Materials & Techniques: engraving (printing process) / Collection: Prints and Drawings / Period: 19th century / Width [cm]: 31

Print made by William Bernard Cooke, 1778–1855

Weymouth, Dorset

1813

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814

Print made by William Bernard Cooke, 1778–1855

Falmouth, Cornwall

1815

Print made by William Bernard Cooke, 1778–1855

Falmouth, Cornwall

1815

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814-1826

Print made by William Bernard Cooke, 1778–1855

Bow and Arrow Castle, Isle of Portland

1814-1826

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855

Ilfracombe, North Devon

1818

Engraved by George Hollis, 1792–1842

The Forum Romanum

1818-1820

Print made by John Byrne, 1786–1847

Rome, Tomb of Cecilia Metella

1818-1820

Print made by Edward Francis Finden, 1791–1857

Scio (Fontana de Melek Mehmet Pasha)

1832-1834

Print made by John Horsburgh, 1791–1869

Milan

1834

Print made by Edward Goodall, 1795–1870

Perugia (vignette)

1830

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by George Cooke, 1781–1834

Tintagel Castle, Cornwall

1818

Print made by George Cooke, 1781–1834

Corfe Castle, Dorsetshire

1814-1826

Print made by George Cooke, 1781–1834

Teignmouth, Devon

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

Falmouth, Cornwall

1816

Print made by William Bernard Cooke, 1778–1855

Plymouth, from Mount Batten

1817

Print made by George Cooke, 1781–1834

The Roman Forum from the Tower of the Capitol

1818-1820

Print made by James C. Allen, active 1821–1831

Lowestoffe Lighthouse (vignette)

ca. 1830

Print made by William Bernard Cooke, 1778–1855

Plymouth Dock, from Mount Edgecumbe

1816

Print made by William Finden, 1787–1852

The Fountain

1830

Print made by James Fittler, 1758–1835

Isola Bella, on the Lago Maggiore

1818-1820

Print made by James Mitan, 1776–1822

Turin from the Portico of the Superga Church

1820

Print made by George Cooke, 1781–1834

Teignmouth, Devon

1814

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814

Print made by George Cooke, 1781–1834

Watchet, Somersetshire

1814-1826

Print made by George Cooke, 1781–1834

Florence from the Chiesa al Monte

1820

Print made by John Horsburgh, 1791–1869

Shakespeare's Monument at the Church at Stratford upon Avon

1834

Print made by James C. Allen, active 1821–1831

Hebiborough Sands

ca. 1830

Print made by John Byrne, 1786–1847

Tomb of Cecilia Metella

1819

Print made by John Le Keux, 1783–1846

Rome, from the Farnesean Gardens

1820

Print made by James Mitan, 1776–1822

Turin from the Portico of the Superga Church

1820

Print made by William Radclyffe, 1780–1855

Ashby de la Zouch

1832

Print made by James C. Allen, active 1821–1831

Dunwich, Suffolk

1819-1826

Print made by William Miller, 1796–1882

Carew Castle, Pembroke

1834

Print made by William Radclyffe, 1780–1855

Keswick Lake, Cumberland

1837

Print made by James Mitan, 1776–1822

The Forum Romanum

1820

Print made by George Cooke, 1781–1834

Florence, from Chiesa al Monte

1820

Print made by William Radclyffe, 1780–1855

Ashby de la Zouch

1832

Print made by Thomas Jeavons, ca. 1800–1867

Kenilworth Castle

1832

Print made by William Miller, 1796–1882

Durham Cathedral

1836

Print made by S. Fisher, active 1831–1844

Coventry, Warwickshire

1833

Print made by Thomas Jeavons, ca. 1800–1867

Arundel Castle and Town, Sussex

1834

Print made by James Fittler, 1758–1835

Isola Bella, on the Lago Maggiore

1818

Print made by W. R. Smith, active 1819–1851

Florence from Fiesoli

1819

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834

Print made by William Miller, 1796–1882

Brienne

1834

Print made by William Miller, 1796–1882

Brienne

1834

Print made by John Byrne, 1786–1847

Rome, from Monte Testaccio

1820

Print made by Samuel Palmer, 1805–1881

The Morning of Life

1860-1861

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Materials & Techniques engraving (printing process)

Collection Prints and Drawings

Period 19th century

Width [cm] 31

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Materials & Techniques engraving (printing process)

Collection Prints and Drawings

Period 19th century

Width [cm] 31

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