1761
A Bridge in a Landscape
undated
57
Sir David Wilkie, 1785–1841
Child's Broken Cart and Fiddler's Wife's Arm
1806
58
Edward Francis Burney, 1760–1848
The Elegant Establishment for Young Ladies (study for)
undated
59
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
60
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
61
Henry William Bunbury, 1750–1811
Launce Teaching His Dog Crab
undated
62
Attributed to George Vertue, 1684–1756
Portrait of John Dixon, Facing Right
undated
63
Sir David Wilkie, 1785–1841
A Priest with Two Children
between 1825 and 1828
64
Samuel De Wilde, 1748–1832
A Boy with a Basket
1808
65
Giles Hussey, 1710–1788
Study of classical sculpture or reclining figure
between 1730 and 1768
66
attributed to Paul Sandby, 1731–1809
Arthur Gore, first Earl of Arran
undated
67
John Russell, 1745–1806
Head of a Lady
ca. 1780
68
George Shepheard, ca. 1770–1842
Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
undated
69
unknown artist
Study of a Seated Woman Holding a Fan
ca. 1740
70
William Ward, 1766–1826
Portrait Study of Mrs. George Morland
undated
71
James Ward, 1769–1859
Study from Nature, One of the Children of Charity for the Large Picture of the Waterloo Allegory
undated
72
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
73
Johan Joseph Zoffany, 1733–1810
A Dying Hindu Brought to the River Ganges
1788
74
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
75
Sir James Thornhill, 1675–1734
Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral
between 1709 and 1717
76
John Raphael Smith, 1752–1812
Lady on a Terrace Tending a Carnation Plant
undated
77
Paul Sandby, 1731–1809
A Lady Copying at a Drawing Table
ca. 1765
78
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
79
Jonathan Richardson the Elder, 1667–1745
Portrait of Jonathan Richardson the Younger
1733
80
Jonathan Richardson the Elder, 1667–1745
Self-Portrait
ca. 1733
81
Sir David Wilkie, 1785–1841
Garden of Gethsemane
1841
82
Giles Hussey, 1710–1788
Three studies of heads from classical figures
between 1730 and 1768
83
unknown artist
Study of a Woman Sewing and a Girl Reading
ca. 1785
84
Attributed to William Hamilton, 1751–1801
Leander Taking Leave of Hero Before Swimming Back Across the Hellespont