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Materials & Techniques stipple engraving
Remove constraint Materials & Techniques: stipple engravingOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomGenre literary theme
Remove constraint Genre: literary themeSearch Results
1
- Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
- ca. 1787
2
- Shepherds
- 1834
3
- An Alcove
- 1834
4
- The Bird's Nest
- 1834
5
- Children Swinging
- 1834
6
- Lady Jane Grey
- 1834
7
- The Mask
- 1834
8
- A Voyage of Discovery
- 1834
9
- An Arabesque
- 1834
10
- An Arabesque
- 1834
11
- Miss Elizabeth Beauclerc as 'Una'
- 1782
12
- The Cottagers
- 1794
13
- Sylvia
- 1786
14
- Ophelia: There Is Rue for You and Here's Some for Me
- 1784
15
- "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
- 1802
16
- "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
- 1802
17
- "Mark your divorce young sir, whom son I dare not call"
- 1804
18
- "Hubert, let me not be bound!"
- 1802
19
- Taming the Shrew, Act III, Scene II
- 1793
20
- Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
- 1789
21
- George Colman, The Elder
- 1813
22
- Ralph Cudworth
- undated
23
- Lady Elizabeth Cavendish (née Hervey), Duchess of Devonshire
- 1787
24
- Elizabeth Ann Sheridan (née Linley) as St. Cecilia
- 1779
25
- Sir Philip Sidney
- 1741
26
- Edmund Spenser
- 1727
27
- Joseph Warton
- 1807
28
- Reflections on Clarissa Harlow
- 1785
29
- Shakespeare, Macbeth Act IV, Scene I
- 1802
30
- King Henry VI, Second Part, Act 3, Scene 3
- 1801
31
- Hamlet in Scotland
- 1794
32
- Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
- 1794
33
- Taming Of The Shrew, Act III, Scene II
- 1795
34
- Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
- 1792
35
- The Three Witches
- 1786
36
- "Tempest", Act I, Scene I
- 1797
37
- Falstaff and his Friends
- ca. 1868
38
- Elizabeth Carter
- 1808
39
- David Garrick Esq
- 1807
40
- Dr. Joseph Warton
- undated
41
- Isaac Watts
- undated
42
- The Cottagers
- 1794
43
- Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
- 1791
44
- Mrs. Robinson
- 1792
45
- Mrs Seaforth as, Tuccia - The Vestal Virgin
- 1798
46
- Sir John Suckling
- 1744
47
- Mrs. Siddons, in the Character of the Tragic Muse
- 1787
48
- Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
- 1797
49
- Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
- 1797
50
- Little Red Riding Hood
- after 1856
51
- The Alto Relievo
- 1796
52
- The Fall of Agandecca
- 1783
53
- Joseph Baretti
- 1794
54
- Taming of the Shrew, Act II Scene II
- 1795
55
- The Tempest, Act V, Scene I
- 1795
56
- Chryseis Restored To Her Father
- 1786
57
- Angelica, e Medoro in Varj Modi..
- 1773
58
- Title page: Depicting Cupid, Venus, and Juno
- 1782
59
- Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
- 1785
60
- Polyhemus, Playing The Panpipes For Galatea
- 1783
61
- Troilus and Cressida, Act 4, Scene II
- 1794
62
- The Death of Alcestis
- 1796
63
- Fonrose
- 1798
64
- Ticket for the Benefit of Madame Banti
- 1797
65
- Ticket: For The Benefit Of Mad' Banti
- 1795
66
- The Interview of Tom Jones and Sophia, After the Reconciliation
- 1789
67
- Queen Katherine's Dream
- 1788
68
- Shakespeare's Tempest Act IV Scene I. Prospero's Cell
- 1800
69
- Tom Jones Assisting Molly Seagrim
- 1782
70
- Vede di Mezzo il Fiume un Cavaliero..
- 1773
71
- Lo Corse ad Abbracciare, e a Sargli Sesta..
- 1773
72
- Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
- 1778
73
- Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
- 1778
74
- Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
- 1780
75
- Illustration From Bell's Edition of The Poets of Great Britain
- ca. 1785
76
- Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
- ca.1785
77
- King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
- 1779
78
- Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"
- 1782
79
- Shakespeare's Tomb
- 1782
80
- The Birth of Shakespeare
- 1782
81
- Anthony and Cleopatra, Act 3, Scene II
- 1794
82
- King Lear, Act 4, Scene VII
- 1794
83
- As You Like It, Act IV, Orlando and Oliver
- 1788
84
- Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
- 1773
85
- Macbeth, Act I, Scene II
- 1784
86
- Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
- 1745
87
- Death of Dido
88
- Jupiter and Io
- 1784
89
- Orlando Rescues Olympia From The Orca In The Island Ebuda
- 1768
90
- Tancred and Erminia
- 1784
91
- ...Scuote, il Lembo Pieno; e Nella Torbida Onda..
- 1773
92
- Stava Ella Nel Sepolcro; e Quivi Attrita..
- 1773
93
- My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
94
- Vortigern And Rowena
- 1788
95
- A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
- 1773
96
- E d'Uccider se Stesso in Pensier Venne..
- 1773
97
- Title page: L'Amico' de Fanciulli, Vol. III
- 1788
98
- Ophelia vide Hamlet, Act 4, Scene VII
- 1794
99
- Coriolanus, Act 5, Scene III
- 1783
100
- Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background
- undated