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1. Design for the Dust Jacket of 'Between the Acts' by Virginia Woolf

Design for the Dust Jacket of 'Between the Acts' by Virginia Woolf
Creator:
Vanessa Bell, 1879–1961
Date:
ca. 1941
Materials & Techniques:
Pen and black ink and graphite
Dimensions:
Sheet: 11 7/8 × 8 7/8 inches (30.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Lucia Woods Lindley

2. Oberon and Titania

Oberon and Titania
Creator:
Francis Danby, 1793–1861
Date:
1837
Materials & Techniques:
Watercolor and black ink with gum over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 8 1/4 inches (15.2 × 20.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. The Poems of Thomas Gray, Design 53, "The Bard."

The Poems of Thomas Gray, Design 53, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Poems of Thomas Gray, Design 65, "The Bard."

The Poems of Thomas Gray, Design 65, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Poems of Thomas Gray, Design 75, "The Fatal Sisters."

The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Poems of Thomas Gray, Design 77, "The Descent of Odin."

The Poems of Thomas Gray, Design 77, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Poems of Thomas Gray, Design 81, "The Descent of Odin."

The Poems of Thomas Gray, Design 81, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."

The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."

The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Poems of Thomas Gray, Design 99, "Ode for Music."

The Poems of Thomas Gray, Design 99, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."

The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Poems of Thomas Gray, Design 63, "The Bard."

The Poems of Thomas Gray, Design 63, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Poems of Thomas Gray, Design 69, "The Fatal Sisters."

The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."

The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Poems of Thomas Gray, Design 73, "The Fatal Sisters."

The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Poems of Thomas Gray, Design 79, "The Descent of Odin."

The Poems of Thomas Gray, Design 79, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

The Poems of Thomas Gray, Design 83, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Poems of Thomas Gray, Design 85, "The Descent of Odin."

The Poems of Thomas Gray, Design 85, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."

The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."

The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Poems of Thomas Gray, Design 93, "Ode for Music."

The Poems of Thomas Gray, Design 93, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Poems of Thomas Gray, Design 95, "Ode for Music."

The Poems of Thomas Gray, Design 95, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Poems of Thomas Gray, Design 97, "Ode for Music."

The Poems of Thomas Gray, Design 97, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"

The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The Poems of Thomas Gray, Design 101, "Ode for Music."

The Poems of Thomas Gray, Design 101, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Poems of Thomas Gray, Design 23, "A Long Story."

The Poems of Thomas Gray, Design 23, "A Long Story."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Poems of Thomas Gray, Design 25, "A Long Story."

The Poems of Thomas Gray, Design 25, "A Long Story."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. The Poems of Thomas Gray, Design 27, "A Long Story."

The Poems of Thomas Gray, Design 27, "A Long Story."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Poems of Thomas Gray, Design 29, "A Long Story."

The Poems of Thomas Gray, Design 29, "A Long Story."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with letterpress inset
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Poems of Thomas Gray, Design 3, "Ode on the Spring."

The Poems of Thomas Gray, Design 3, "Ode on the Spring."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."

The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. The Poems of Thomas Gray, Design 31, "A Long Story."

The Poems of Thomas Gray, Design 31, "A Long Story."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The Poems of Thomas Gray, Design 61, "The Bard."

The Poems of Thomas Gray, Design 61, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The Poems of Thomas Gray, Design 55, "The Bard."

The Poems of Thomas Gray, Design 55, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. The Poems of Thomas Gray, Design 71, "The Fatal Sisters."

The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. The Poems of Thomas Gray, Design 37, "Ode to Adversity."

The Poems of Thomas Gray, Design 37, "Ode to Adversity."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. The Poems of Thomas Gray, Design 39, "Ode to Adversity."

The Poems of Thomas Gray, Design 39, "Ode to Adversity."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. The Poems of Thomas Gray, Design 5, "Ode on the Spring."

The Poems of Thomas Gray, Design 5, "Ode on the Spring."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. The Poems of Thomas Gray, Design 33, "A Long Story."

The Poems of Thomas Gray, Design 33, "A Long Story."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Poems of Thomas Gray, Design 49, "The Progress of Poesy."

The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

The Poems of Thomas Gray, Design 35, "Ode to Adversity."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. The Poems of Thomas Gray, Design 51, "The Progress of Poesy."

The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. The Poems of Thomas Gray, Design 59, "The Bard."

The Poems of Thomas Gray, Design 59, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. The Poems of Thomas Gray, Design 57, "The Bard."

The Poems of Thomas Gray, Design 57, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Illustration to the Maids of Elfen-Mere

Illustration to the Maids of Elfen-Mere
Creator:
Dante Gabriel Rossetti, 1828–1882
Date:
1854
Materials & Techniques:
Graphite with pen and black ink and pen and brown ink; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 3 1/4 inches (13 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

62. Apotheosis of Shakespeare's Characters

Apotheosis of Shakespeare's Characters
Creator:
Sir John Gilbert, 1817–1897
Date:
1871
Materials & Techniques:
Watercolor, gouache, pen and black ink, and graphite on thick, slightly textured, cream wove paper mounted on wood panel
Dimensions:
Sheet: 41 x 28 inches (104.1 x 71.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

63. The Sleepwalking Scene in Macbeth

The Sleepwalking Scene in Macbeth
Creator:
Henry Pierce Bone, 1779–1855
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, graphite and traces of white gouache on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 19 7/8 x 13 7/8 inches (50.5 x 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

64. Launce Teaching His Dog Crab

Launce Teaching His Dog Crab
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, red chalk, black chalk, graphite, and gouache on medium, slightly textured, beige wove paper mounted on moderately thick, moderately textured, beige laid paper
Dimensions:
Mount: 16 5/16 x 20 3/8 inches (41.5 x 51.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

65. Study of a Woman, Imploring for the Return of Her Captive Child

Study of a Woman, Imploring for the Return of Her Captive Child
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 9/16 × 3 9/16 inches (14.1 × 9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Study of a Roman Banquet Scene

Study of a Roman Banquet Scene
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 3/16 × 4 1/2 inches (13.2 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Window West End, South Aisle, Saint Vincent

Window West End, South Aisle, Saint Vincent
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite, watercolor, pen and black ink, and pen and brown ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 7/8 × 3 7/8 inches (22.5 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. The Land of Beulah

The Land of Beulah
Creator:
Edward Burne-Jones, 1833–1898
Date:
1881
Materials & Techniques:
Pen and black ink, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 11 3/8 inches (20 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

69. Study for the Figures of Demitrius and Two Workmen

Study for the Figures of Demitrius and Two Workmen
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Graphite, brown chalk and pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/8 × 10 5/8 inches (24.4 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

70. Malvolio: Possibly a Self-Portrait in the Role

Malvolio: Possibly a Self-Portrait in the Role
Creator:
John Boyne, ca. 1750–1810
Date:
undated
Materials & Techniques:
Black and gray wash with pen and black ink, scraping, graphite, and red pencil on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 × 6 1/16 inches (22.7 × 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Prospero Summoning Ariel

Prospero Summoning Ariel
Creator:
William Young Ottley, 1771–1836
Date:
ca. 1800
Materials & Techniques:
Watercolor, graphite, gouache, white chalk, and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 12 7/16 x 8 1/8 inches (31.6 x 20.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. The Duel: 'Twelfth Night,' Act III, Scene IV

The Duel: 'Twelfth Night,' Act III, Scene IV
Creator:
Henry William Bunbury, 1750–1811
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen and gray ink, red ink, black ink, brown ink, gum arabic, graphite, and white gouache on moderately thick, slightly textured, beige wove paper, mounted on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 22 1/8 × 16 13/16 inches (56.2 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

73. Enter Malvolio, Crossgartered...

Enter Malvolio, Crossgartered...
Creator:
Sir John Gilbert, 1817–1897
Date:
1863
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, red ink, gouache, gum arabic, and graphite on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/4 × 29 3/4 inches (48.9 × 75.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

74. Design for Love's Labour's Lost

Design for Love's Labour's Lost
Creator:
Thomas Grieve, 1799–1882
Date:
1839
Materials & Techniques:
Watercolor, white gouache, graphite, pen and black ink, pen and brown ink, and collage on three layerd sheets of moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 9 3/4 inches (16.5 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Creator:
Samuel Howitt, 1756–1822
Date:
1807
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 17 1/16 inches (29.8 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Study of a Soldier Attacking a Woman

Study of a Soldier Attacking a Woman
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 5/16 × 4 1/2 inches (13.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Scene from Midsummer's Night Dream? (451a)

Scene from Midsummer's Night Dream? (451a)
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 11 1/2 inches (14 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

78. Lady Macbeth, Sleepwalking

Lady Macbeth, Sleepwalking
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with black ink, scraping, and gouache over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 21 1/16 x 14 1/2 inches (53.5 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. The Three Witches from Macbeth: Double, Double, Toil and Trouble

The Three Witches from Macbeth: Double, Double, Toil and Trouble
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with black ink and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 20 3/4 x 24 3/16 inches (52.7 x 61.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. The Apparition of the Armed Head: Macbeth

The Apparition of the Armed Head: Macbeth
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor, pen and black ink, and graphite, with scraping on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 16 × 13 inches (40.6 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Illustration to Fielding's Amelia

Illustration to Fielding's Amelia
Creator:
George Chinnery, 1774–1852
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, brown ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 × 5 1/8 inches (9.5 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Sketch for the Passions: Pride

Sketch for the Passions: Pride
Creator:
Richard Dadd, 1817–1886
Date:
ca. 1854
Materials & Techniques:
Watercolor, black ink, and graphite on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/8 inches (36.8 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Sketch for the Passions: Jealousy

Sketch for the Passions: Jealousy
Creator:
Richard Dadd, 1817–1886
Date:
1853
Materials & Techniques:
Watercolor, black ink, and graphite on moderately thick, slightly textured, light blue wove paper
Dimensions:
Sheet: 14 x 10 1/8 inches (35.5 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

84. Sketch for the Passions: Love

Sketch for the Passions: Love
Creator:
Richard Dadd, 1817–1886
Date:
1853
Materials & Techniques:
Watercolor, black ink, and graphite on moderately thick, slightly textured, light blue wove paper
Dimensions:
Sheet: 14 1/8 x 10 1/8 inches (35.9 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

85. Alcibiades and Timon

Alcibiades and Timon
Creator:
Richard Westall, 1765–1836
Date:
ca. 1805
Materials & Techniques:
Watercolor with gouache and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 1/8 × 10 1/16 inches (33.3 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

86. Imogen in the Cave, 'Cymbeline', Act III, Scene VI

Imogen in the Cave, 'Cymbeline', Act III, Scene VI
Creator:
Mary Hoare, 1744–1820
Date:
1782
Materials & Techniques:
Watercolor and graphite with pen and black ink on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 23 1/16 x 18 5/16 inches (58.5 x 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Macbeth and the Witch

Macbeth and the Witch
Creator:
George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Watercolor with black and brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

88. Hamlet and the Ghost

Hamlet and the Ghost
Creator:
George Cruikshank, 1792–1878
Date:
ca. 1825
Materials & Techniques:
Watercolor with black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 7/8 x 8 5/16 inches (17.4 x 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund