Materials & Techniques: watercolor / Image Use: Free to Use / Subject Terms: religious and mythological subject - YCBA Collections Search Search Results

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Materials & Techniques watercolor

Image Use Free to Use

Subject Terms religious and mythological subject

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

William Blake, 1757–1827

The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

between 1797 and 1798

William Blake "At the chapel-door stand sentry... (Design 31)

William Blake, 1757–1827

"At the chapel-door stand sentry... (Design 31)

between 1797 and 1798

William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)

William Blake, 1757–1827

The Beginning of Poesy. The Blind Begging Bard (Design 41)

between 1797 and 1798

William Blake "Cytherea's Day..." (Design 45)

William Blake, 1757–1827

"Cytherea's Day..." (Design 45)

between 1797 and 1798

William Blake "O'er thy country hangs The scourge of Heav'n..." (Design 59)

William Blake, 1757–1827

"O'er thy country hangs The scourge of Heav'n..." (Design 59)

between 1797 and 1798

William Blake Sigtryg with the Silken Beard (Design 69)

William Blake, 1757–1827

Sigtryg with the Silken Beard (Design 69)

between 1797 and 1798

William Blake "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)

William Blake, 1757–1827

"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)

between 1797 and 1798

William Blake "We the reins to slaughter give..." (Design 73)

William Blake, 1757–1827

"We the reins to slaughter give..." (Design 73)

between 1797 and 1798

William Blake "Hurry, hurry, to the field!" Design 75)

William Blake, 1757–1827

"Hurry, hurry, to the field!" Design 75)

between 1797 and 1798

William Blake The Serpent who Girds the Earth (Design 77)

William Blake, 1757–1827

The Serpent who Girds the Earth (Design 77)

between 1797 and 1798

William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)

William Blake, 1757–1827

"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)

between 1797 and 1798

William Blake "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)

William Blake, 1757–1827

"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)

between 1797 and 1798

William Blake A Widower and Children (Design 35)

William Blake, 1757–1827

A Widower and Children (Design 35)

between 1797 and 1798

William Blake "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)

William Blake, 1757–1827

"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)

between 1797 and 1798

William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)

William Blake, 1757–1827

"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)

between 1797 and 1798

William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)

William Blake, 1757–1827

"Where shaggy forms o'er ice-built mountains roam..." (Design 47)

between 1797 and 1798

William Blake "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)

William Blake, 1757–1827

"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)

between 1797 and 1798

William Blake A Welch Bard (Design 53)

William Blake, 1757–1827

A Welch Bard (Design 53)

between 1797 and 1798

William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)

William Blake, 1757–1827

"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)

between 1797 and 1798

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake Title Page, The Pindaric Genius Receiving His Lyre (Design 1)

William Blake, 1757–1827

Title Page, The Pindaric Genius Receiving His Lyre (Design 1)

between 1797 and 1798

William Blake "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)

William Blake, 1757–1827

"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)

between 1797 and 1798

William Blake The Bard Weaving Edwards Fate (Design 55)

William Blake, 1757–1827

The Bard Weaving Edwards Fate (Design 55)

between 1797 and 1798

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

Print made by William Blake, 1757–1827

"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

1804 to 1820

William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Print made by William Blake, 1757–1827

"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

1804 to 1820

William Blake "What have I said? What have I done?..." (Plate 24)

Print made by William Blake, 1757–1827

"What have I said? What have I done?..." (Plate 24)

1804 to 1820

William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

Print made by William Blake, 1757–1827

"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

1804 to 1820

William Blake "To the Jews..." (Plate 27)

Print made by William Blake, 1757–1827

"To the Jews..." (Plate 27)

1804 to 1820

William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

1804 to 1820

William Blake "Turning his back to the Divine Vision..." (Plate 33)

Print made by William Blake, 1757–1827

"Turning his back to the Divine Vision..." (Plate 33)

1804 to 1820

William Blake "Elevate into the Region of Brotherhood..." (Plate 34)

Print made by William Blake, 1757–1827

"Elevate into the Region of Brotherhood..." (Plate 34)

1804 to 1820

William Blake "These were his last words, and the merciful Saviour in his arms..." (Plate 48)

Print made by William Blake, 1757–1827

"These were his last words, and the merciful Saviour in his arms..." (Plate 48)

1804 to 1820

William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)

Print made by William Blake, 1757–1827

"The secret coverts of Albion & the hidden places of America..." (Plate 49)

1804 to 1820

William Blake "The banks of the Thames are clouded..." (Plate 5)

Print made by William Blake, 1757–1827

"The banks of the Thames are clouded..." (Plate 5)

1804 to 1820

William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Print made by William Blake, 1757–1827

"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

1804 to 1820

William Blake Chapter 3 Frontispiece (Plate 51)

Print made by William Blake, 1757–1827

Chapter 3 Frontispiece (Plate 51)

1804 to 1820

William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

Print made by William Blake, 1757–1827

"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

1804 to 1820

William Blake "In Great Eternity every particular Form..." (Plate 54)

Print made by William Blake, 1757–1827

"In Great Eternity every particular Form..." (Plate 54)

1804 to 1820

William Blake "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

1804 to 1820

William Blake "And formed into Four precious stones..." (Plate 59)

Print made by William Blake, 1757–1827

"And formed into Four precious stones..." (Plate 59)

1804 to 1820

William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

Print made by William Blake, 1757–1827

"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

1804 to 1820

William Blake "The clouds of Albions Druid Temples..." (Plate 60)

Print made by William Blake, 1757–1827

"The clouds of Albions Druid Temples..." (Plate 60)

1804 to 1820

William Blake "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

Print made by William Blake, 1757–1827

"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

1804 to 1820

William Blake "Jehovah stood among the Druids..." (Plate 63)

Print made by William Blake, 1757–1827

"Jehovah stood among the Druids..." (Plate 63)

1804 to 1820

William Blake "O Skofield why art thou cruel?..." (Plate 68)

Print made by William Blake, 1757–1827

"O Skofield why art thou cruel?..." (Plate 68)

1804 to 1820

William Blake "To decide Two Worlds with a great decision..." (Plate 65)

Print made by William Blake, 1757–1827

"To decide Two Worlds with a great decision..." (Plate 65)

1804 to 1820

William Blake "Then all the Males conjoined into One Male..." (Plate 69)

Print made by William Blake, 1757–1827

"Then all the Males conjoined into One Male..." (Plate 69)

1804 to 1820

William Blake "And this the form of mighty Hand..." (Plate 70)

Print made by William Blake, 1757–1827

"And this the form of mighty Hand..." (Plate 70)

1804 to 1820

William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

Print made by William Blake, 1757–1827

"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

1804 to 1820

William Blake "Condens'd his Emanations..." (Plate 9)

Print made by William Blake, 1757–1827

"Condens'd his Emanations..." (Plate 9)

1804 to 1820

William Blake "The Feminine separates from the Masculine..." (Plate 90)

Print made by William Blake, 1757–1827

"The Feminine separates from the Masculine..." (Plate 90)

1804 to 1820

William Blake "It is easier to forgive an enemy..." (Plate 91)

Print made by William Blake, 1757–1827

"It is easier to forgive an enemy..." (Plate 91)

1804 to 1820

William Blake "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

Print made by William Blake, 1757–1827

"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

1804 to 1820

William Blake "Awake! Awake Jerusalem..." (Plate 97)

Print made by William Blake, 1757–1827

"Awake! Awake Jerusalem..." (Plate 97)

1804 to 1820

William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)

Print made by William Blake, 1757–1827

"Then each an Arrow flaming from his Quiver..." (Plate 98)

1804 to 1820

William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Print made by William Blake, 1757–1827

"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

1804 to 1820

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake "But when they saw Albion fall'n..." (Plate 20)

Print made by William Blake, 1757–1827

"But when they saw Albion fall'n..." (Plate 20)

1804 to 1820

William Blake "Albion thy fear has made me tremble..." (Plate 22)

Print made by William Blake, 1757–1827

"Albion thy fear has made me tremble..." (Plate 22)

1804 to 1820

William Blake "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

Print made by William Blake, 1757–1827

"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

1804 to 1820

William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)

Print made by William Blake, 1757–1827

"Then the Divine Vision like a silent Sun..." (Plate 29)

1804 to 1820

William Blake "To the Public. After my three years slumber..." (Plate 3)

Print made by William Blake, 1757–1827

"To the Public. After my three years slumber..." (Plate 3)

1804 to 1820

William Blake "And the Two that escaped..." (Plate 30)

Print made by William Blake, 1757–1827

"And the Two that escaped..." (Plate 30)

1804 to 1820

William Blake "His western heaven with rocky clouds..." (Plate 31)

Print made by William Blake, 1757–1827

"His western heaven with rocky clouds..." (Plate 31)

1804 to 1820

William Blake "Leaning against the pillars..." (Plate 32)

Print made by William Blake, 1757–1827

"Leaning against the pillars..." (Plate 32)

1804 to 1820

William Blake "Then the Divine hand found the Two Limits..." (Plate 35)

Print made by William Blake, 1757–1827

"Then the Divine hand found the Two Limits..." (Plate 35)

1804 to 1820

William Blake "Reuben return'd to his place, in vain..." (Plate 36)

Print made by William Blake, 1757–1827

"Reuben return'd to his place, in vain..." (Plate 36)

1804 to 1820

William Blake "And One stood forth from the Divine Family..." (Plate 37)

Print made by William Blake, 1757–1827

"And One stood forth from the Divine Family..." (Plate 37)

1804 to 1820

William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)

Print made by William Blake, 1757–1827

"By Satan's Watch-fiends tho' they search..." (Plate 39)

1804 to 1820

William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

1804 to 1820

William Blake "Los shudder'd at beholding Albion..." (Plate 40)

Print made by William Blake, 1757–1827

"Los shudder'd at beholding Albion..." (Plate 40)

1804 to 1820