A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
2
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
3
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
4
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
5
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
6
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
7
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
8
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
9
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
10
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
11
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
12
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
13
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
14
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
15
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
16
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
17
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
18
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
19
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
20
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
21
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
22
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
23
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
24
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
25
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
26
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
27
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
28
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
29
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
30
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
31
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
32
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
33
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
34
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
35
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
36
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
37
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
38
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
39
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
40
unknown artist
A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
41
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
42
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
43
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
44
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
45
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
46
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
47
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
48
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
49
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
50
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
51
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
52
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
53
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
54
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster