Materials & Techniques: chine collé / Collection: Prints and Drawings / Subject Terms: church and cityscape

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Materials & Techniques chine collé

Collection Prints and Drawings

Subject Terms church

Subject Terms cityscape

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by John Pye, 1782–1874

Ehrenbreitstein

1828

Print made by Robert Wallis, 1794–1878

Saumur

1830

Print made by James C. Allen, active 1821–1831

Ehrenbreitstein

1824

Print made by James C. Allen, active 1821–1831

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz

1824

Print made by James C. Allen, active 1821–1831

The Custom House

1827

Print made by James C. Allen, active 1821–1831

The Custom House

1827

Print made by Edward Goodall, 1795–1870

Cologne

1824

Print made by Robert Wallis, 1794–1878

Saumur

1830

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by John Pye, 1782–1874

The Rialto, Venice

1820

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by Robert Wallis, 1794–1878

Saumur

1830

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by John Pye, 1782–1874

Ehrenbreitstein

1828

Print made by James T. Willmore, 1800–1863

Saumur

1833

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by Thomas Shotter Boys, 1803–1874

Verona, Hay Barge on the Medway, and a Calvary (three prints)

after 1833

Print made by William Miller, 1796–1882

The Grand Canal, Venice

1838

Print made by John Pye, 1782–1874

Ehrenbreitstein

1845

Print made by William Miller, 1796–1882

The Grand Canal, Venice

1838

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