Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
2
William Finden, 1787–1852
Shepherds
1834
3
William Finden, 1787–1852
An Alcove
1834
4
William Finden, 1787–1852
The Bird's Nest
1834
5
William Finden, 1787–1852
Children Swinging
1834
6
William Finden, 1787–1852
Lady Jane Grey
1834
7
William Finden, 1787–1852
The Mask
1834
8
William Finden, 1787–1852
A Voyage of Discovery
1834
9
William Finden, 1787–1852
An Arabesque
1834
10
William Finden, 1787–1852
An Arabesque
1834
11
Print made by Thomas Watson, 1743–1781
Miss Elizabeth Beauclerc as 'Una'
1782
12
Print made by Francesco Bartolozzi, 1728–1815
The Cottagers
1794
13
Print made by Peltro W. Tomkins, 1760–1840
Sylvia
1786
14
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There Is Rue for You and Here's Some for Me
1784
15
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
16
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
17
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"
1804
18
James Heath, 1757–1834
"Hubert, let me not be bound!"
1802
19
William S. Leney, 1769–1831
Taming the Shrew, Act III, Scene II
1793
20
William Nutter, 1754–1802
Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
1789
21
Edward Scriven, 1775–1841
George Colman, The Elder
1813
22
George Vertue, 1684–1756
Ralph Cudworth
undated
23
Francesco Bartolozzi, 1728–1815
Lady Elizabeth Cavendish (née Hervey), Duchess of Devonshire
1787
24
Thomas Watson, 1743–1781
Elizabeth Ann Sheridan (née Linley) as St. Cecilia
1779
25
George Vertue, 1684–1756
Sir Philip Sidney
1741
26
George Vertue, 1684–1756
Edmund Spenser
1727
27
Niccoló Schiavonetti, 1771–1813
Joseph Warton
1807
28
Gabriel Scorodomoff, 1748–1792
Reflections on Clarissa Harlow
1785
29
Robert Thew, 1758–1802
Shakespeare, Macbeth Act IV, Scene I
1802
30
unknown artist
King Henry VI, Second Part, Act 3, Scene 3
1801
31
Print made by Robert Dighton, 1752–1814
Hamlet in Scotland
1794
32
Robert Mitchell Meadows, Died before 1812
Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
1794
33
Peter Simon, 1750–1810
Taming Of The Shrew, Act III, Scene II
1795
34
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
35
Peltro W. Tomkins, 1760–1840
The Three Witches
1786
36
Benjamin Smith, 1775–1833
"Tempest", Act I, Scene I
1797
37
William Greatbach, Born 1802
Falstaff and his Friends
ca. 1868
38
Print made by Caroline Watson, 1760–1814
Elizabeth Carter
1808
39
Samuel Freeman, 1773–1857
David Garrick Esq
1807
40
Anthony Cardon, 1772–1813
Dr. Joseph Warton
undated
41
Simon François Ravenet, 1706–1774
Isaac Watts
undated
42
Francesco Bartolozzi, 1728–1815
The Cottagers
1794
43
John Keyse Sherwin, c.1751–1790
Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
1791
44
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
45
Peltro W. Tomkins, 1760–1840
Mrs Seaforth as, Tuccia - The Vestal Virgin
1798
46
George Vertue, 1684–1756
Sir John Suckling
1744
47
Print made by Francis Haward, 1759–1797
Mrs. Siddons, in the Character of the Tragic Muse
1787
48
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
49
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
50
Print made by imitator of George Baxter, 1804–1867
Little Red Riding Hood
after 1856
51
Benjamin Smith, 1775–1833
The Alto Relievo
1796
52
Print made by James Parker, 1750–1805
The Fall of Agandecca
1783
53
James Hardy, active 1770s
Joseph Baretti
1794
54
Peter Simon, 1750–1810
Taming of the Shrew, Act II Scene II
1795
55
Print made by Caroline Watson, 1760–1814
The Tempest, Act V, Scene I
1795
56
Francesco Bartolozzi, 1728–1815
Chryseis Restored To Her Father
1786
57
Francesco Bartolozzi, 1728–1815
Angelica, e Medoro in Varj Modi..
1773
58
Francesco Bartolozzi, 1728–1815
Title page: Depicting Cupid, Venus, and Juno
1782
59
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
1785
60
Francesco Bartolozzi, 1728–1815
Polyhemus, Playing The Panpipes For Galatea
1783
61
Francesco Bartolozzi, 1728–1815
Troilus and Cressida, Act 4, Scene II
1794
62
Francesco Bartolozzi, 1728–1815
The Death of Alcestis
1796
63
Francesco Bartolozzi, 1728–1815
Fonrose
1798
64
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
65
Francesco Bartolozzi, 1728–1815
Ticket: For The Benefit Of Mad' Banti
1795
66
Peter Simon, 1750–1810
The Interview of Tom Jones and Sophia, After the Reconciliation
1789
67
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream
1788
68
Robert Thew, 1758–1802
Shakespeare's Tempest Act IV Scene I. Prospero's Cell
1800
69
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
70
Francesco Bartolozzi, 1728–1815
Vede di Mezzo il Fiume un Cavaliero..
1773
71
Francesco Bartolozzi, 1728–1815
Lo Corse ad Abbracciare, e a Sargli Sesta..
1773
72
Francesco Bartolozzi, 1728–1815
Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
1778
73
Francesco Bartolozzi, 1728–1815
Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
1778
74
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
1780
75
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
76
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
ca.1785
77
Francesco Bartolozzi, 1728–1815
King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
1779
78
Francesco Bartolozzi, 1728–1815
Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"
1782
79
Francesco Bartolozzi, 1728–1815
Shakespeare's Tomb
1782
80
Francesco Bartolozzi, 1728–1815
The Birth of Shakespeare
1782
81
Francesco Bartolozzi, 1728–1815
Anthony and Cleopatra, Act 3, Scene II
1794
82
Francesco Bartolozzi, 1728–1815
King Lear, Act 4, Scene VII
1794
83
Francesco Bartolozzi, 1728–1815
As You Like It, Act IV, Orlando and Oliver
1788
84
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
85
Francesco Bartolozzi, 1728–1815
Macbeth, Act I, Scene II
1784
86
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
87
Francesco Bartolozzi, 1728–1815
Death of Dido
88
Francesco Bartolozzi, 1728–1815
Jupiter and Io
1784
89
Francesco Bartolozzi, 1728–1815
Orlando Rescues Olympia From The Orca In The Island Ebuda
1768
90
Francesco Bartolozzi, 1728–1815
Tancred and Erminia
1784
91
Francesco Bartolozzi, 1728–1815
...Scuote, il Lembo Pieno; e Nella Torbida Onda..
1773
92
Francesco Bartolozzi, 1728–1815
Stava Ella Nel Sepolcro; e Quivi Attrita..
1773
93
Francesco Bartolozzi, 1728–1815
My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
94
Francesco Bartolozzi, 1728–1815
Vortigern And Rowena
1788
95
Francesco Bartolozzi, 1728–1815
A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
1773
96
Francesco Bartolozzi, 1728–1815
E d'Uccider se Stesso in Pensier Venne..
1773
97
Francesco Bartolozzi, 1728–1815
Title page: L'Amico' de Fanciulli, Vol. III
1788
98
Francesco Bartolozzi, 1728–1815
Ophelia vide Hamlet, Act 4, Scene VII
1794
99
Francesco Bartolozzi, 1728–1815
Coriolanus, Act 5, Scene III
1783
100
Francesco Bartolozzi, 1728–1815
Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background