The Harlowe Family, from Samuel Richardson's "Clarissa"
between 1745 and 1747
Not on view
3
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
4
George Stubbs, 1724–1806
The Farmer's Wife and the Raven
1788
5
George Romney, 1734–1802
Paradise Lost Sketchbook
ca. 1793
6
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
7
Print made by Francesco Bartolozzi, 1728–1815
The Cottagers
1794
8
Print made by William Faithorne the Younger, ca. 1669–1703
Sylvio and Dorinda
between 1680 and 1703
9
Print made by William Faithorne the Younger, ca. 1669–1703
Sylvio and Dorinda
between 1752 and 1768
10
Print made by Nathaniel Hone, 1718–1784
Monachum Non Facit Cucullus - The Cowl Does Not Make the Monk
1772
11
Henry Courtney Selous, 1811–1890
Illustration to Pilgrim's Progress, 10. (The Pilgrim in the Armory)
undated
12
Print made by William Finden, 1787–1852
Travelling Musicians
1830
13
Print made by Daniel Allen, active 1830s
A Rural Entertainment
1830
14
Print made by William Finden, 1787–1852
Jorasse
1830
15
Print made by John Horsburgh, 1791–1869
Bemerside Tower
1834
16
Print made by William Miller, 1796–1882
The Dead Eagle - Oran
1837
17
Print made by John Henry Robinson, 1796–1871
Children on the Sea Shore
1830
18
Print made by John Horsburgh, 1791–1869
Bermerside
1834
19
Print made by John Henry Robinson, 1796–1871
The Tarentella
1830
20
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
undated
21
William Henry Pyne, 1769–1843
An Illustration to Rob Roy: Interior with a Party Drinking
undated
22
Print made by Benjamin Fawcett, 1808–1893
Scene Illustration: Milton's 'L'Allegro'
between 1860 and 1885
23
Francesco Bartolozzi, 1728–1815
February
1793
24
Francesco Bartolozzi, 1728–1815
August
1793
25
Francesco Bartolozzi, 1728–1815
Joseph Andrews
1781
26
Francesco Bartolozzi, 1728–1815
June
1789
27
Francesco Bartolozzi, 1728–1815
October
1793
28
Francesco Bartolozzi, 1728–1815
September
1793
29
Francesco Bartolozzi, 1728–1815
Poetry And History, Presenting Painting, With Subjects For Her Pencil
1794
30
Print made by John Horsburgh, 1791–1869
Bemerside Tower (Vignette)
1834
31
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
32
Francesco Bartolozzi, 1728–1815
Ticket: For The Benefit Of Mad' Banti
1795
33
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
34
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
35
Print made by John Horsburgh, 1791–1869
Bermerside
1834
36
John Horsburgh, 1791–1869
Bermerside
1834
37
John Horsburgh, 1791–1869
Bermerside
1834
38
Francesco Bartolozzi, 1728–1815
Concert Ticket For The Benefit of Madame Banti
1795
39
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
40
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
41
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
42
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
43
Print made by George Cruikshank, 1792–1878
Jack Sheppard Exhibits a Vindictive Character
1835
44
Print made by George Cruikshank, 1792–1878
Jack Sheppard Tricking Shotbolt, the Gaoler
1839
45
Print made by Robert Thew, 1758–1802
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
46
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"
undated
47
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
48
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
49
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
undated
50
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page
undated
51
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
52
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'
undated
53
Francesco Bartolozzi, 1728–1815
July
1789
54
Francesco Bartolozzi, 1728–1815
Title page: L'Amico' de Fanciulli, Vol. III
1788
55
Print made by William Miller, 1796–1882
The Dead Eagle - Oran (Vignette)
1837
56
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
57
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet