The Caller at the Mill, with sketches outside margin
1918-1919
6
Robert Polhill Bevan, 1865–1925
Study for the Horse Dealers
ca. 1917
7
Robert Polhill Bevan, 1865–1925
The Meet, with further sketches in margin
8
Robert Polhill Bevan, 1865–1925
The Flying Pack
undated
9
Robert Polhill Bevan, 1865–1925
The Hunt
undated
10
Robert Polhill Bevan, 1865–1925
The Meet
between 1901 and 1925
11
Robert Polhill Bevan, 1865–1925
Fields Farm, Clayhidon
1917
12
Robert Polhill Bevan, 1865–1925
Hounds in Covert
ca. 1896
13
Robert Polhill Bevan, 1865–1925
Hay Carts, Cumberland Market (sketch)
ca. 1915
14
Robert Polhill Bevan, 1865–1925
Study for Hay Carts, Cumberland Market
ca. 1915
15
Robert Polhill Bevan, 1865–1925
Horses Threshing, Pont Aven
1893
16
Robert Polhill Bevan, 1865–1925
Horse Dealers
ca. 1918
17
Robert Polhill Bevan, 1865–1925
The Meet
1898
18
Robert Polhill Bevan, 1865–1925
Huntsman and Hounds
ca. 1898
19
Robert Polhill Bevan, 1865–1925
A Sussex Cart Horse
between 1905 and 1906
20
Robert Polhill Bevan, 1865–1925
Two Bridges
1912-1913
21
Robert Polhill Bevan, 1865–1925
Horse in Breton Yard
undated
22
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
etching begun before 1861; impression printed in 1926
23
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
24
Print made by Samuel Palmer, 1805–1881
Christmas
1877
25
Print made by Samuel Palmer, 1805–1881
Christmas
1850
26
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
27
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
28
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
29
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
30
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
31
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
32
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
33
Print made by Samuel Palmer, 1805–1881
The Willow
1850
34
after William Hogarth, 1697–1764
Album Collection of Sixty-six Engravings after William Hogarth
35
after William Hogarth, 1697–1764
Simon, Lord Lovat
1746
36
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
37
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
38
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
39
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
40
Edward Lear, 1812–1888
Sketchbook
1845-1846
41
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 1 (Title Page): 'Illustrations of/ the/ Book/ of/ Job'
1826
42
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 9 (page 8): [Job's Despair]
1826
43
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 13 (page 12): [The Wrath of Elihu]
1826
44
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 14 (page 13): [The Lord answering Job out of the Whirlwind]
1826
45
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
46
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
47
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
48
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
49
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 2 (page 1): [Job and his Family]
1826
50
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 3 (page 2): [Satan before the Throne of God]
1826
51
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 4 (page 3): [The Destruction of Job's Sons]
1826
52
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 6 (page 5): [Satan going forth from the Presence of the Lord]
1826
53
Print made by William Blake, 1757–1827
Illustrations of the Book of Job, pl. 8 (page 7): [Job's Comforters]
1826
54
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 11 (page 10): [Job rebuked by his Friends]
1826
55
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 22 (page 21): [Job and his Wife restored to Prosperity]
1826
56
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
57
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
58
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
59
William Blake, 1757–1827
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
60
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
61
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
62
William Blake, 1757–1827
My sheep quite spent through travel and ill fare
1821, reprinted 1977
63
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
64
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
65
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
66
William Blake, 1757–1827
And now behold the sun's departing ray
1821, reprinted 1977
67
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
68
William Blake, 1757–1827
Pl. 12: 'Psyche Disobeys'
1796
69
William Blake, 1757–1827
Illustrations of the Book of Job, p. 5 (page 4): [The Messengers tell Job of the Misfortunes that have Befallen Him]
1826
70
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 7 (page 6): [Satan smiting Job with Boils]
1826
71
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 10 (page 9): [The Vision of Eliphaz]
1826
72
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 17 (page 16): [The Fall of Satan]
1826
73
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 18 (page 17): [The Vision of God]
1826
74
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 19 (page 18): [Job's Sacrifice]
1826
75
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 21 (page 20): [Job and his Daughters]
1826
76
William Blake, 1757–1827
Each creature, Thenot, to his task is born
1821, reprinted 1977
77
William Blake, 1757–1827
Pl. 13: `Psyche Repents'
1796
78
William Blake, 1757–1827
Pl. 14: `Venus Councels Cupid'
1796
79
William Blake, 1757–1827
Pl. 15: `The Conjugal Union of Cupid'
1796
80
William Blake, 1757–1827
Pl. 16: `Cupid & Psyche'
1796
81
William Blake, 1757–1827
Pl. 12: `Psyche Disobeys.'
1796
82
William Blake, 1757–1827
Pl. 18: `Iron Age'
1796
83
William Blake, 1757–1827
Pl. 19: `Aristophanes Clouds. Scene I'
1796
84
William Blake, 1757–1827
Pl. 23: `Anacreon Ode LII'
1796
85
William Blake, 1757–1827
Pl. 13: `Psyche Repents.'
1796
86
William Blake, 1757–1827
Pl. 14: `Venus Counsels Cupid'
1796
87
William Blake, 1757–1827
Pl. 15: `The Conjugal Union of Cupid'
1796
88
William Blake, 1757–1827
Pl. 23: `Anacreon Ode LII'
1796
89
William Blake, 1757–1827
Pl. 16: `Cupid & Psyche'
1796
90
William Blake, 1757–1827
Pl. 19: `Aristophanes Clouds. Scene I'
1796
91
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 15 (page 14): [The Creation]
1826
92
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 16 (page 15): [Behemoth and Leviathan]
1826
93
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 20 (page 19): [Job Accepting Charity]
1826
94
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 12 (page 11): [Job's Evil Dreams]
1826
95
William Blake, 1757–1827
Illustrations to Dante's "Divine Comedy"
1827
96
William Blake, 1757–1827
The Triumphs of Temper
1803
97
William Blake, 1757–1827
The Life of George Romney
1809
98
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
99
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
100
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]