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Materials & Techniques stipple engraving
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1
- The Bird's Nest
- 1834
2
- An Arabesque
- 1834
3
- A Voyage of Discovery
- 1834
4
- Shepherds
- 1834
5
- An Alcove
- 1834
6
- Lady Jane Grey
- 1834
7
- Children Swinging
- 1834
8
- An Arabesque
- 1834
9
- The Mask
- 1834
10
- The Cottagers
- 1794
11
- Cymon and Iphigenia
- 1797
12
- Mrs. Jordan in the Character of the Romp
- 1788
13
- Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
- 1797
14
- Mrs. Siddons, in the Character of the Tragic Muse
- 1787
15
- Miss Elizabeth Beauclerc as 'Una'
- 1782
16
- Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
- ca. 1787
17
- Mrs. W. West as Cordelia
- 1820
18
- Joseph Baretti
- 1794
19
- The Death of Alcestis
- 1796
20
- Jane Shore
- 1790
21
- Taming of the Shrew, Act II Scene II
- 1795
22
- John Henderson as Iago
- before 1786
23
- Ticket: Anacreontic Society Meeting
- 1779
24
- Ophelia: There's Rue for You, and Here's Some for Me
- 1784
25
- Ticket: For The Benefit Of Mad' Banti
- 1795
26
- Ticket for the Benefit of Madame Banti
- 1797
27
- Ticket for the Benefit of Madame Banti
- 1797
28
- The Tempest, Act V, Scene I
- 1795
29
- Prospero Disarming Ferdinand, Act I, Scene II
- 1793
30
- Little Red Riding Hood
- after 1856
31
- Lovelace in Prison
- 1788
32
- Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
- 1791
33
- King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
- 1792
34
- Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
- 1793
35
- King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
- 1789
36
- Twelfth Night, Act V, Scene I: The Street
- 1803
37
- Twelfth Night, Act III, Scene IV: Olivia's House
- 1803
38
- The Deserted Village
- 1795
39
- Vede di Mezzo il Fiume un Cavaliero..
- 1773
40
- Lo Corse ad Abbracciare, e a Sargli Sesta..
- 1773
41
- ...Scuote, il Lembo Pieno; e Nella Torbida Onda..
- 1773
42
- Stava Ella Nel Sepolcro; e Quivi Attrita..
- 1773
43
- E d'Uccider se Stesso in Pensier Venne..
- 1773
44
- Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"
- 1782
45
- Shakespeare's Tomb
- 1782
46
- Anthony and Cleopatra, Act 3, Scene II
- 1794
47
- The Birth of Shakespeare
- 1782
48
- Ophelia vide Hamlet, Act 4, Scene VII
- 1794
49
- Coriolanus, Act 5, Scene III
- 1783
50
- Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
- 1773
51
- Vortigern And Rowena
- 1788
52
- A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
- 1773
53
- Title page: Depicting Cupid, Venus, and Juno
- 1782
54
- Angelica And Medora
- 1787
55
- As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
- 1803
56
- The Fall of Agandecca
- 1783
57
- The Alto Relievo
- 1796
58
- Alexander and Nerina
- 1784
59
- Sophia, Honour, and the Chambermaid
- 1780
60
- Hercules and Omphale
61
- Lauretta
- 1776
62
- The Shepherdess of the Alps
- 1776
63
- The Hours
- 1788
64
- Lodona
- 1792
65
- The Snuff Box, Calais
- 1799
66
- Selim of the Shepherd's Moral
- 1788
67
- The Dead Ass, Nampont
- 1799
68
- The Freeing of Amoret
- 1792
69
- My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
70
- Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
- 1745
71
- Tancred and Erminia
- 1784
72
- Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
- ca.1785
73
- King Lear, Act 4, Scene VII
- 1794
74
- As You Like It, Act IV, Orlando and Oliver
- 1788
75
- Chryseis Restored To Her Father
- 1786
76
- Death of Dido
77
- Jupiter and Io
- 1784
78
- Orlando Rescues Olympia From The Orca In The Island Ebuda
- 1768
79
- Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
- 1778
80
- Macbeth, Act I, Scene II
- 1784
81
- Angelica, e Medoro in Varj Modi..
- 1773
82
- Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
- 1778
83
- Title page: L'Amico' de Fanciulli, Vol. III
- 1788
84
- Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
- 1785
85
- Illustration From Bell's Edition of The Poets of Great Britain
- ca. 1785
86
- Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
- 1780
87
- Polyhemus, Playing The Panpipes For Galatea
- 1783
88
- King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
- 1779
89
- Troilus and Cressida, Act 4, Scene II
- 1794
90
- Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background
- undated
91
- Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
- 1745
92
- Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
- 1745
93
- "This is fairy gold, boy, and will prove so"
- 1804
94
- The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
- 1745
95
- Jane Shore
- 1790
96
- King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
- 1801
97
- Palamon and Arcite
- 1790
98
- February
- 1793
99
- June
- 1789
100
- April
- 1790