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Genre literary theme

William Blake Jerusalem, Plate 80, "Encompassd by the frozen net...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 80, "Encompassd by the frozen net...."

1804 to 1820

William Blake Jerusalem, Plate 99, "All Human Forms identified...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 99, "All Human Forms identified...."

1804 to 1820

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

1797

William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

1797

William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

1797

William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

1797

William Blake The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 31, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 31, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 61, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 61, "The Bard."

between 1797 and 1798

William Blake Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

1789

William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

1789

William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

1789

William Blake The Poems of Thomas Gray, Design 55, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 55, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 71, "The Fatal Sisters."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 71, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 37, "Ode to Adversity."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 39, "Ode to Adversity."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 39, "Ode to Adversity."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 5, "Ode on the Spring."

between 1797 and 1798

William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

1789

William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 33, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 33, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 49, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 49, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 35, "Ode to Adversity."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 51, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 51, "The Progress of Poesy."

between 1797 and 1798

William Blake Jerusalem, Plate 67, "By those who drink their blood...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 67, "By those who drink their blood...."

1804 to 1820

William Blake Jerusalem, Plate 68, "O Skofield why art thou cruel?...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 68, "O Skofield why art thou cruel?...."

1804 to 1820

William Blake Jerusalem, Plate 69, "Then all the Males...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 69, "Then all the Males...."

1804 to 1820

William Blake Jerusalem, Plate 7, "Was living: panting...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 7, "Was living: panting...."

1804 to 1820

William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 70, "And this the form of mighty Hand...."

1804 to 1820

William Blake Jerusalem, Plate 71, "And above Albions Land...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 71, "And above Albions Land...."

1804 to 1820

William Blake Jerusalem, Plate 72, "And the Thirty-two Counties...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 72, "And the Thirty-two Counties...."

1804 to 1820

William Blake Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

1804 to 1820

William Blake Jerusalem, Plate 64, "Of the Mundane Shell...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 64, "Of the Mundane Shell...."

1804 to 1820

William Blake Jerusalem, Plate 65, "To decide Two Worlds...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 65, "To decide Two Worlds...."

1804 to 1820

William Blake Jerusalem, Plate 66, "In awful pomp & gold...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 66, "In awful pomp & gold...."

1804 to 1820

William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 7, "Fire"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

1789

William Blake Jerusalem, Plate 100

Print made by William Blake, 1757–1827

Jerusalem, Plate 100

1804 to 1820

William Blake Jerusalem, Plate 42, "Thus Albion sat...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 42, "Thus Albion sat...."

1804 to 1820

William Blake Jerusalem, Plate 45, "Bath, healing City!...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 45, "Bath, healing City!...."

1804 to 1820

William Blake Jerusalem, Plate 47, "From Camberwell to Highgate...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 47, "From Camberwell to Highgate...."

1804 to 1820

William Blake Jerusalem, Plate 48, "These were his last words...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 48, "These were his last words...."

1804 to 1820

William Blake Jerusalem, Plate 5, "The banks of the Thames...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 5, "The banks of the Thames...."

1804 to 1820

William Blake Jerusalem, Plate 50, "The Atlantic Mountains...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 50, "The Atlantic Mountains...."

1804 to 1820

William Blake Jerusalem, Plate 51

Print made by William Blake, 1757–1827

Jerusalem, Plate 51

1804 to 1820

William Blake The Poems of Thomas Gray, Design 59, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 59, "The Bard."

between 1797 and 1798

William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 26, "Spring" (Bentley 23)

1789

William Blake Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

1789

William Blake The Poems of Thomas Gray, Design 57, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 57, "The Bard."

between 1797 and 1798

William Blake The Shepherd, from Songs of Innocence

William Blake, 1757–1827

The Shepherd, from Songs of Innocence

ca. 1795

William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake Albion Compelling the Four Zoas to Their Proper Tasks

William Blake, 1757–1827

Albion Compelling the Four Zoas to Their Proper Tasks

1804 to 1810

William Blake Pity

Print made by William Blake, 1757–1827

Pity

ca. 1795

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons

William Blake, 1757–1827

Tiriel Supporting the Dying Myratana and Cursing His Sons

1786 to 1789

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

William Blake, 1757–1827

The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

1805 to 1808

William Blake A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

William Blake A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

William Blake Introduction to the Fables, The Shepherd and the Philosopher

Print made by William Blake, 1757–1827

Introduction to the Fables, The Shepherd and the Philosopher

1793

William Blake Fable VI. The Miser and Plutus

Print made by William Blake, 1757–1827

Fable VI. The Miser and Plutus

1793

William Blake Fable XXII. The Goat Without a Beard

Print made by William Blake, 1757–1827

Fable XXII. The Goat Without a Beard

1793

William Blake Fable XXIV. The Butterfly and the Snail

Print made by William Blake, 1757–1827

Fable XXIV. The Butterfly and the Snail

1793

William Blake Fable XXVIII. The Persian, the Sun, and the Cloud

Print made by William Blake, 1757–1827

Fable XXVIII. The Persian, the Sun, and the Cloud

1793

William Blake Fable I. The Dog and the Fox

Print made by William Blake, 1757–1827

Fable I. The Dog and the Fox

1793

William Blake Fable XII. Pan and Fortune

Print made by William Blake, 1757–1827

Fable XII. Pan and Fortune

1793

William Blake Fable XVI. The Ravens, the Sexton, and the Earth-Worm

Print made by William Blake, 1757–1827

Fable XVI. The Ravens, the Sexton, and the Earth-Worm

1793

William Blake Fable XVI. The Pin and the Needle

Print made by William Blake, 1757–1827

Fable XVI. The Pin and the Needle

1793

William Blake Fable XIII. The Tame Stag

Print made by William Blake, 1757–1827

Fable XIII. The Tame Stag

1793

William Blake Fable XXX. The Setting-dog and the Partridge

Print made by William Blake, 1757–1827

Fable XXX. The Setting-dog and the Partridge

1793

William Blake Fable XLI. The Owl and the Farmer

Print made by William Blake, 1757–1827

Fable XLI. The Owl and the Farmer

1793

Edward Goodall Greenwich Hospital

Print made by Edward Goodall, 1795–1870

Greenwich Hospital

1834

William Miller An Old Manor House

Print made by William Miller, 1796–1882

An Old Manor House

1834

Edward Goodall St. Anne's Hill, No. I

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. I

1834

Edward Goodall A Hurricane in the Desert

Print made by Edward Goodall, 1795–1870

A Hurricane in the Desert

1834

Edward Goodall Land Discovered by Columbus

Print made by Edward Goodall, 1795–1870

Land Discovered by Columbus

1834

William Miller A Garden

Print made by William Miller, 1796–1882

A Garden

1834

Edward Goodall A Village – Evening

Print made by Edward Goodall, 1795–1870

A Village – Evening

1834

Edward Goodall Datur Hora Quieti

Print made by Edward Goodall, 1795–1870

Datur Hora Quieti

1834

Edward Goodall Cortes and Pizarro

Print made by Edward Goodall, 1795–1870

Cortes and Pizarro

1834

Edward Goodall The Gipsy

Print made by Edward Goodall, 1795–1870

The Gipsy

1834

Edward Goodall Leaving Home

Print made by Edward Goodall, 1795–1870

Leaving Home

1834

Edward Goodall Keswick Lake

Print made by Edward Goodall, 1795–1870

Keswick Lake

1834